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The Siege Of Curzola
''The Siege of Curzola'' is a 1786 comic opera with music by Samuel Arnold and a libretto by the Irish writer John O'Keeffe. It is set in 1571 during the Ottoman siege of Curzola at the time of the Battle of Lepanto.Worrall p.63 It was staged at the Haymarket Theatre in London. The original cast included John Edwin, John Bannister and Lydia Webb Lydia Webb (1736 or 1737-1793) was an English actress. She started acting in Norwich. She was married twice. First, she married a man named Mr. Day. Second, she married a Mr. Webb. Her first notable performance was on 21 November 1772 at the Theat .... In following years it was reduced to a shorter two-act afterpiece. References Bibliography * Worrall, David. ''Celebrity, Performance, Reception: British Georgian Theatre as Social Assemblage''. Cambridge University Press, 2013. 1786 operas English comic operas English-language operas Plays by John O'Keeffe {{English-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John O'Keeffe (writer)
John O'Keeffe (24 June 1747 – 4 February 1833) was an Irish actor and dramatist. He wrote a number of farces, amusing dramatic pieces and librettos for pasticcio operas, many of which had great success. Among these are '' Tony Lumpkin in Town'' (1778), ''Love in a Camp'' (1786), and ''Omai'' (1785), an account of the voyages of the Tahitian explorer Omai, and '' Wild Oats'' (1791). Early life O'Keeffe was born in Abbey Street, Dublin in 1747 to Roman Catholic parents and was educated by the Jesuits. His father was from King's County and his mother (née O'Connor) from County Wexford. After showing a talent for drawing he studied art at an academy in Dublin, but grew increasingly more interested in the theatre. After a two-year period in London, where he became an admirer of David Garrick, he settled on a career as an actor and playwright. O'Keeffe wrote his first play ''The She Gallant'' when he was twenty, and it was performed in Dublin at the Smock Alley Theatre. In Cork, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket Theatre
The Theatre Royal Haymarket (also known as Haymarket Theatre or the Little Theatre) is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama (meaning spoken drama, as opposed to opera, concerts or plays with music) in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate. The Haymarket has been the site of a significant innovation in theatre. In 1873, it was the venue for the first scheduled matinée performance, establishing a custom soon followed in theatres everywhere. Its managers have included Benjamin Nottingham Webster, John Baldwin Buckstone, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic Opera
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, ''opera buffa'', emerged as an alternative to '' opera seria''. It quickly made its way to France, where it became ''opéra comique'', and eventually, in the following century, French operetta, with Jacques Offenbach as its most accomplished practitioner. The influence of the Italian and French forms spread to other parts of Europe. Many countries developed their own genres of comic opera, incorporating the Italian and French models along with their own musical traditions. Examples include German ''singspiel'', Viennese operetta, Spanish '' zarzuela'', Russian comic opera, English ballad and Savoy opera, North American operetta and musical comedy. Italian ''opera buffa'' In late 17th-century Italy, light-hearted m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Arnold (composer)
Samuel Arnold (10 August 1740 – 22 October 1802) was an English composer and organist. Arnold was born in London (his mother is said to have been Princess Amelia; his father was Thomas Arnold. He began writing music for the theatre in about the year 1764. A few years later, he became the director of music at Marylebone Gardens, for which he wrote much of his popular music. In 1777 he worked for George Colman the Elder at the Little Theatre, Haymarket. In 1783 he became organist at the Chapel Royal and in 1793 he became the organist at Westminster Abbey, where he was eventually buried. He also wrote the earliest version of Humpty Dumpty. He was a close friend and associate of Haydn. Works Arnold's best-known works include: *''The Maid of the Mill'' (1765) *''Abimelech'' (1768) *''The Prodigal Son'' (1773) *Incidental music for ''Macbeth'' (1778) *'' The Baron Kinkvervankotsdorsprakingatchdern'' (1781) *''The Castle of Andalusia'' (1782) *''Two to One'' (1784), libretto Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) // CITED: p. 36 (PDF p. 38/338) also known as the Turkish Empire, was an empire that controlled much of Southeast Europe, Western Asia, and Northern Africa between the 14th and early 20th centuries. It was founded at the end of the 13th century in northwestern Anatolia in the town of Söğüt (modern-day Bilecik Province) by the Turkoman tribal leader Osman I. After 1354, the Ottomans crossed into Europe and, with the conquest of the Balkans, the Ottoman beylik was transformed into a transcontinental empire. The Ottomans ended the Byzantine Empire with the conquest of Constantinople in 1453 by Mehmed the Conqueror. Under the reign of Suleiman the Magnificent, the Ottoman Empire marked the peak of its power and prosperity, as well a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Battle Of Lepanto
The Battle of Lepanto was a naval engagement that took place on 7 October 1571 when a fleet of the Holy League, a coalition of Catholic states (comprising Spain and its Italian territories, several independent Italian states, and the Sovereign Military Order of Malta) arranged by Pope Pius V, inflicted a major defeat on the fleet of the Ottoman Empire in the Gulf of Patras. The Ottoman forces were sailing westward from their naval station in Lepanto (the Venetian name of ancient Naupactus – Greek , Ottoman ) when they met the fleet of the Holy League which was sailing east from Messina, Sicily. The Spanish Empire and the Venetian Republic were the main powers of the coalition, as the league was largely financed by Philip II of Spain, and Venice was the main contributor of ships. In the history of naval warfare, Lepanto marks the last major engagement in the Western world to be fought almost entirely between rowing vessels, namely the galleys and galleasses which were th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Edwin (1749–1790)
John Edwin (10 August 1749 – 31 October 1790), English actor, was born in London, the son of a watchmaker. Life As a youth, he appeared in the provinces, in minor parts; and at Bath in 1768 he formed a connexion with a Mrs Walmsley, a milliner, who bore him a son, but whom he afterwards deserted. His first London appearance was at the Haymarket in 1776 as Flaw in Samuel Foote's ''The Cozeners'', but when George Colman took over the theatre he was given better parts and became its leading actor. In 1779 he was at Covent Garden Covent Garden is a district in London, on the eastern fringes of the West End, between St Martin's Lane and Drury Lane. It is associated with the former fruit-and-vegetable market in the central square, now a popular shopping and tourist si ..., and played there or at the Haymarket until his death. Ascribed to him are ''The Last Legacy of John Edwin'', 1780; ''Edwin's Jests'' and ''Edwin's Pills to Purge Melancholy''. References * * * External lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bannister (actor)
John Bannister (12 May 1760 – 7 November 1836), (also called 'Jack' Bannister), English actor and theatre manager. The principal source for his life are his own ''Memoirs'', and as a leading performer his career is well documented. Biography John Bannister was born at Deptford. He was the son of Charles Bannister, also an actor. He first studied to be a painter, but soon took to the stage. His first formal appearance was at the Haymarket Theatre in 1778 as Dick in Arthur Murphy's farce ''The Apprentice''. The same year at Theatre Royal, Drury Lane he played in James Miller's version of Voltaire's ''Mahomet'' the part of Zaphna, which he had studied under David Garrick. The Palmira of the cast was Mrs Robinson ("Perdita"). His reputation increased with his personification of Don Whiskerando in ''The Critic'' in 1779, and he was well known in the character of Joseph Surface in ''The School for Scandal''. Bannister married Elizabeth Harper on 26 January 1783 who was a skil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mrs Webb
Mrs Webb or Mrs Richard Webb or Mrs Day born Lydia or Lucia Child (1736/7 – 1797) was a British comic actress and singer. For fifteen years she appeared at Covent Garden and at the Haymarket theatres where she was a popular comedian. Life She is thought to have been born with the name Lydia Child in 1736 or 1737 (Some give her name as Lucia). She first came to notice in 1764 when she made her acting debut in Norwich. The following year she was working in Colchester when she is said to have interceded to save the job of "Plausible Jack" Palmer. In 1772 she was acting in Edinburgh where she was using the name of "Mrs Day" although in 1774 she was using the name of Mrs Dicky Webb and she was in Scotland until 1779. She was now known for comedy roles although she also appeared in Shakespeare plays. She played Mrs Malaprop, Mrs Peachum in The Beggar's Opera and also appeared in The Recruiting Officer, Love for Love, She Stoops to Conquer and The School for Scandal. She had an adopt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afterpiece
An afterpiece is a short, usually humorous one-act playlet or musical work following the main attraction, the full-length play, and concluding the theatrical evening.p24 "The Chambers Dictionary"Edinburgh, Chambers,2003 This short comedy, farce, opera or pantomime was a popular theatrical form in the 18th and 19th centuries. It was presented to lighten the five-act tragedy that was commonly performed. A similar piece preceding the main attraction is a curtain raiser. An example is ''The Padlock'' by Charles Dibdin, first performed in London London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a majo ... in 1768. Notes Theatrical genres Opera genres {{Theat-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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