The Silver Tassie (play)
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The Silver Tassie (play)
''The Silver Tassie'' is a four-act Expressionist play about the First World War, written between 1927 and 1928 by the Irish playwright Seán O'Casey. It was O'Casey's fourth play and attacks imperialist wars and the suffering that they cause. O'Casey described the play as "A generous handful of stones, aimed indiscriminately, with the aim of breaking a few windows. I don't think it makes a good play, but it's a remarkable one." Plot An antiwar play in four acts, focusing on Harry Heegan, a soldier who goes to war as if going to a football match. *Act 1 : The opening presents Harry in the prime of life, as an athletic hero, but unaware of the possibilities and values of life. *Act 2 is a sudden change of tempo, being an experiment with expressionist and symbolic theater. Set at the battlefront it unexpectedly concentrates on the cynicism and despair of the common soldier at the front lines. *Act 3 portrays the bitterness of the veterans in a veterans’ hospital *Act 4 contrasts ...
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Expressionism (theatre)
Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world. Similar to the broader movement of Expressionism in the arts, Expressionist theatre utilized theatrical elements and scenery with exaggeration and distortion to deliver strong feelings and ideas to audiences. History The early Expressionist theatrical and dramatic movement in Germany had Dionysian, Hellenistic philosophy, Hellenistic, and Nietzsche philosophy influences. It was impacted by the likes of German poet August Stramm and Swedish playwright August Strindberg. ''Murderer, the Hope of Women'' by Oskar Kokoschka, written in 1907 and first performed in Vienna in 1909, was the first fully expressionist drama. Expressionism was then explored and evolved in Germany by a multitude of playwrights, the most famous of which being Georg Kaiser, whose first succ ...
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Almeida Theatre
The Almeida Theatre, opened in 1980, is a 325-seat producing house with an international reputation, which takes its name from the street on which it is located, off Upper Street, in the London Borough of Islington. The theatre produces a diverse range of drama. Successful plays are often transferred to West End theatres. Early history The theatre was built in 1837 for the newly formed Islington Literary and Scientific Society and included a library, reading room, museum, laboratory, and a lecture theatre seating 500. The architects were the fashionable partnership of Robert Lewis Roumieu and Alexander Dick Gough. The library was sold off in 1872 and the building disposed of in 1874 to the Wellington Club (Almeida Street then being called Wellington Street) which occupied it until 1886. In 1885 the hall was used for concerts, balls, and public meetings. The Salvation Army bought the building in 1890, renaming it the Wellington Castle Barracks (Wellington Castle Citadel from 190 ...
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Plays By Seán O'Casey
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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Expressionist Plays
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthias ...
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1929 Plays
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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List Of Plays With Anti-war Themes
An anti-war play is a play that is perceived as having an anti-war theme. Some plays that are thought of as anti-war plays are: *''Peace'' (421 BCE) - by Aristophanes *''The Trojan Women'' (415 BCE) - Euripides *''Lysistrata'' (411 BCE) - Aristophanes *''Journey's End'' (1928) - R. C. Sherriff * '' The Silver Tassie'' (1929) - Seán O'Casey * ''The Rumour'' by C.K.Munro 1929 at the Royal Court Theatre produced by Hilda Dallas *''Post-Mortem'' (1930) - Noël Coward *''For Services Rendered'' (1932) - Somerset Maugham *''The Trojan War Will Not Take Place'' (1935) - Jean Giraudoux *''Bury the Dead'' (1936) - Irwin Shaw *'' Idiot's Delight'' (1936) - Robert E. Sherwood *''Hooray for What!'' (1937) *''The White Disease'' (1937) - Karel Čapek *'' The Mother (1938) - Karel Čapek *''Mother Courage and Her Children'' (1939) - Bertolt Brecht *''Schweik in the Second World War'' (1943) - Bertolt Brecht *''Nemesis'' (1944) - Nurul Momen *'' All My Sons'' (1947) - Arthur Miller *''Andha Yu ...
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The Druid Theatre Company
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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The Silver Tassie (opera)
''The Silver Tassie'' is an opera in four acts by the English composer Mark-Anthony Turnage. The English libretto was written by Amanda Holden (writer), Amanda Holden based on the 1927/28 The Silver Tassie (play), play of the same name by Seán O'Casey. The opera was composed between 1997 and 1999. Background The ''Silver Tassie'' was commissioned by English National Opera (ENO) while Turnage was their Composer in Association and benefited from being worked on at the ENO Studio. It was part funded by Dallas Opera. In an interview for the programme for the ENO production, Turnage talks about treating the four acts as the movements of a symphony with a dance finale. He also discusses how the studio workshops helped him thin out the orchestral textures to make the voices clearer. Although the libretto leaves things vague, Turnage makes it clear that he had a Dublin setting in mind with references in the last act to an Irish jig as one of the dance movements and the use of fiddles in t ...
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Mark Anthony Turnage
Mark-Anthony Turnage CBE (born 10 June 1960) is a British composer of classical music. Biography Turnage was born in Corringham, Essex. He began composing at age nine and at fourteen began studying at the junior section of the Royal College of Music. His initial musical studies were with Oliver Knussen, John Lambert, and later with Gunther Schuller. He also has been strongly influenced by jazz, in particular by the work of Miles Davis, and has composed works featuring jazz performers, including John Scofield, Peter Erskine, John Patitucci, and Joe Lovano. Turnage has composed numerous orchestral and chamber works, and three full-length operas. ''Greek'', composed with the encouragement of Hans Werner Henze and first performed in 1988 at the Munich Biennale, is based on Steven Berkoff's adaptation of ''Oedipus Rex''. '' The Silver Tassie'', first performed in 2000, is based on the play by Seán O'Casey. ''Anna Nicole'', with a libretto by Richard Thomas and first performed in 20 ...
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Royal National Theatre
The Royal National Theatre in London, commonly known as the National Theatre (NT), is one of the United Kingdom's three most prominent publicly funded performing arts venues, alongside the Royal Shakespeare Company and the Royal Opera House. Internationally, it is known as the National Theatre of Great Britain. Founded by Laurence Olivier in 1963, many well-known actors have performed at the National Theatre. Until 1976, the company was based at The Old Vic theatre in Waterloo. The current building is located next to the Thames in the South Bank area of central London. In addition to performances at the National Theatre building, the National Theatre tours productions at theatres across the United Kingdom. The theatre has transferred numerous productions to Broadway and toured some as far as China, Australia and New Zealand. However, touring productions to European cities was suspended in February 2021 over concerns about uncertainty over work permits, additional costs and ...
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Druid Theatre Company
The Druid Theatre Company, referred to as Druid, is an Irish theatre company, based in Galway, Ireland. As well as touring extensively across Ireland, the company's productions have played internationally to Australia, Canada, New Zealand, the UK and the USA. Druid has been a "pioneer" in the development of Irish theatre and is credited (alongside Macnas and the Galway Arts Festival) with making Galway one of the primary cultural centres in Ireland. History In 1975, the company was founded by Garry Hynes, Marie Mullen and Mick Lally - all of whom first met and worked together as members of University College Galway dramatic society, commonly known as NUIG Dramasoc. It was the first Irish professional theatre company to be established outside Dublin. Since 1979, Druid has owned a theatre building in Galway City Centre. The former tea storehouse was originally owned by the McDonaghs, one of Galway's wealthy merchant families. In the late 1970s, the company negotiated a pepperco ...
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Oxford Playhouse
Oxford Playhouse is a theatre designed by Edward Maufe and F.G.M. Chancellor. It is situated in Beaumont Street, Oxford, opposite the Ashmolean Museum. History The Playhouse was founded as ''The Red Barn'' at 12 Woodstock Road, North Oxford, in 1923 by J.B. Fagan. The early history of the theatre is documented by the theatre director, Norman Marshall in his 1947 book, ''The Other Theatre''. Don Chapman also provided a comprehensive study of the theatre in the 2008 book, ''Oxford Playhouse: High and Low Drama in a University City''. The exterior design of the theatre building on the south side of Beaumont Street was by Sir Edward Maufe, with the interior design by F.G.M. Chancellor; the building was completed in 1938. It is faced with stone, in keeping with the early 19th century Regency buildings in the street. Actors who have appeared on the stage at the Playhouse include Rowan Atkinson, Ronnie Barker, Dirk Bogarde, Judi Dench, John Gielgud, Ian McDiarmid, Ian McKelle ...
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