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The Rough Guide To The Music Of South Africa (1998 Album)
''The Rough Guide to the Music of South Africa'' is a world music compilation album originally released in 1998. Part of the World Music Network Rough Guides series, the album spotlights the music of South Africa. Liner notes were written by Tom Andrews and Rob Allingham, a discographer and music historian specializing in South Africa. Phil Stanton, co-founder of the World Music Network, was the producer. This was the first of two similarly named albums: the second edition, featuring approximately half of the same artists, was released in 2007. Critical reception Raymond McKinney of AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databa ... wrote that "newcomers would find much to savour" in the album. Track listing References External links * {{DEFAULTSORT:Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noise Khanyile
Noise is unwanted sound considered unpleasant, loud or disruptive to hearing. From a physics standpoint, there is no distinction between noise and desired sound, as both are vibrations through a medium, such as air or water. The difference arises when the brain receives and perceives a sound. Acoustic noise is any sound in the acoustic domain, either deliberate (e.g., music or speech) or unintended. In contrast, noise in electronics may not be audible to the human ear and may require instruments for detection. In audio engineering, noise can refer to the unwanted residual electronic noise signal that gives rise to acoustic noise heard as a hiss. This signal noise is commonly measured using A-weighting or ITU-R 468 weighting. In experimental sciences, noise can refer to any random fluctuations of data that hinders perception of a signal. Measurement Sound is measured based on the amplitude and frequency of a sound wave. Amplitude measures how forceful the wave is. The ene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladysmith Black Mambazo
Ladysmith Black Mambazo are a South African male choral group singing in the local vocal styles of ''isicathamiya'' and '' mbube''. They became known internationally after singing with Paul Simon on his 1986 album ''Graceland'', and have won multiple awards, including five Grammy Awards, dedicating their fifth Grammy to the late former President Nelson Mandela. Formed by Joseph Shabalala in 1960, Ladysmith Black Mambazo became one of South Africa's most prolific recording artists, with their releases receiving gold and platinum disc honours. The group became a mobile academy of South African cultural heritage through their African indigenous ''isicathamiya'' music. History Joseph Shabalala formed Ladysmith Black Mambazo because of a series of dreams he had in 1964, in which he heard certain ''isicathamiya'' harmonies (''isicathamiya'' being the traditional music of the Zulu people). Following their local success at wedding ceremonies and other gatherings, Shabalala entered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solomon Linda
Solomon Popoli Linda (19098 September 1962), also known as Solomon Ntsele ("Linda" was his clan name),Gilmore, Inigo"Penniless sisters fight record industry over father's hit song" ''The Telegraph'' (UK), 11 June 2000. was a South African musician, singer and composer best known as the composer of the song "Mbube", which later became the pop music success "The Lion Sleeps Tonight", and gave its name to the Mbube style of isicathamiya ''a cappella'' later popularized by Ladysmith Black Mambazo. Early years Solomon Popoli Linda was born near Pomeroy, on the labor reserve Msinga, Umzinyathi District Municipality in Ladysmith in Natal, where he was familiar with the traditions of ''amahubo'' and ''izingoma zomshado'' (wedding songs) music.Frith, Simon''Popular Music: critical concepts in media and cultural studies, Volume 4'' London: Routledge, 2004. p. 271/ref> He attended the Gordon Memorial mission school, where he learned about Western musical culture, hymns, and participated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miriam Makeba
Zenzile Miriam Makeba (4 March 1932 – 9 November 2008), nicknamed Mama Africa, was a South African singer, songwriter, actress, and civil rights activist. Associated with musical genres including African popular music, Afropop, jazz, and world music, she was an advocate against apartheid and white-minority government in South Africa. Born in Johannesburg to Swazi people, Swazi and Xhosa people, Xhosa parents, Makeba was forced to find employment as a child after the death of her father. She had a brief and allegedly abusive first marriage at the age of 17, gave birth to her only child in 1950, and survived breast cancer. Her vocal talent had been recognized when she was a child, and she began singing professionally in the 1950s, with the Cuban Brothers, the Manhattan Brothers, and an all-woman group, the Skylarks (South African vocal group), the Skylarks, performing a mixture of jazz, traditional African melodies, and Western popular music. In 1959, Makeba had a brief r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Boyoyo Boys
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Soul Brothers
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Nkosi
West Nkosi (born Mkhubatseli West Nkosi, 1940 – 8 October 1998) was a South African music producer, saxophonist and songwriter. Nkosi was born in Nelspruit, South Africa. He was an original member of the Makgona Tsohle Band which backed Mahlathini and the Mahotella Queens. He was also a producer in the Mavuthela Music subsidiary of Gallo Record Company where he produced thousands of recordings by several famous South African artists, including the first 22 records for Ladysmith Black Mambazo (he managed the group until their international discovery in 1987). Nkosi also produced all the international releases for Mahlathini and the Mahotella Queens, and the Makgona Tsohle Band between 1986 and 1991, when he left both the Mahlathini and the Queens and Makgona Tsohle to concentrate solely on producing. Nkosi did, however, return to the recording studio with the critically acclaimed ''Rhythm of Healing: Supreme Sax and Penny Whistle Township Jive'', in 1993. Nkosi was paralyzed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bheki Mseleku
Bhekumuzi Hyacinth Mseleku, generally known as Bheki Mseleku (3 March 1955 – 9 September 2008), was a jazz musician from South Africa. He was a pianist, saxophonist, guitarist, composer and arranger who was entirely self-taught.John Fordham"Bheki Mseleku" (obituary) ''The Guardian'', 15 September 2008. Biography Mseleku's father was a musician and teacher, and a Cambridge University music graduate, who had religious beliefs that prevented his children from ready access to the family's upright piano in case any of them should pursue something as "devilish" as music.Jon Lusk"Bheki Mseleku: South African jazz pianist" ''The Independent'', 16 September 2008. His mother gave him the keys while his father was away, but the piano ended up as firewood one winter's evening. During his childhood, Mseleku suffered the loss of the upper joints of two fingers in his right hand from a go-karting accident. He explained in a 1994 ''South Bank Show'' dedicated to him that this was wholly due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elite Swingsters
In political and sociological theory, the elite (french: élite, from la, eligere, to select or to sort out) are a small group of powerful people who hold a disproportionate amount of wealth, privilege, political power, or skill in a group. Defined by the ''Cambridge Dictionary'', the "elite" are "those people or organizations that are considered the best or most powerful compared to others of a similar type." American sociologist C. Wright Mills states that members of the elite accept their fellows' position of importance in society. "As a rule, 'they accept one another, understand one another, marry one another, tend to work, and to think, if not together at least alike'." It is a well-regulated existence where education plays a critical role. Universities in the US Youthful upper-class members attend prominent preparatory schools, which not only open doors to such elite universities as Harvard, Yale, Princeton, and the University of Pennsylvania, but also to the universiti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
African Jazz Pioneers
The African Jazz Pioneers is a South African group that espouses the music of the 1950s, fusing big band jazz with township marabi sounds. Band leader and saxophonist Bra Ntemi Piliso, who wrote most of the Pioneers' songs, opened the field of composition to the band's younger musicians. History The background of the African Jazz Pioneers stretches back to the 1950s when jazz was in fashion and big bands enjoyed prominence in South Africa. The band was founded in the 1980s and played 1950s and 1960s South African jazz in an attempt to recreate the fun of that era's live performances. During the 1950s and 60s, Dorkay House provided a haven for South African music legends, including artists like Dollar Brand, Kippie Moeketsi, Miriam Makeba, Ntemi Edmund Piliso, Dudu Pukwana, Hugh Masekela, Wilson Silgee, Zacks Nkosi, and Jonas Gwangwa. These musicians were at the cutting edge of South Africa's music scene, blending American big band sound with traditional Majuba tempos and Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spokes Mashiyane
Johannes "Spokes" Mashiyane (born Vlakfontein (Mamelodi), Pretoria 20 January 1933; died at Baragwanath Hospital of cirrhosis of liver 9 February 1972) was regarded as one of the greatest pennywhistle artists who graced the South African kwela music scene from the 1950s to (approximately) the 1970s. Arriving on the pennywhistle band scene as a juvenile domestic servant from the northern Sotho communities in the Transvaal alongside contemporaries of Alexandra boys such as Lemmy Mabaso, Barney Rachabane, Elias and Jack Lerole. He stated that the pennywhistle's simplicity allowed for greater freedom to bend and blend notes. The success of his recordings provided significant revenue for his recording company, Gallo Record Company, to which he had switched in 1958. His success gained international notice by the 1960s - he played with Bud Shank among others during their visit to South Africa - and in July 1965 he was invited to the Newport Folk Festival. This festival gained notoriety for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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