The Sean-Bhean Bhocht
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The Sean-Bhean Bhocht
"The Sean-Bhean bhocht" (; Irish for "Poor old woman"), often spelled phonetically as "Shan Van Vocht", is a traditional Irish song from the period of the Irish Rebellion of 1798, and dating in particular to the lead up to a French expedition to Bantry Bay, that ultimately failed to get ashore in 1796. The ''Sean-Bhean bhocht'' is used to personify Ireland, a poetic motif which heralds back to the aisling of native Irish language poetry. Many different versions of the song have been composed by balladeers over the years, with the lyrics adapted to reflect the political climate at the time of composition. The title of the song, tune and narration of the misfortunes of the ''Shean Bhean bhocht'' remain a constant however, and this version, probably the best known, expresses confidence in the victory of the United Irishmen in the looming rebellion upon the arrival of French aid. W. B. Yeats and Augusta, Lady Gregory based their 1902 nationalist play, ''Cathleen Ní Houlihan'', o ...
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Gaeilge
Irish (Standard Irish: ), also known as Gaelic, is a Goidelic language of the Insular Celtic branch of the Celtic language family, which is a part of the Indo-European language family. Irish is indigenous to the island of Ireland and was the population's first language until the 19th century, when English gradually became dominant, particularly in the last decades of the century. Irish is still spoken as a first language in a small number of areas of certain counties such as Cork, Donegal, Galway, and Kerry, as well as smaller areas of counties Mayo, Meath, and Waterford. It is also spoken by a larger group of habitual but non-traditional speakers, mostly in urban areas where the majority are second-language speakers. Daily users in Ireland outside the education system number around 73,000 (1.5%), and the total number of persons (aged 3 and over) who claimed they could speak Irish in April 2016 was 1,761,420, representing 39.8% of respondents. For most of recorded Irish histo ...
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Cathleen Ní Houlihan
''Cathleen ni Houlihan'' is a one-act play written by William Butler Yeats and Lady Gregory in 1902. It was first performed on 2 April of that year and first published in the October number of ''Samhain''. Lady Gregory wrote the naturalistic peasant dialogue of the Gillane family, while Yeats wrote Cathleen Ni Houlihan's dialogue. Maud Gonne portrayed Cathleen ni Houlihan in the play's first performances at the Abbey Theatre. The play centres on the 1798 Rebellion. The play is startlingly nationalistic, in its last pages encouraging young men to sacrifice their lives for the heroine Cathleen ni Houlihan, who represents an independent and Devolution#Irish home rule, separate Irish state. The title character first appears as an old woman at the door of a family celebrating their son's wedding. She describes her four "beautiful green fields," representing the Provinces of Ireland, four provinces, that have been unjustly taken from her. With little subtlety, she requests a Martyr, bl ...
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Personifications Of Ireland
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman ...
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Ballads Of The Irish Rebellion Of 1798
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ...
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Traditional Ballads
A tradition is a belief or behavior (folk custom) passed down within a group or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or impractical but socially meaningful clothes (like lawyers' wigs or military officers' spurs), but the idea has also been applied to social norms such as greetings. Traditions can persist and evolve for thousands of years—the word ''tradition'' itself derives from the Latin ''tradere'' literally meaning to transmit, to hand over, to give for safekeeping. While it is commonly assumed that traditions have an ancient history, many traditions have been invented on purpose, whether that be political or cultural, over short periods of time. Various academic disciplines also use the word in a variety of ways. The phrase "according to tradition", or "by tradition", usually means that whatever information follows is known only by oral tradition, ...
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Irish Folk Songs
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''cruit'' (a small harp) and '' clairseach'' (a bigger harp with typically 30 strings), the ''timpan'' (a small string instrument played with a bow or plectrum), the ''feadan'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''bennbuabhal'' and ''corn'' ( hornpipes), the ''cuislenna'' ( bagpipes – see Great Irish warpipes), the ''stoc'' and ''sturgan'' (clarions or trumpets), and the ''cnamha'' (bones).''A History of Irish Music: Chapter ...
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