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The Revolution Of Sweden
''The Revolution of Sweden'' is a 1706 tragedy by the British writer Catharine Cockburn.Nicoll p.361 The original Haymarket cast included Barton Booth as Gustavus, Thomas Betterton as Arwide, John Corey as Erici, Benjamin Husband as Viceroy, John Bowman as Archbishop and Elizabeth Barry Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious L ... as Constanta. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Nicoll, Allardyce. ''History of English Drama, 1660-1900, Volume 2''. Cambridge University Press, 2009. 1706 plays West End plays Tragedy plays Plays by Catharine Trotter Cockburn {{1700s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catharine Trotter Cockburn
Catharine Trotter Cockburn (16 August 1679 – 11 May 1749) was an English novelist, dramatist, and philosopher. She wrote on moral philosophy, theological tracts, and had a voluminous correspondence. Trotter's work addresses a range of issues including necessity, the infinitude of space, and the substance, but she focuses on moral issues. She thought that moral principles are not innate, but discoverable by each individual through the use of the faculty of reason endowed by God. In 1702, she published her first major philosophical work, ''A Defence of Mr. Lock's ic.An Essay Concerning Human Understanding''. John Locke was so pleased with this defence that he made gifts of money and books to his young apologist acting through Elizabeth Burnet who had first made Locke aware of Trotter's "Defence". Her work attracted the attention of William Warburton, who prefaced her last philosophical work. She also had a request from the biographer Thomas Birch to aid him in compiling a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Her Majesty's Theatre
Her Majesty's Theatre is a West End theatre situated on Haymarket, London, Haymarket in the City of Westminster, London. The present building was designed by Charles J. Phipps and was constructed in 1897 for actor-manager Herbert Beerbohm Tree, who established the Royal Academy of Dramatic Art at the theatre. In the early decades of the 20th century, Tree produced spectacular productions of William Shakespeare, Shakespeare and other classical works, and the theatre hosted premieres by major playwrights such as George Bernard Shaw, J. M. Synge, Noël Coward and J. B. Priestley. Since the First World War, the wide stage has made the theatre suitable for large-scale musical productions, and the theatre has accordingly specialised in hosting musical theatre, musicals. The theatre has been home to record-setting musical theatre runs, notably the First World War sensation ''Chu Chin Chow''Larkin, Colin (ed). ''Guinness Who's Who of Stage Musicals'' (Guinness Publishing, 1994) and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haymarket, London
Haymarket is a street in the St James's area of the City of Westminster, London. It runs from Piccadilly Circus in the north to Pall Mall, London, Pall Mall at the southern end. Located on the street are the Haymarket Theatre, Theatre Royal, Her Majesty's Theatre, New Zealand House, a cinema complex and restaurants. History Origins The broad street connecting Pall Mall, London, Pall Mall with Piccadilly is recorded in the Elizabethan era and, as the name suggests, was chiefly used as a street market for the sale of fodder and other farm produce. At that time, it was a rural spot, with the village of Charing (London), Charing the closest settlement. This practice continued to the reign of William III of England, William III; by that time, carts carrying hay and straw were allowed in the street to trade, toll-free. In 1692, when the street was paved, a tax was levied on the loads: 3Penny (British pre-decimal coin), d for a load of hay and 2d for one of straw. In 1830, the market w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barton Booth
Barton Booth (168210 May 1733) was one of the most famous dramatic actors of the first part of the 18th century. Early life Booth was the son of The Hon and Very Revd Dr Robert Booth (priest), Robert Booth, Dean of Bristol, by his first wife and distant cousin Ann Booth, daughter of Sir Robert Booth (judge), Robert Booth, Lord Chief Justice of Ireland, and was educated at Westminster School, where his success in the Roman comedy ''Andria (comedy), Andria'' gave him a gave him an inclination for the stage. He was intended for the church, and to attend Trinity College, Cambridge; but in 1698 he ran away and obtained employment in a theatrical company in Dublin, where he made his first appearance as the title character in Aphra Behn's ''Oroonoko''. London success After two seasons in Ireland he returned to London, where Thomas Betterton, who had previously failed to help him, probably out of regard for Booth's family, now gave him all the assistance in his power. At the Lincoln's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Betterton
Thomas Patrick Betterton (August 1635 – 28 April 1710), the leading male actor and theatre manager during Restoration England, son of an under-cook to King Charles I, was born in London. Apprentice and actor Betterton was born in August 1635 in Tothill Street, Westminster.''The National Cyclopaedia of Useful Knowledge'', Vol.III, London, Charles Knight, 1847, p.273 He was apprenticed to John Holden, Sir William Davenant's publisher, and possibly later to a bookseller named John Rhodes, who had been wardrobe-keeper at the Blackfriars Theatre. In 1659, Rhodes obtained a license to set up a company of players at the Cockpit Theatre in Drury Lane; and on the reopening of this theatre in 1660, Betterton made his first appearance on the stage. Betterton's talents at once brought him into prominence, and he was given leading parts. On the opening of the new theatre in Lincoln's Inn Fields in 1661, Davenant, the patentee of the Duke's Company, engaged Betterton and all Rhodes's co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Corey (actor)
John Corey was an English stage actor and playwright of the eighteenth century. His name is sometime written as John Cory. Born in Barnstaple in North Devon of a Cornish family, he first acted on the London stage in 1701 have originally studied law at the Inns of Chancery. He was therefore unlikely to have been the son of the Restoration actress Katherine Corey. Between 1701 and 1735 he was a mainstay of the Drury Lane, Haymarket and Lincoln's Inn Fields Theatre companies, and also appeared at the Goodman's Fields Theatre run by Henry Giffard late in his career.Highfill, Burnim & Langhans p.492-93 He also wrote two plays which were performed at Lincoln's Inn Fields early in his career there. Selected roles * Seleuchus in ''Antiochus the Great'' by Jane Wiseman (1701) * Mirvan in ''Tamerlane'' by Nicholas Rowe (1701) * Colonel Many in '' The Beau's Duel'' by Susanna Centlivre (1702) * Careles in '' The Different Widows'' by Mary Pix (1703) * Dorante in '' The Gamester'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Husband
Benjamin Husband was a British stage actor of the eighteenth century. His surname is sometimes written as Husbands. Reportedly born in Pembrokeshire in 1672, he was a member of the Lincolns Inn Fields and Drury Lane companies during the 1700s. He was later in Dublin as part of the Smock Alley Theatre organisation. When he had a benefit there in 1746, he was described as the oldest living actor.Highfill, Burnim & Langhans p.63 Selected roles * Tyranges in ''The Double Distress'' by Mary Pix (1701) * Zama in ''Tamerlane'' by Nicholas Rowe (1702) * Alphonso in ''All for the Better'' by Francis Manning (1702) * Richemore in ''The Twin Rivals'' by George Farquhar (1702) * Lorenzo in '' The Patriot'' by Charles Gildon (1702) * Don Philip in ''She Would and She Would Not'' by Colley Cibber (1702) * Albovade in ''The Faithful Bride of Granada'' by William Taverner (1704) * Viceroy in ''The Revolution of Sweden'' by Catharine Cockburn (1706) * Bellmour in ''Adventures in Madrid'' by Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bowman (actor)
John Bowman (1651–1739) was a British stage actor.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXVIII He began his career in the Duke's Company at the Dorset Garden Theatre. In 1692 he married Elizabeth Watson, who acted under the name Elizabeth Bowman. He later switched to act at the Drury Lane Theatre. He is also referred to as John Boman. Selected roles * Peter Santloe in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Saunter in '' Friendship in Fashion'' by Thomas Otway (1678) * Patroclus in '' The Destruction of Troy'' by John Banks (1678) * Pisander in '' The Loyal General'' by Nahum Tate (1679) * Crotchett '' The Virtuous Wife'' by Thomas D'Urfey (1679) * Patroclus in ''Troilus and Cressida'' by John Dryden (1679) * Mr Shatter in '' The Revenge'' by Aphra Behn (1680) * Duke of Clarence in ''The Misery of Civil War'' by John Crowne (1680) * Atticus in ''Theodosius'' by Nathaniel Lee (1680) * Dreswell in ''The City Heiress'' by Aphra Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabeth Barry
Elizabeth Barry (1658 – 7 November 1713) was an English actress of the Restoration period. Elizabeth Barry's biggest influence on Restoration drama was her presentation of performing as the tragic actress. She worked in large, prestigious London theatre companies throughout her successful career: from 1675 in the Duke's Company, 1682 – 1695 in the monopoly United Company, and from 1695 onwards as a member of the actors' cooperative usually known as Betterton's Company, of which she was one of the original shareholders. Her stage career began 15 years after the first-ever professional actresses had replaced Shakespeare's boy heroines on the London stage. The actor Thomas Betterton said that her acting gave "success to plays that would disgust the most patient reader", and the critic and playwright John Dennis described her as "that incomparable Actress changing like Nature which she represents, from Passion to Passion, from Extream to Extream, with piercing Force and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1706 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
