The Silent Corner And The Empty Stage
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The Silent Corner And The Empty Stage
''The Silent Corner and the Empty Stage'' is the third album by British singer-songwriter Peter Hammill. It was released on Charisma Records in 1974, during a hiatus in the activities of Hammill's progressive rock band Van der Graaf Generator. Other ex-members of Van der Graaf Generator also perform on the recording. The cover was designed by Bettina Hohls, ex-member of the psychedelic German rock band Ash Ra Tempel. Hohls also contributed to the cover of Hammill's earlier album ''Chameleon in the Shadow of the Night''. The lengthy "A Louse is not a Home" is a song about the nature of identity. It was originally written for Van der Graaf Generator's album following ''Pawn Hearts'', an album that because of the band's split never came to be.Christopulos, J., and Smart, P.: "Van der Graaf Generator – The Book", page 174. Phil and Jim publishers, 2005. It features Van der Graaf Generator's ex-members and was (just like "In the Black Room" from the previous album) played live by ...
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Peter Hammill
Peter Joseph Andrew Hammill (born 5 November 1948) is an English musician and recording artist. He was a founder member of the progressive rock band Van der Graaf Generator. Best known as a singer/songwriter, he also plays guitar and piano and produces his own recordings and occasionally those of other artists. In 2012, he was recognised with the Visionary award at the first Progressive Music Awards. Biography Early life Peter Hammill was born in Ealing, West London, and moved with his family to Derby when he was 12. He attended Beaumont College and Manchester University, where he studied Liberal Studies in Science. Hammill has stated that his grandfather was originally from Pakistan. Early career Hammill's solo career has coexisted with Van der Graaf Generator's activities. The band was offered a contract by Mercury Records in 1968, that only Hammill signed. When Van der Graaf Generator broke up in 1969 he wanted to record his first solo album. In the summer of 1969 Hammill h ...
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Ecstasy Of St Theresa
The ''Ecstasy of Saint Teresa'' (also known as ''Saint Teresa in Ecstasy'' or the ''Transverberation of Saint Teresa''; it, L'Estasi di Santa Teresa or ) is a sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture depicts Teresa of Ávila, a Spanish Carmelite nun and saint, swooning in a state of religious ecstasy, while an angel holding a spear stands over her. Commission The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and profliga ...
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David Hentschel
David Hentschel (born 18 December 1952) is an English recording engineer, film score composer and music producer who engineered on George Harrison's ''All Things Must Pass'' and Elton John's ''Goodbye Yellow Brick Road'', as well as for such artists as Genesis, Tony Banks, Ringo Starr, Queen, Nazareth, Marti Webb, Andy Summers, Mike Oldfield, Renaissance, Peter Hammill and Ronnie Caryl. Biography Hentschel was born in Sussex. His career began at Trident Studios in London where he was initially an assistant before rising to become one of the in-house producers. In addition to engineering and production credits, Hentschel also played early synthesizers with a diverse range of bands including Nazareth, Pilot and Byzantium. He played synthesizer on several high-profile recordings, including Elton John's " Rocket Man" and "Funeral for a Friend" from the ''Goodbye Yellow Brick Road'' album. "Funeral for a Friend" featured an early analogue synthesizer, the ARP 2500, to create tonal ...
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David Jackson (rock Musician)
David Nicholas George Jackson (born 15 April 1947), nicknamed Jaxon, is an English progressive rock saxophonist, flautist, and composer. He is best known for his work with the band Van der Graaf Generator and his work in Music and Disability. He has also worked with Peter Gabriel, Keith Tippett, Osanna, Judge Smith, David Cross and others. Van der Graaf Generator Jackson was a member of the English progressive rock band Van der Graaf Generator for most of the 1970s and for their 2005 reunion tour. His speciality was then electric saxophones, using octave devices, wah-wah and powerful amplification. Style His saxophone-playing is characterized by the frequent use of double horns, playing two saxophones at the same time, a style he copied from Rahsaan Roland Kirk (whose style and technique influenced Jackson). He also plays flutes and whistles. In the ''NME'', reviewer Jonathan Barnett called David Jackson "the Van Gogh of the saxophone – a renegade impressionist, dispensing d ...
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Farfisa Organ
Farfisa (Fabbriche Riunite di Fisarmoniche) is a manufacturer of electronics based in Osimo, Italy, founded in 1946. The company manufactured a series of compact electronic organs in the 1960s and 1970s, including the Compact, FAST, Professional and VIP ranges, and later, a series of other keyboard instruments. They were used by a number of popular musicians including Sam the Sham, Pink Floyd, Sly Stone, Blondie, and the B-52s. The company was formed after three Italian accordion manufacturers combined to form a single company. They began to produce electronic instruments in the late 1950s, and combo organs were introduced in response to similar instruments such as the Vox Continental. The relatively inexpensive Italian labour allowed Farfisa to sell their products cheaper than the competition, which led to their commercial success. Popular models included the Compact series introduced in 1964, the Professional in 1967, the FAST in 1968 and the VIP in 1970. The success of Farfi ...
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Bass Pedals
Bass pedals are an electronic musical instrument with a foot-operated pedal keyboard with a range of one or more octaves. The earliest bass pedals from the 1970s consisted of a pedalboard and analog synthesizer tone generation circuitry packaged together as a unit. The bass pedals are plugged into a bass amplifier or PA system so that their sound can be heard. Since the 1990s, bass pedals are usually MIDI controllers, which have to be connected to a MIDI-compatible computer, electronic synthesizer keyboard, or synth module to produce musical tones. Some 2010s-era bass pedals have both an onboard synth module and a MIDI output. Bass pedals serve the same function as the pedalboard on a pipe organ or an electric organ, and usually produce sounds in the bass range, which, in organ terminology is the 16′ stop. Some bass pedals have an 8′ stop (an octave higher) which can be used by itself or combined with the 16' stop. Bass pedals are used by keyboard players as an adjunct to t ...
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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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Hugh Banton
Hugh Robert Banton (born April 1949) is a British musician and electronic organ builder, most widely known for playing organ and keyboards with the group Van der Graaf Generator. Career Banton was born in April 1949 in Yeovil, Somerset, into a musical family. His father played the piano, his mother regularly sang along to music on the radio, and two uncles were church organists. He started playing the piano at age four, and began taking formal lessons at age seven. He was influenced by the family classical record collection and by music heard on Radio Luxembourg. In his teens he studied classical piano and organ while attending Silcoates School in Yorkshire under Dr Percy G. Saunders, the organist at Wakefield Cathedral. He continued to enjoy both rock 'n' roll and classical music. After leaving school, he trained as a television engineer with the BBC in Evesham, and subsequently in London. He joined Van der Graaf Generator in May 1968 when the group (then consisting of just Pe ...
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Oscillator
Oscillation is the repetitive or periodic variation, typically in time, of some measure about a central value (often a point of equilibrium) or between two or more different states. Familiar examples of oscillation include a swinging pendulum and alternating current. Oscillations can be used in physics to approximate complex interactions, such as those between atoms. Oscillations occur not only in mechanical systems but also in dynamic systems in virtually every area of science: for example the beating of the human heart (for circulation), business cycles in economics, predator–prey population cycles in ecology, geothermal geysers in geology, vibration of strings in guitar and other string instruments, periodic firing of nerve cells in the brain, and the periodic swelling of Cepheid variable stars in astronomy. The term ''vibration'' is precisely used to describe a mechanical oscillation. Oscillation, especially rapid oscillation, may be an undesirable phenomenon in pro ...
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Pump Organ
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason & ...
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Mellotron
The Mellotron is an electro-mechanical musical instrument developed in Birmingham, England, in 1963. It is played by pressing its keys, each of which pushes a length of magnetic tape against a capstan, which pulls it across a playback head. As the key is released, the tape is retracted by a spring to its initial position. Different portions of the tape can be played to access different sounds. The Mellotron evolved from the similar Chamberlin, but could be mass-produced more efficiently. The first models were designed for the home and contained a variety of sounds, including automatic accompaniments. Bandleader Eric Robinson and television personality David Nixon helped promote the first instruments, and celebrities such as Princess Margaret were early adopters. It was adopted by rock and pop groups in the mid to late 1960s. One of the first pop songs featuring the Mellotron was Manfred Mann's " Semi-Detached, Suburban Mr. James" (1966). The Beatles used it on tracks includ ...
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Guy Evans
Guy Randolph Evans (born 17 June 1947) is an English drummer and a member of the progressive rock band Van der Graaf Generator. Career Whilst at the University of Warwick (1965–68), Evans played in the university band which was called The New Economic Model. The band, which mainly played American soul music of the 1960s, played at all the university dances and supported bands such as Pink Floyd and The Move. There is a picture of Evans with the rest of the New Economic Model in "Van der Graaf Generator – The Book". Evans has been a member of Van der Graaf Generator from 1968 until 1978, and since their reformation in 2005. In addition to his work in Van der Graaf Generator, Evans has collaborated with other musicians, frequently with other (ex-) members of Van der Graaf Generator, as on '' The Long Hello'' project and in the K Group. He also works with a group called Echo City constructing "sonic playgrounds", outdoor constructions which can be used to make music, many ...
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