The Sea Nymphs (album)
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The Sea Nymphs (album)
''The Sea Nymphs'' is the self-titled debut studio album by the English psychedelic folk band the Sea Nymphs, an offshoot of the rock band Cardiacs featuring Tim Smith, Sarah Smith and William D. Drake. It was originally released as a limited edition promotional cassette by All My Eye and Betty Martin Music in 1992 and was reissued on CD via Cardiacs' label the Alphabet Business Concern in 1995. ''The Sea Nymphs'' was recorded at Tree Tops High and Sea Views in 1992 and was self-produced by the band, initially under the title ''Tree Tops High''. Offering a gentler side of Tim Smith's creative output, it was preceded by the single "Appealing to Venus" ( b/w "Tree Tops High") in 1991, which came free with the Cardiacs single " Day Is Gone" and led to the band recording a Peel Session when it was reissued by Org Records in 1998. Background and recording Members of the English rock band Cardiacs—Tim Smith, Sarah Smith and William D. Drake—formed an offshoot called Mr and Mrs ...
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The Sea Nymphs (band)
The Sea Nymphs were an English psychedelic folk band from Kingston upon Thames, England. The group comprised Cardiacs' core members Tim Smith, William D. Drake and Sarah Smith. They are commonly regarded as the quieter side of the parent band. Rooted in folk and chamber music, their sound is much lighter than that of their parent outfit. The songs dispense with the use of loud guitars and drums, in favour of differing vocal rhythms, keyboards and brass instruments. However, the music still contains Cardiacs' trademark off-the-wall chord progressions and sudden time changes, albeit in a slightly gentler fashion. The group formed under the title Mr and Mrs Smith and Mr Drake, releasing a self-titled album in 1984. In 1991, group reunited and changed their name to the Sea Nymphs. They made their single debut with " Appealing to Venus" (1991), preceding their eponymous debut album (1992). Tim Smith suffered a cardiac arrest in 2008, limiting his mobility and temporarily causing th ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ...
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Classical Music
Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also applies to non-Western art music. Classical music is often characterized by formality and complexity in its musical form and harmonic organization, particularly with the use of polyphony. Since at least the ninth century it has been primarily a written tradition, spawning a sophisticated notational system, as well as accompanying literature in analytical, critical, historiographical, musicological and philosophical practices. A foundational component of Western Culture, classical music is frequently seen from the perspective of individual or groups of composers, whose compositions, personalities and beliefs have fundamentally shaped its history. Rooted in the patronage of churches and royal courts in Western Europe, surviving earl ...
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Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, In the mid-1980s, digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s, and by the 1990s, it became increasingly popular in Jamaican diaspora communities. In the 2000s, dancehall experienced worldwide mainstream success, and by the 2010s, it began to heavily influence the work of established Western artists and producers, which has helped to furth ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ...
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The English Hymnal
''The English Hymnal'' is a hymn book which was published in 1906 for the Church of England by Oxford University Press. It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music. Methodology The preface to the hymnal describes itself as "a collection of the best hymns in the English language." Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London, and the hymnbook could be considered a musical companion to ''The Parson's Handbook'', Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings. The high quality of the music is due largely to the work of Vaughan Williams as musical editor. The standard of the arrangements and original compositions made it a landmark in English hymnody and one of the most influential hymnals of the 20th century. The hymnal included the first printing of sev ...
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Psychedelic Pop
Psychedelic pop (or acid pop) is pop music that contains musical characteristics associated with psychedelic music. Developing in the late 1960s, elements included " trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists. Characteristics According to AllMusic, psychedelic pop was not too "freaky", but also not very "bubblegum" either. It appropriated the effects associated with straight psychedelic music, applying their innovations to concise pop songs. The music was occasionally confined to the studio, but there existed more organic exceptions whose psychedelia was bright and melodic. AllMusic adds: "What's trangeis that some psychedelic pop is more interesting than average psychedelia, since it had weird, occasionally awkward blends of psychedelia and po ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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MusicOMH
MusicOMH (stylized as musicOMH) is a London-based online music magazine which publishes independent reviews, features and interviews from across all genres including classical, metal, rock and R&B. History MusicOMH was founded and launched by Editor in Chief Michael Hubbard in 1999. In February 2011 the site's former theatre section was spun off, becominExeunt Magazine as MusicOMH refocused from being a general arts publication to writing primarily about music. Main features and coverage MusicOMHs music content consists of reviews of albums, gigs, tracks and festivals, alongside features, interviews and blog posts. The site also provides live reviews and other features. The site's album reviews, usually covering a wide range of genres including pop, electro, classical, metal, rock and R&B, have been quoted by numerous publications such as ''The Daily Telegraph'', ''The Independent'' and the BBC. The site has also been used as one of many sources to accumulate aggregated revi ...
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The Quietus
''The Quietus'' is a British online music and pop culture magazine founded by John Doran and Luke Turner. The site is an editorially independent publication led by Doran with a group of freelance journalists and critics. Content ''The Quietus'' primarily features writings on music and film, as well as interviews with a wide range of notable artists and musicians. The magazine also occasionally includes pieces on literature, graphic novels, architecture, and TV series. The website is edited by John Doran, who claims that it caters for "the intelligent music fan between the age of 21 and, well, 73". Its staff list includes former writers for publications such as '' Melody Maker'', '' Select'', ''NME'' and '' Q'', including journalist David Stubbs, BBC Radio 1 DJ Steve Lamacq, Professor Simon Frith and Simon Price among others. Among its best known columns is its "Baker's Dozen," in which artists select 13 personal favourite albums. Content from the site's interviews have been ...
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