The Rival Queens
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The Rival Queens
''The Rival Queens, or the Death Of Alexander the Great'' is a Restoration tragedy written by Nathaniel Lee . Regarded as one of his best tragedies, the play revolves around Alexander the Great and his two wives, Roxana and Statira, whose competition for his affections ends in tragedy. The play was largely influenced by French dramatist La Calprenède's historic romance ''Cassandre''. Performance history The play was first performed at the Theatre Royal in London by the King's Company. The original cast included Charles Hart as Alexander, Michael Mohun as Clytus, Philip Griffin as Lysimachus, Thomas Clark as Hephestion, Cardell Goodman as Polyperchon, Edward Kynaston as Cassander, Martin Powell as Philip, John Wiltshire as Thessalus, Edward Lydall as Perdiccas, Marmaduke Watson as Eumenes, Carey Perin as Meleager, John Coysh as Aristander, Katherine Corey as Sysigambis, Elizabeth Boutell as Statira and Anne Marshall Anne Marshall (fl. 1661 – 1682), also Mrs. Ann ...
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Covent Garden Theatre
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, maki ...
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John Wiltshire (stage Actor)
John Wiltshire was an English stage actor of the Restoration Era. He joined the King's Company in 1675, before transferring to the rival Duke's Company in 1679 possibly as a replacement for Matthew Medbourne who was arrested in the Popish Plot and subsequently died in Newgate. From 1682 until his death he was part of the merged United Company. According to the autobiography of Colley Cibber he subsequently joined the English Army as captain and was killed in action fighting with William III's forces in Flanders during the Nine Years' War.Highfill, Burnim & Langhans p.181 His surname is also sometimes spelled as Wilshire. Selected roles * Justice Crabb in ''Psyche Debauched'' by Thomas Duffet (1675) * Plush in ''The Country Innocence'' by John Leanerd (1677) * Thessalus in ''The Rival Queens'' by Nathaniel Lee (1677) * Oswold in '' King Edgar and Alfreda'' by Edward Ravenscroft (1677) * Another Roman Officer in ''Mithridates, King of Pontus'' by Nathaniel Lee (1678) * Sir Genera ...
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Cultural Depictions Of Alexander The Great
Alexander the Great's accomplishments and legacy have been preserved and depicted in many ways. Alexander has figured in works of both "high" and popular culture from his own era to the modern day. Some of these are highly fictionalized accounts, such as the '' Alexander Romance''. Ancient and Medieval literature In the Bible Daniel 8:5–8 and 21–22 states that a King of Greece will conquer the Medes and Persians but then die at the height of his power and have his kingdom broken into four kingdoms. This is sometimes taken as a reference to Alexander. Alexander was briefly mentioned in the first Book of the Maccabees, however the name "Alexander" or "Alexander the Great" referring to the Macedonian King, never appears in the Bible. All of Chapter 1, verses 1–7 was about Alexander and this serves as an introduction of the book. This explains how the Greek influence reached the Land of Israel at that time. In Middle Persian literature Alexander is mentioned in the Zoroastri ...
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Plays Set In Ancient Greece
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times' ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ...
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Plays By Nathaniel Lee
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Times'' ...
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English Restoration Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engli ...
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Anne Marshall
Anne Marshall ( fl. 1661 – 1682), also Mrs. Anne Quin, was a leading English actress of the Restoration era, one of the first generation of women performers to appear on the public stage in England. John Downes, in his ''Roscius Anglicanus'' (1708), reported that Anne Marshall was among the initial group of actresses employed by manager Thomas Killigrew with his King's Company when the company made the move to Gibbon's Tennis Court in 1660. Anne was revered for her roles in tragedies but was also known to play in breeches roles, wherein she would be playing a woman dressed as a boy. She had been nominated as possibly the "first English actress," the Desdemona in the performance of ''Othello'' on 8 December 1660. ee: Margaret Hughes; Katherine Corey">Margaret_Hughes.html" ;"title="ee: Margaret Hughes">ee: Margaret Hughes; Katherine Corey.] Marshall certainly played Desdemona in later performances. She excelled in rhymed heroic tragedy, creating “excessively grandiose hero ...
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Elizabeth Boutell
Elizabeth Boutell (early 1650s?—1715), was a British actress. Life She joined, soon after its formation, the company at the Theatre Royal, subsequently known as Drury Lane, and was accordingly one of the first women to appear on the English stage. Her earliest recorded appearance took place presumably in 1663 or 1664, as Estifania in ''Rule a Wife and Have a Wife''. She joined the King's Company about 1670 and played many important roles in the 1670s, including Benzayda in John Dryden's ''The Conquest of Granada'' (December 1670 and January 1671), and probably Rosalinda in Nathaniel Lee's ''Sophonisba'' (3 April 1675). She "created" among other characters, Melantha in Dryden's '' Marriage à la mode'' (c. April 1672), Margery Pinchwife in William Wycherley's '' The Country Wife'' (12 January 1675), Cleopatra in Dryden's '' All for Love'', and Mrs. Termagant in Shadwell's ''The Squire of Alsatia''. Cibber somewhat curiously omits from his ''Apology'' all mention of her name. H ...
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Katherine Corey
Katherine Corey ( fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one of the longest careers of any actress in her generation. In "The humble petition of Katherine Corey" (see below), she stated that she "was the first and is the last of all the actresses that were constituted by King Charles the Second at His Restauration." Correy started her career under her maiden name, Mitchell, but was Mrs. Corey by 1663. "Mrs Corey was a big woman with a gift for comedy. She was popular in a variety of roles, but especially in old women parts: scolding wives, mothers, governesses, waiting women, and bawds." In his Diary, Samuel Pepys Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most ...
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John Coysh
John Coysh was an English stage actor of the seventeenth century. He was a member of the King's Company, based at the Theatre Royal, Drury Lane. He first headed a nursery of young actors at Hatton Garden, including the future star Sarah Cooke. He also led a travelling troupe of actors to provincial theatres around Britain. The playwright Elkanah Settle helped produced drolls for the group to perform. From 1671 he was an established performer at Drury Lane. However his career on the London stage appears to have ended with the creation of the merged United Company in 1682. Highfill, Burnim & Langhans p. 21 Selected roles * Muly Labas in ''The Empress of Morocco'' by Elkanah Settle (1673) * Mingo in ''The Spanish Rogue'' by Thomas Duffet (1673) * Plautus in ''Nero'' by Nathaniel Lee (1674) * Riccamare in ''The Amorous Old Woman'' by Thomas Duffet (1674) * Jeffrey in ''Psyche Debauched'' by Thomas Duffet (1675) * Aristander in ''The Rival Queens'' by Nathaniel Lee (1677) * Physician i ...
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Carey Perin
Carey Perin (occasionally written as Perrin) was an English stage actor of the seventeenth century. He was a long-standing member of the King's Company based at the Theatre Royal, Drury Lane.Wilson p.23 He then joined the merged United Company in 1682. His last known role was in Thomas Southerne's ''The Maid's Last Prayer''. Selected roles * Cicco in ''The Amorous Old Woman'' by Thomas Duffett (1674) * Meleager in ''The Rival Queens'' by Nathaniel Lee (1677) * Zannazarro in '' Wits Led by the Nose'' by William Chamberlayne (1677) * Plodwell in '' The Man of Newmarket'' by Edward Howard (1678) * Physician in '' Trick for Trick'' Thomas D'Urfey (1678) * Sir Geoffrey Jolt in ''The Rambling Justice'' by John Leanerd (1678) * Old Gentlewoman in ''The Country Innocence'' by John Leanerd (1678) * Benedick in '' Sir Barnaby Whigg'' by Thomas D'Urfey (1681) * Meroin in '' The Heir of Morocco'' by Elkanah Settle (1682) * Labienus in ''Constantine the Great'' by Nathaniel Lee (1683) * Long ...
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