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The Rolling Stones In Mono
''The Rolling Stones in Mono'' is a box set by the English rock band the Rolling Stones, released by ABKCO Records in September 2016. It contains most of the group's British and American studio albums from the 1960s in mono format, on fifteen compact discs or sixteen vinyl records. All tracks were remastered using the Direct Stream Digital process by Bob Ludwig. The original recordings were produced by Andrew Loog Oldham, Jimmy Miller and the Rolling Stones. Content ''The Rolling Stones in Mono'' omits the American versions of the band's debut album and of ''Between the Buttons''; the former as there is only a difference of one track between the two, and the latter as it replaces two tracks with the 1967 single "Let's Spend the Night Together" backed with " Ruby Tuesday", both of which also appear on the compilation ''Flowers'' included here. ''Their Satanic Majesties Request'', '' Beggars Banquet'' and ''Let It Bleed'' were issued with identical track listings in each nati ...
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The Rolling Stones
The Rolling Stones are an English Rock music, rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the album era, rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger–Richards, Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing ...
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Let's Spend The Night Together
"Let's Spend the Night Together" is a song written by Mick Jagger and Keith Richards, and originally released by the Rolling Stones as a double A-sided single together with " Ruby Tuesday" in January 1967. It also appears as the opening track on the American version of their album '' Between the Buttons''. The song has been covered by various artists, including David Bowie in 1973. Recording The song was recorded in December 1966 at the RCA Records studio in Hollywood, California, where the group recorded most of their 1965–1966 hits. Recording engineer Glyn Johns recounts that while mixing "Let's Spend the Night Together", Oldham was trying to get a certain sound by clicking his fingers. Two policemen showed up, stating that the front door was open and that they were checking to see if everything was all right. At first, Oldham asked them to hold his earphones while he snapped his fingers but then Johns said they needed a more wooden sound. The policemen suggested their ...
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I've Been Loving You Too Long
"I've Been Loving You Too Long" (originally "I've Been Loving You Too Long (To Stop Now)") is a soul music ballad written by Otis Redding and Jerry Butler. Considered by music critics and writers to be one of Redding's finest performances and a soul classic, it is a slow, emotional piece with Redding's pleading vocals backed by producer Steve Cropper's arpeggiated guitar parts and a horn section. Redding recorded the song in 1965 and when released as a single in April 1965, became his second best selling single. The song was subsequently included on his third album, '' Otis Blue: Otis Redding Sings Soul'' (1965). The song reached number 21 on the ''Billboard'' Hot 100 and number 2 on the ''Billboard'' Rhythm & Blues chart. '' Billboard'' described it as a "winning tender and soulful piece of material and performance by 'Mr. Pitiful' himself." '' Cash Box'' described it as "a tender, slow-moving heartfelt lament about a fella whose love for his gal is growing cold." The son ...
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Got Live If You Want It! (album)
''Got Live If You Want It!'' is a live album by the English rock band the Rolling Stones. It was released on 3 December 1966 by London Records in the United States. With its release, the label attempted to fill a marketing gap between the Stones' studio albums and capitalise on their popularity in the US market, which was heightened that year by a famously successful North American concert tour supporting their hit album ''Aftermath'' (1966). Discouraged by the fan hysteria accompanying the band in concert at the time, their producer-manager Andrew Loog Oldham abandoned the original idea of having the album capture the Stones in a single live performance at London's Royal Albert Hall. Instead, he selected ten concert recordings from other sources alongside two older studio tracks, which were overdubbed with crowd noise to give the impression of an entirely live albumall the tracks were credited on the original LP to the Royal Albert Hall performance. The album takes its titl ...
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Decca Records
Decca Records is a British record label established in 1929 by Edward Lewis. Its U.S. label was established in late 1934 by Lewis, Jack Kapp, American Decca's first president, and Milton Rackmil, who later became American Decca's president. In 1937, anticipating Nazi aggression leading to World War II, Lewis sold American Decca and the link between the U.K. and U.S. Decca labels was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of cast albums in the musical genre. Both wings are now part of the Universal Music Group. The U.S. Decca label was the foundation company that evolved into UMG (Universal Music Group). Label name The name dates back to a portable gramophone called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the word "Mecca" with the initial D of their log ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each s ...
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Five By Five (Rolling Stones EP)
''Five by Five'' is the second EP by The Rolling Stones and was released in 1964. Captured during a prolific spurt of recording activity at Chess Studios in Chicago that June, ''Five by Five'' was released that August in the UK shortly after their debut album, ''The Rolling Stones'', had appeared. The title of ''Five by Five'' is a play on words—five tracks recorded by the five members of the band. History Because Mick Jagger and Keith Richards were still honing their songwriting skills, only "Empty Heart" and "2120 South Michigan Avenue" were credited to " Nanker Phelge", a pseudonym for band-written compositions. The rest of the EP is composed of R&B covers from some of their favorite artists. Andrew Loog Oldham produced ''Five by Five'' and even contributed liner notes (a tradition begun here) where he lists the band's achievements thus far (and stretches the truth by claiming The Rolling Stones' debut album had spent 30 weeks at #1 when it, in fact, was at the top for 1 ...
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The Rolling Stones (EP)
''The Rolling Stones'' is the debut Extended play, EP released by the Rolling Stones on 10 January 1964. History It was released both to capitalise on their first Top 20 hit "I Wanna Be Your Man" and to test the commercial appeal of the band before their UK label Decca Records would commit to letting them record an album. ''The Rolling Stones'' includes four songs recorded at two separate sessions in August and November 1963. ''The Rolling Stones'' features R&B covers of some of the band's favourite artists, and some recent American hits. Impact Sound is officially listed as the EP's producer. Eric Easton (music manager), Eric Easton is possibly involved, Andrew Loog Oldham produced the opening track "Bye Bye Johnny". Release and reception Despite the rawness of the production, the EP reached no. 1 in the UK List of number-one EPs (UK)#1964, EP charts in February 1964, having entered the chart the week after its release. The EP was released in Canada in 1964 by London Records ...
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Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of other than 78
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mi ...
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Let It Bleed
''Let It Bleed'' is the eighth British and tenth American studio album by the English rock band the Rolling Stones, released 28 November 1969 on London Records in the United States and shortly thereafter by Decca Records in the United Kingdom. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's ''Beggars Banquet''. As with ''Beggars Banquet'', the album marks a return to the group's more blues-sound approach that was prominent in the pre-'' Aftermath'' period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock. The album was recorded during a period of turmoil in the band; Brian Jones, the band's founder and original leader, had become increasingly unreliable in the studio due to heavy drug use, and during most recording sessions was either absent, or so incapacitated that he was unable to contribute meaningfully. He was fired in the midst of recording sessions for this album, and replaced ...
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Beggars Banquet
''Beggars Banquet'' is the 7th British and 9th American studio album by the English rock band the Rolling Stones, released on 6 December 1968 by Decca Records in the United Kingdom and London Records in the United States. It was the first Rolling Stones album produced by Jimmy Miller, whose production work formed a key aspect of the group's sound throughout the late 1960s and early 1970s. Brian Jones, the band's founder and early leader, had become increasingly unreliable in the studio due to his drug use, and it was the last Rolling Stones album to be released during his lifetime, though he also contributed to two songs on their next album ''Let It Bleed'', which was released after his death. (Jones did, however, contribute to the group's hit song "Jumpin' Jack Flash", which was part of the same sessions, and released in May 1968.) Nearly all rhythm and lead guitar parts were recorded by Keith Richards, the Rolling Stones' other guitarist and the primary songwriting partner ...
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