The Roar Of '74
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The Roar Of '74
''The Roar of '74'' is a 1973 studio album by Buddy Rich, with his big band, released on the Groove Merchant Records label in the United States. The album was released in the UK in 1974 on the Mooncrest label by B & C Records. Track listing LP side A # "Nutville" (Horace Silver) – 4:47 # "Kilimanjaro Cookout" (Manny Albam) – 6:14 # "Big Mac" (Ernie Wilkins) – 5:54 # "Backwoods Sideman" ( John La Barbera) – 4:29 LP side B # "Time Check" (Don Menza) – 3:45 # " Prelude to a Kiss" (Duke Ellington, Mack Gordon, Irving Mills) – 3:32 # "Waltz of the Mushroom Hunters" (Greg Hopkins) – 7:16 # "Senator Sam" (Wilkins) – 4:40 Personnel ;The Buddy Rich big band: * Joe Romano – alto saxophone * Bob Martin – alto saxophone * Pat La Barbera – tenor saxophone, soprano saxophone * Bob Crea – tenor saxophone * John Laws – baritone saxophone * Charley Davis – trumpet * Larry Hall – trumpet * Greg Hopkins – trumpet * John Hoffman – trumpet *Alan Kaplan ...
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Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ...
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Prelude To A Kiss (song)
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills. Background and composition This composition is in the key of D-flat major but makes extensive use of the secondary dominant chords, secondary ii–V–I progressions, diatonic circle of fifths, and evaded cadences. The song is extremely chromatic and complex, employing sophisticated mathematics that were rare at this time in jazz: Ellington's rising semitones (G-G#-A-A#-B) at the end of the bridge mirror the opening of both A sections (B-A#-A-G#-G). By the late 1930s, swing was at the height of its popularity. Using his fame and artistic freedom, Ellington became more ambitious and experimental, writing "Prelude to a Kiss", which abandoned the Tin Pan Alley style hooks and dance tempo for melodic lines and harmonies found more often in classical music. He recorded this piece as an instrumental in August 1938 before returning to the studio a few weeks later to recor ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ...
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Keith O'Quinn (trombonist)
{{Infobox NFL biography , name = Keith O'Quinn , image = , image_size = , alt = , caption = , current_team = Dallas Cowboys , position = Advance scouting coordinator , birth_date = , birth_place = San Antonio, Texas , death_date = , death_place = , high_school = San Antonio (TX) James Madison , college = North Texas Hardin–Simmons , pastcoaching = * Liberty Christian School Defensive backs & wide receivers coach (1998) * Bryan Adams HS Run game coordinator & offensive line coach (1999) * Hardin–Simmons Assistant offensive line & tight ends coach (2000–2003) * Abilene Christian Tight ends & special teams coach (2003–2004) * Kaufman HS Assistant head coach (2005) * Dallas Cowboys Pro scout ({{nfly, 2006–{{nfly, 2008) * Cleveland Browns Director of pro personnel ({{nfly, 2009) * Dallas Cowboys (2010–2019)- Offensive quality control coach ({{nfly, 2010–{{nfly, 2012) - Assistant wide receivers coach ({{nfly, 2013) - Assistant special teams ({{nfly, 20 ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Pat La Barbera
Pat (Pascel Emmanuel) LaBarbera (born April 7, 1944) is an American-born Canadian jazz tenor, alto and soprano saxophonist, clarinetist, and flautist born in Mt. Morris, New York, most notable for his work as a soloist in Buddy Rich bands from 1967 to 1973. He moved to Toronto, Ontario in 1974, and is a member of the faculty at Humber College. La Barbera began working with Elvin Jones in 1975, touring Europe with him in 1979. While working with Buddy Rich, Pat also was working in groups led by Woody Herman and Louie Bellson. Pat has also played with Carlos Santana. LaBarbera has played a major role in the development of a generation of Canadian saxophonists. In 2000, he won a Juno Award for Best Traditional Instrumental Jazz Album for ''Deep in a Dream''."Juno Awards reach out to music's newcomers". ''National Post'', March 13, 2000. Pat is the brother of fellow musicians John LaBarbera (trumpet) and Joe LaBarbera (drums). Discography As a leader * 1975: ''Pass It On'' ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Joe Romano
Joseph S. Romano (April 17, 1932 – November 26, 2008) was an American jazz saxophonist. He was born in Rochester, New York, United States. Romano learned to play clarinet and alto and tenor sax as a child. He enlisted in the United States Air Force in the 1950s, then joined the band of Woody Herman in 1956; he played intermittently with Herman into the 1970s, including at major jazz festivals and on several worldwide tours. In the 1960s, he also played with Chuck Mangione, Sam Noto, and Art Pepper; he was a recurring sideman on Buddy Rich's albums between 1968 and 1974. In the 1970s, he played with Les Brown, Louie Bellson, Chuck Israels, Sam Noto again, and with the Thad Jones-Mel Lewis Orchestra. He did session work in California in the 1980s, in addition to working with Frank Capp and Nat Pierce Nathaniel Pierce Blish Jr., known professionally as Nat Pierce (July 16, 1925 – June 10, 1992) was an American jazz pianist and prolific composer and arranger, perhaps best kn ...
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