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The Revenge (play)
''The Revenge'' is a 1721 tragedy by the British writer Edward Young, set in 16th-century Spain. Although initially it did not enjoy the same success as his previous play '' Busiris, King of Egypt'', it later became a much-revived work during the eighteenth century particularly popular because of the Othello-like role of the Moorish character Zanga. John Philip Kemble revived the work briefly in 1798 before Edmund Kean in 1815 did so with great success and it became part of his repertoire.Kahan p.72 The original Drury Lane cast included Barton Booth as Don Alonzo, Robert Wilks as Don Carlos, John Thurmond as Don Alverez, John Mills as Zanga, Mary Porter as Leonora and Christiana Horton as Isabella. The work was dedicated to Young's patron the Duke of Wharton Duke is a male title either of a monarch ruling over a duchy, or of a member of royalty, or nobility. As rulers, dukes are ranked below emperors, kings, grand princes, grand dukes, and sovereign princes. As roya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Young
Edward Young (c. 3 July 1683 – 5 April 1765) was an English poet, best remembered for ''Night-Thoughts'', a series of philosophical writings in blank verse, reflecting his state of mind following several bereavements. It was one of the most popular poems of the century, influencing Goethe and Edmund Burke, among many others, with its notable illustrations by William Blake. Young also took holy orders, and wrote many fawning letters in search of preferment, attracting accusations of insincerity. Early life Young was a son of Edward Young, later Dean of Salisbury, and was born at his father's rectory at Upham, near Winchester, where he was baptized on 3 July 1683. He was educated at Winchester College, and matriculated at New College, Oxford, in 1702. He later migrated to Corpus Christi, and in 1708 was nominated by Archbishop Tenison to a law fellowship at All Souls. He took his degree of Doctor of Canon Law in 1719.Chisholm, 1911 Literary career Young's first publica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Thurmond
John Thurmond (died 1727) was a British stage actor. To distinguish him from his son, also an actor named John, he is sometimes called John Thurmond the Elder. His earliest known stage performance was in 1695, when he played in '' Cyrus the Great'' with Thomas Betterton's troupe at the Lincoln's Inn Fields Theatre. Around 1699 he joined the Smock Alley Theatre where he acted alongside his wife Winifred. By 1708 he was back in London with the Drury Lane Theatre. He died on 7 September 1727 the same night he had been due to appear in '' Othello''. He was buried in St Paul's, Covent Garden, alongside his wife Winifred who died in 1736.Highfill, Burnim & Langhans p.431 Selected roles *Artabasus in '' Cyrus the Great'' by John Banks (1695) * Frederick in '' The She-Gallants'' by George Granville (1695) * Freindly ''The City Bride'' by Joseph Harris (1696) * Rodrigo in ''The Italian Husband'' by Edward Ravenscroft (1697) * Bellgard in '' Fatal Friendship'' by Catharine Trotter Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Plays
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Briton (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1721 Plays
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Wharton, 1st Duke Of Wharton
Philip Wharton, 1st Duke of Wharton (21 December 1698 – 31 May 1731) was a powerful Jacobite politician, was one of the few people in English history, and the first since the 15th century, to have been raised to a dukedom whilst still a minor and not closely related to the monarch. Youth Wharton was the son of "Honest Tom" Wharton, 1st Marquess of Wharton, the Whig partisan, and his second wife Lucy Loftus, and had a good education. Well prepared for a life as a public speaker, the young Wharton was both eloquent and witty. When his father died in 1715, Philip, then sixteen years old, succeeded him as 2nd Marquess of Wharton and 2nd Marquess of Malmesbury in the Peerage of Great Britain and as 2nd Marquess of Catherlough in the Peerage of Ireland. One month after inheriting these peerages, he eloped with Martha Holmes, the daughter of Major-General Richard Holmes. Wharton did not get control of his father's extensive estate, as it had been put in the care of his mother and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiana Horton
Christiana Horton (c. 1696 – c. 1756) was an English actress. She first appeared in London as Melinda in ''The Recruiting Officer'' in 1714 at the Theatre Royal, Drury Lane. Here she remained twenty years, followed by fifteen at the Theatre Royal, Covent Garden. At both houses during this long career she played all the leading tragedy and comedy parts, and Barton Booth (who discovered her) said she was the best successor of Anne Oldfield. She was the original Mariana in Fielding's ''The Miser'' (1733). Selected roles * Melinda in ''The Recruiting Officer'' by George Farquhar (1714) * Emmelin in ''Lucius'' by Delarivier Manley (1717) * Caelia in '' The Masquerade'' by Charles Johnson (1719) * Isabella in '' The Revenge'' by Edward Young (1721) * Olivia in '' The Artifice'' by Susanna Centlivre (1722) * Clary in '' The Rival Modes'' by James Moore Smythe (1727) * Ethra in ''Medea'' by Charles Johnson (1730) * Mariana in ''The Miser'' by Henry Fielding (1733) * E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Porter (actress)
Mary Porter (died 24 February 1765) was an English actress. Life She was brought to the attention of Betterton by Elizabeth Barry, who had seen her play the Fairy Queen at Bartholomew Fair. In his company she made her first appearance in 1699, in tragedy, in which she was at her best, although she also played a long list of comedy parts. When her friends, Mrs Barry, Mrs Bracegirdle and Mrs Oldfield, had retired from the stage, she was left its undisputed queen. In 1713 she appeared in John Gay's comedy '' The Wife of Bath'' at Drury Lane. In 1724 she featured in his tragedy '' The Captives'' as Astarbe, Queen of Media. Selected roles * Mirabel in ''The Rival Fools'' by Colley Cibber (1709) * Alicia in ''Jane Shore'' by Nicholas Rowe (1714) * Lady Woodvill in '' The Non-Juror'' by Colley Cibber (1717) * Eudocia in ''The Siege of Damascus'' by John Hughes (1720) * Astarbe in '' The Captives'' by John Gay John Gay (30 June 1685 – 4 December 1732) was an English poet and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Mills (stage Actor)
John Mills (c.1670–1736) was a British stage actor. A long-standing part of the Drury Lane company from 1695 until his death, he appeared in both comedies and tragedies. His wife Margaret Mills was an actress, and his son William Mills also became an actor at Drury Lane. He was a friend of the playwright Richard Steele and Robert Wilks the lead actor and manager at Drury Lane with whom he frequently appeared on stage. He died on 17 December 1736, thirteen days after performing in his final role as the King in '' Henry IV, Part 2''.Highfill, Burnim & Langhans p.249 Selected roles * Pedro in '' Agnes de Castro'' by Catherine Trotter (1695) * Castillio in ''Neglected Virtue'' by Charles Hopkins (1696) * Pisano in ''The Unhappy Kindness'' by Thomas Scott (1696) * Lovewell in ''Love and a Bottle'' by George Farquhar (1698) * Colonel Darange in '' The Campaigners'' by Thomas D'Urfey (1698) * Vizard in ''The Constant Couple'' by George Farquhar (1699) * Don Duart in ''Love Makes a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wilks
Robert Wilks (''c.'' 1665 – 27 September 1732) was a British actor and theatrical manager who was one of the leading managers of Theatre Royal, Drury Lane in its heyday of the 1710s. He was, with Colley Cibber and Thomas Doggett, one of the "triumvirate" of actor-managers that was denounced by Alexander Pope and caricatured by William Hogarth as leaders of the decline in theatrical standards and degradation of the stage's literary tradition. The family was based for many generations in Bromsgrove, Worcestershire. His great-uncle, Judge Wilks, had served Charles I of England during the English Civil War, for whom he raised a troop at his own expense. After Oliver Cromwell won the civil war, Wilks' father moved to Dublin, where Robert Wilks was born. He was a clerk to Robert Southwell until he joined the Williamite army. As soon as he was discharged from the army, he worked in the Smock Alley Theatre in Dublin from 1691 to 1693. According to Wilks's version of the story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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