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The Secret Mine
''The Secret Mine: An Equestrian Melo-Drama, in Two Acts'' is an 1812 equestrian play by Thomas John Dibdin and John Fawcett. It debuted at Covent Garden on April 24, 1812.Theatrical Journal (review) ''The London Review and Literary Journal'', June 1812, p. 473-74 It was a popular production, with additional productions in 1814, 1816, and 1819 at , and was produced in the United States as early as 1817.Poppiti, Kimberly A History of Equestrian Dram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas John Dibdin
Thomas John Dibdin (21 March 1771 – 16 September 1841) was an English dramatist and songwriter. Life Dibdin was the son of Charles Dibdin, a songwriter and theatre manager, and of "Mrs Davenet", an actress whose real name was Harriett Pitt. He was introduced to the stage at five years old, in his godfather David Garrick’s pageant of ‘’Jubilee of Shakespeare’’. Mrs Siddons was The Venus and the Young Tom Cupid. He was apprenticed to his maternal uncle, a London upholsterer, and later to William Rawlins, afterwards sheriff of London. He summoned his second master unsuccessfully for rough treatment; and after a few years of service he ran away to join a company of country players. From 1789 to 1795 he played all sorts of parts; he worked as a scene painter at Liverpool in 1791; and during this period he composed more than 1,000 songs. His first work as a dramatist was ''Something New'', followed by ''The Mad Guardian'' in 1795. He returned to London in 1795, having m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fawcett (actor)
John Fawcett (29 August 1768 – 13 March 1837) was an English actor and playwright. John Fawcett was the son of York, Dublin and London actor John Fawcett (d. 1793) and his wife Sarah Plaw. His interest in following his father's career were thwarted by the latter, who sent him to St Paul's School in 1776, then placed him in a London apprenticeship with a linen draper, but young John ran away at the age of eighteen and joined Charles Mates' theatrical company at Margate. Appearing under the name of Foote, he debuted as Courtall in ''The Belle's Stratagem''. He then went to Tunbridge Wells, billed under his own name, and was recommended to Tate Wilkinson, whose York company Fawcett then joined, first appearing 24 May 1787. Though viewed as having promise, he proved a minor disappointment in dramatic roles but found success in comedic parts. On 5 May 1788, he married actress Susan Moore, who had previously been in a long-term relationship with recently-deceased fellow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Astley's Amphitheatre
Astley's Amphitheatre was a performance venue in London opened by Philip Astley in 1773, considered the first modern circus ring. It was burned and rebuilt several times, and went through many owners and managers. Despite no trace of the theatre remaining today, a memorial plaque was unveiled in 1951 at its site at 225 Westminster Bridge Road. History The Amphitheatre opened in 1773. The structure was burned down in 1794, then rebuilt in less than seven months before being destroyed by fire again in 1803. The Amphitheatre was again rebuilt, this time in the style of rival Charles Hughes's Royal Circus with lavish decorations and reputedly the largest stage in London. With increasing prosperity and rebuilding after successive fires, it grew to become Astley's Royal Amphitheatre and this was the home of the circus. The location of the theatre was Westminster Bridge Road in Lambeth. The theatre continued to be popular long after Astley's death in 1814. His brother John succeeded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timour The Tartar
''Timour the Tartar'' is an 1811 hippodrama play by English dramatist Matthew Lewis. The equestrian drama was a popular success.Gamer, MichaelA Matter of Turf: Romanticism, Hippodrama, and Satire in ''Nineteenth-Century Contexts'', Vol. 28, No. 4, pp. 305-334, December 2006 Due to the success of a new equestrian version of ''Blue Beard'' (a play by George Colman the Younger) in February 1811, the managers of Covent Garden hired Matthew Lewis (nicknamed "Monk" Lewis because of his successful 1796 novel, ''The Monk ''The Monk: A Romance'' is a Gothic novel by Matthew Gregory Lewis, published in 1796. A quickly written book from early in Lewis's career (in one letter he claimed to have written it in ten weeks, but other correspondence suggests that he ha ...'') to specifically author an equestrian play, believed to be the first play expressly written to features horses. It debuted on either April 29 or May 1, 1811.Poppiti, KimberleyA History of Equestrian Drama in the Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippodrama
Hippodrama, horse drama, or equestrian drama is a genre of theatrical show blending circus horsemanship display with popular melodrama theatre. Definition Kimberly Poppiti defines hippodrama as "plays written or performed to include a live horse or horses enacting significant action or characters as a necessary part of the plot." Arthur Saxon defines the form similarly, as “ ..literally a play in which trained horses are considered as actors, with business, often leading actions, of their own to perform.” Evolving from earlier equestrian circus, pioneered by equestrians including, most famously, Philip Astley in the 1760s,McArthur, p. 21 it relied on drama plays written specifically for the genre; trained horses were considered actors along with humans and were even awarded leading roles.Banham, p. 488 A more negative assessment came from Anthony Hippisley-Coxe, who described hippodrama as "a bastard entertainment born of a misalliance between the circus and the theatre ... t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Universal Magazine Of Knowledge And Pleasure
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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