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The Singles (1991 The Clash Album)
''The Singles'' is a compilation album by the English punk rock band the Clash. It includes all of the band's singles, in their original single versions, except for 1977's ''Capital Radio'' (which, whilst not eligible for chart entry due to being a free EP, is still considered a single) and 1985's "This Is England", due to its parent album, ''Cut the Crap'' (1985), being disowned by the band at that time. This collection contains the actual A-side recording of the "This Is Radio Clash" single. Other compilations, such as ''Super Black Market Clash'' (1993) and ''The Essential Clash'' (2003), contain the B-side "Radio Clash" under the title "This Is Radio Clash" instead. A remastered version, with slightly altered artwork, was released in 1999 as part of Sony Music, Sony's Clash reissue campaign. Track listing All tracks by Joe Strummer and Mick Jones (The Clash), Mick Jones, except where noted. # "White Riot" – 1:57 # "Remote Control (The Clash song), Remote Control" – 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, '' The Clash'' (1977) and their second album, ''Give 'Em Enou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Music
Sony Music Entertainment (SME), also known as simply Sony Music, is an American multinational music company. Being owned by the parent conglomerate Sony Group Corporation, it is part of the Sony Music Group, which is owned by Sony Entertainment and managed by the American umbrella division of Sony. It was originally founded in 1929 as American Record Corporation and renamed as Columbia Recording Corporation in 1938, following its acquisition by the Columbia Broadcasting System. In 1966, the company was reorganized to become CBS Records, and Sony Corporation bought the company in 1988, renaming it under its current name in 1991. In 2004, Sony and Bertelsmann established a 50-50 joint venture known as Sony BMG, which transferred the businesses of Sony Music and Bertelsmann Music Group into one entity. However, in 2008, Sony acquired Bertelsmann's stake, and the company reverted to the Sony Music name shortly after; the buyout allowed Sony to acquire all of BMG's labels, whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Call Up
"The Call Up" is a song by English punk rock group the Clash. It was released as the first single from the band's fourth album, '' Sandinista!''. The single was released in November 1980, in advance of the release of ''Sandinista!'', with "Stop the World" as its B-side. Re-releases The single was reissued in 1981 in the U.S. by Epic Records (catalog number 02036) in 7" vinyl format and with a different cover. On the B-side of the US release was "The Cool Out", a dub of "The Call Up". In addition to its inclusion on '' Sandinista!'', "The Call Up" has been included on both '' The Clash on Broadway'' and '' The Singles''. It is absent from ''The Essential Clash'', although "Stop The World", its B-side that was not included on ''Sandinista'', is included. "Stop The World" is also included on ''The Clash on Broadway'' and the B-side compilation '' Super Black Market Clash''. The single was reissued on CD as Disc 12 of Singles Box, complete with a re-creation of the original sl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bankrobber
"Bankrobber" is a song by English punk rock band The Clash. The song was not released on any of their studio albums, instead appearing on their compilation '' Black Market Clash''. Upon its 1980 release as a single (initially available in the UK on import only) it peaked at number 12 on the UK Singles Chart, and at number 14 on both the Irish Singles Chart and the New Zealand Singles Chart. Young Ian Brown and Pete Garner, later of The Stone Roses, were in attendance at the studio recording session of this single. According to Brown, having heard a rumour that the Clash were recording in Manchester, he and Garner were walking through the city centre when they overheard Topper Headon playing the drums at the city's Pluto Studios: Headon subsequently emerged from the studio and invited the pair in. The full account of this incident is in John Robb's ''Stone Roses and the Resurrection of British Pop''. The Clash filmed a low-budget video for the song, depicting members of the ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonny Curtis
Sonny Curtis (born May 9, 1937) is an American singer and songwriter. Known for his collaborations with Buddy Holly, he was a member of the Crickets and continued with the band after Holly's death. Curtis's best known compositions include " Walk Right Back", a major hit in 1961 for the Everly Brothers and "I Fought the Law", notably covered by the Bobby Fuller Four and the Clash. Overview Curtis was born in Meadow, Texas, United States. As a guitarist, he played on some of Buddy Holly's earlier 1956 Decca sessions, including the minor hit "Blue Days Black Nights" and a song he wrote, "Rock Around With Ollie Vee". In 1955 and 1956 he, along with Buddy Holly, opened concerts for rising new star Elvis Presley. Although he had gone on the road with other musicians by the time Buddy Holly put together the Crickets in 1957, Curtis joined the Crickets in late 1958, shortly before Holly's death in 1959, and soon took over the lead vocalist role in addition to lead guitar. The Cricke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Fought The Law
"I Fought the Law" is a song written by Sonny Curtis of the Crickets and popularized by a cover by the Bobby Fuller Four, becoming a top-ten hit for the band in 1966. Their version of the song was ranked No. 175 on the ''Rolling Stone'' list of The 500 Greatest Songs of All Time in 2004, and the same year was named one of the 500 "Songs that Shaped Rock" by the Rock and Roll Hall of Fame. A version by Sam Neely charted in 1975. The song was also recorded by the Clash in 1979. A version with different lyrics was recorded by the Dead Kennedys. Original song The song was written in 1958 by Sonny Curtis, and recorded in 1959 when he joined the Crickets, taking the place of Buddy Holly on guitar. Joe B. Mauldin and Jerry Allison continued their positions on the stand-up bass and drums, respectively, while Earl Sinks filled the role for vocals. The song was included on their 1960 album, ''In Style with the Crickets'', and the following year appeared as the B-side of their singl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Civil War (song)
"English Civil War" (often subtitled "Johnny Comes Marching Home") is a song by English punk rock band the Clash, featured on their second album '' Give 'Em Enough Rope'', and released as a single on 23 February 1979. It reached number 25 in the UK Singles Chart and number 29 in the Irish Singles Chart. Background The song is derived from an American Civil War song, " When Johnny Comes Marching Home", written by Irish-born Massachusetts Unionist Patrick Sarsfield Gilmore. It was popular among both sides of the conflict. Having learnt the song at school, Joe Strummer suggested that the band should update it. Those on the left wing saw the rise during the mid-1970s of far right groups such as the National Front as alarming and dangerous omens for Britain's future. The song is about this state of politics in the country and warns against all things uniformed and sinister. Shortly after the song had its first live performance at a Rock Against Racism concert, Strummer said ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Gun (song)
"Tommy Gun" is a song by the British punk rock band The Clash, released as the first single from their second album ''Give 'Em Enough Rope'' (1978). Background Joe Strummer said that he got the idea for the song when he was thinking about terrorists, and how they probably enjoy reading about their killings as much as movie stars like seeing their films reviewed. While Topper Headon mimics the sound of gangster movie shootings with quick snare hits and the guitars are full of distortion and feedback, Strummer's sarcastic lyrics (''I'm cutting out your picture from page one/I'm gonna get a jacket just like yours/And give my false support to your cause/Whatever you want, you're gonna get it!'') condemn rather than condone violence: at the end of the song he sings, ''If death comes so cheap/Then the same goes for life!'' In the liner notes of the '' Singles Box'', Carl Barat (former frontman of Dirty Pretty Things and The Libertines), says that "Tommy Gun" was important for music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(White Man) In Hammersmith Palais
"(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records. Produced by The Clash and engineered by Simon Humphries, the song was recorded for (but not included on) the group's second studio album ''Give 'Em Enough Rope''; it was later featured on the American version of their debut studio album ''The Clash'' between the single version of "White Riot" and " London's Burning". Inspiration and composition The song showed considerable musical and lyrical maturity for the band at the time. Compared with their other early singles, it is stylistically more in line with their version of Junior Murvin's " Police and Thieves" as the powerful guitar intro of "(White Man) In Hammersmith Palais" descends into a slower ska rhythm, and was disorienting to a lot of the fans who had grown used to their earlier work. “The music is a mixture of the reg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clash City Rockers
"Clash City Rockers" is a song by English rock band the Clash. It was first released in February 1978 as a single with the B-side " Jail Guitar Doors", the latter a re-worked version of a song from Joe Strummer's pub rock days. "Clash City Rockers" was the second of three non-album singles released between the group's eponymous first album in 1977 and their second album, ''Give 'Em Enough Rope'' (1978). It was later included as the opening track of the belated US version of the band's debut album. Background The song was first played live at Mont De Marsan (Landes, France), in August 1977, and recorded the same year in the band's October and November sessions at CBS Studios. Following an argument at the end of the band's Get Out of Control Tour, Paul Simonon and Mick Jones were not on speaking terms, leaving Joe Strummer as a middle-man, relaying instructions and insults from one to the other. Composition The Clash's first overt attempt at self-mythology, "Clash City Rockers" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complete Control
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album. Background The song is often cited as one of punk's greatest singles and is a fiery polemic on record companies, managers and the state of punk music itself, the motivation for the song being the band's label (CBS Records) releasing "Remote Control" without asking them, which infuriated the group. '' Stereogum'' described it as "this extraordinary airing of grievances, a desperately catchy cataloguing of the many ills visited upon a young band experiencing its first forays into corporate culture". The song also refers to managers of the time who sought to control their groups–Bernie Rhodes (of The Clash) and Malcolm McLaren (the Sex Pistols)–the song's title is derived from this theme. Bernie Rhodes had arranged a band meeting at the Ship, a pub in Soho's Wardour Street, where he said he wanted "complete control". The track also refers to the band' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remote Control (The Clash Song)
"Remote Control" is a song by The Clash, featured on their debut album, and is written against oppression and conformity. Background The song was written by Mick Jones after the disastrous Anarchy Tour and contains pointed observations about the civic hall bureaucrats who had cancelled concerts, the police, big business and especially record companies. The song mentions a 'meeting in Mayfair' which is thought to refer to the EMI shareholders' meeting held on 7 December 1976, which effectively withdrew all support for the Anarchy Tour. Also alluded to in the song are the 'old-boy' peerage networks and hapless politicians. Writing for ''the A.V. Club'', Jason Heller said that the song "imagines a deliberately, dramatically exaggerated England circa 1977, one where urban claustrophobia, totalitarian authority, and a robotic kind of daily routine". Single release The band virtually disowned the song, following their record label CBS's decision to release the song as a single wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
