The Second Book Of Songs (1600)
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The Second Book Of Songs (1600)
''The Second Book of Songs'' (title in Early Modern English: ''The Second Booke of Songs or Ayres of 2, 4 and 5 parts: with Tableture for the Lute or Orpherian, with the Violl de Gamba'') is a book of songs composed by Renaissance composer John Dowland and published in London in 1600. He dedicated it to Lucy Russell, Countess of Bedford. The book contains 22 songs plus an instrumental number, a "lesson for the Lute and Base Viol, called Dowlands a dew" (his ''First Book of Songs'' of 1597 contained 21 songs plus an instrumental number). The music is often described as lute songs, but this is somewhat misleading. The title page offers options regarding the instruments to be used. Also, some songs are appropriate for more than one voice, although madrigal-like scoring is less prominent than in the ''First Booke'' where all the songs can be performed in a four-part version. Lyrics Many of the lyrics are anonymous. There has been speculation that Dowland wrote some of his own lyrics, ...
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Early Modern English
Early Modern English or Early New English (sometimes abbreviated EModE, EMnE, or ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century. Before and after the accession of James I to the English throne in 1603, the emerging English standard began to influence the spoken and written Middle Scots of Scotland. The grammatical and orthographical conventions of literary English in the late 16th century and the 17th century are still very influential on modern Standard English. Most modern readers of English can understand texts written in the late phase of Early Modern English, such as the ''King James Bible'' and the works of William Shakespeare, and they have greatly influenced Modern English. Texts from the earlier phase of Early Modern English, such as the late-15th-cen ...
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John Dowland -- Fine Knacks For Ladies
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Praise Blindness Eyes
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When Others Sing Venite
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Then Sit Thee Down
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Die Not Before The Day
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive Ger ...
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Sorrow Stay
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Flow My Tears
"Flow, my tears" (originally en-emodeng, Flow my teares fall from your springs, italic=no) is a lute song (specifically, an "ayre") by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo: dolandi de Lachrimae". Details Like others of Dowland's lute songs, the piece's musical form and style are based on a dance, in this case the pavan. It was first published in '' The Second Booke of Songs or Ayres of 2, 4 and 5 parts'' (London, 1600). The song begins with a falling tear motif, starting on an A and descending to an E by step on the text "Flow, my tears". This may have been borrowed from an Orlande de Lassus motet or Luca Marenzio madrigal (this type of motif was common in Elizabethan music to signify grief), in addition to other borrowings in ...
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Abbey Road Studios
Abbey Road Studios (formerly EMI Recording Studios) is a recording studio at 3 Abbey Road, St John's Wood, City of Westminster, London, England. It was established in November 1931 by the Gramophone Company, a predecessor of British music company EMI, which owned it until Universal Music Group (UMG) took control of part of it in 2013. It is ultimately owned by UMG subsidiary Virgin Records Limited (until 2013 by EMI Records Limited, nowadays known as Parlophone Records and owned by UMG's competitor Warner Music Group). The studio's most notable client was the Beatles, who used the studio – particularly its Studio Two room – as the venue for many of the innovative recording techniques that they adopted throughout the 1960s. In 1976, the studio was renamed from EMI in honour of their final recorded album, '' Abbey Road''. In 2009, Abbey Road came under threat of sale to property developers. In response, the British Government protected the site, granting it English H ...
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