The School For Lovers (play)
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The School For Lovers (play)
''The School for Lovers'' is a 1762 comedy play by the British writer William Whitehead.Watson p.861 The original Drury Lane cast included David Garrick as Sir John Dorilant, John Palmer as Modely, William O'Brien as Belmour, Mary Ann Yates as Araminta, Kitty Clive as Lady Beverly and Susannah Maria Cibber Susannah Maria Cibber (née Arne; February 1714 – 30 January 1766) was a celebrated English singer and actress. She was the sister of the composer Thomas Arne. Although she began her career as a soprano, her voice lowered in the early part of ... as Celia. References Bibliography * Baines, Paul & Ferarro, Julian & Rogers, Pat. ''The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing, 1660-1789''. Wiley-Blackwell, 2011. * Watson, George. ''The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800''. Cambridge University Press, 1971. 1762 plays Comedy plays West End plays Plays by William Whitehead {{1760s-play-stub ...
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William Whitehead (poet)
William Whitehead (baptized 12 February 1715 – 14 April 1785) was an English poet and playwright. He became Poet Laureate in December 1757 after Thomas Gray declined the position. Life The son of a baker, Whitehead was born in Cambridge and through the patronage of Henry Bromley, afterwards Baron Montfort, was admitted to Winchester College aged fourteen. He entered Clare College, Cambridge on a Pyke scholarship in 1735, and became a fellow in 1742 (resigning this in 1746), and admitted Master of Arts in 1743. At Cambridge, Whitehead published an epistle ''On the Danger of writing Verse'' and some other poems, notably an heroic epistle, ''Ann Boleyn to Henry the Eighth'' (1743), and a didactic ''Essay on Ridicule'', also (1743). In 1745 Whitehead became the tutor of George Villiers, Viscount Villiers, son of William Villiers, 3rd Earl of Jersey, and took up his residence in London. There he produced two tragedies: ''The Roman Father'' and ''Creusa, Queen of Athens''. The ...
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Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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Comedy Play
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the ''Divine Comedy'' (Italian: ''Divina Commedia''). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. The predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play insti ...
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David Garrick
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's '' Richard III'', audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral ...
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John Palmer (actor)
John Palmer (c. 1742–1798) was an actor on the English stage in the eighteenth century. There was also another John Palmer (1728–1768) who was known as Gentleman Palmer. Richard Brinsley Sheridan nicknamed him Plausible Jack. Birth and youth He was born in the parish of St Luke's, Old Street, London, about 1742, was son of a private soldier. In 1759 the father served under the Marquis of Granby, and subsequently, on the marquis's recommendation, became a bill-sticker and doorkeeper at Drury Lane Theatre in London. When about eighteen John recited the parts of George Barnwell and Mercutio to David Garrick, but Garrick found no promise in him, and joined his father in urging him to enter the army. Garrick even got a small military appointment for him; but Palmer refused to follow his counsel, and entered the shop of a print-seller on Ludgate Hill. On 20 May 1762, for the benefit of his father and three others, he made his first appearance on any stage, playing Buck in the ''En ...
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William O'Brien (actor)
William O'Brien (c.1740-1815) was an Irish actor and playwright. Career William O'Brien was probably born in County Clare in about 1740 to a family which claimed a distant connection to the Viscounts Clare. His father was a fencing master in Dublin David Garrick brought O'Brien over to London from Dublin in 1758 to join his actor's company at Drury Lane. O'Brien was successful in a number of roles, particularly Shakespeare and contemporary comedies. He eloped with Lady Susannah "Susan" Fox-Strangways, eldest daughter of Stephen Fox, the first Earl of Ilchester, whom he had met when they both performed in amateur theatricals at Holland House. Their marriage, which took place on 7 April 1764 at St. Paul's Church, Covent Gardens, was disapproved of by Lady Susan's family. Following the marriage, O'Brien retired from the stage. The couple were forced for a time to travel to North America, because of the social scandal caused by their elopement. They set sail for New York in Septemb ...
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Mary Ann Yates
Mary Ann Yates (1728–1787) was an English tragic actress. The daughter of William Graham, a ship's steward and his wife, Mary, she married Richard Yates (c. 1706-1796), a well-known comedian of the time. In 1754, aged 25, she appeared at Drury Lane as Marcia in Samuel Crisp's ''Virginia''. David Garrick played the part of Virginius. Yates was gradually entrusted with all the leading parts and succeeded the then famous actress Mrs Cibber as the leading tragedienne of the English stage. She was in turn succeeded and eclipsed by the famous Sarah Siddons. There were benefit performances for Yates in 1797 at The Haymarket which included an appearance by Harriett Litchfield.K. A. Crouch, ‘Litchfield , Harriett (1777–1854)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 200accessed 1 Feb 2015/ref> Selected roles * Marcia in ''Virginia'' by Samuel Crisp (1754) * Sandane in ''Agis'' by John Home (1758) * Mandane in '' The Orphan of ...
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Kitty Clive
Catherine Clive (née Raftor; 5 November 1711 – 6 December 1785) Catherine ‘Kitty’ Clive (1711-1785, active 1728-1769) was a first songster and star comedienne of British playhouse entertainment. Clive led and created new forms of English musical theatre. She was celebrated both in high-style parts – singing, for instance, Handel’s music for her in ''Messiah'', ''Samson'', and ''The Way of the World'' – and in low-style ballad opera roles. Her likeness was printed and traded in unprecedented volume. She championed women’s rights throughout her career. An image crisis in the late 1740s forced Clive to quit serious song and instead lampoon herself on stage. Though this self-ridicule won Clive public favour back, and she reigned as first comedienne until her retirement in 1769, the strategy’s very success caused her musical legacy to be slighted and forgotten. A definitive biography of Clive by Berta Joncus appeared in 2019.
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Susannah Maria Cibber
Susannah Maria Cibber (née Arne; February 1714 – 30 January 1766) was a celebrated English singer and actress. She was the sister of the composer Thomas Arne. Although she began her career as a soprano, her voice lowered in the early part of her career to that of a true contralto. She was universally admired for her ability to move her audiences emotionally both as an actress and vocalist. Possessing a sweet, expressive, and agile singing voice with a wide vocal range, Cibber was an immensely popular singer, even if at times her voice was criticized for a lack of polished technique. Charles Burney wrote of her singing that "by a natural pathos, and perfect conception of the words, she often penetrated the heart, when others, with infinitely greater voice and skill, could only reach the ear." Cibber was particularly admired by Handel, who wrote numerous parts especially for her including the contralto arias in his 1741 oratorio ''Messiah'', the role of Micah in ''Samson'', the r ...
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1762 Plays
Year 176 ( CLXXVI) was a leap year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Proculus and Aper (or, less frequently, year 929 ''Ab urbe condita''). The denomination 176 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * November 27 – Emperor Marcus Aurelius grants his son Commodus the rank of ''Imperator'', and makes him Supreme Commander of the Roman legions. * December 23 – Marcus Aurelius and Commodus enter Rome after a campaign north of the Alps, and receive a triumph for their victories over the Germanic tribes. * The Equestrian Statue of Marcus Aurelius is made. It is now kept at Museo Capitolini in Rome (approximate date). Births * Fa Zheng, Chinese nobleman and adviser (d. 220) * Liu Bian, Chinese emperor of the Han Dynasty (d ...
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Comedy Plays
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses wh ...
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