The Return Of Bud Powell
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The Return Of Bud Powell
''The Return of Bud Powell'' is a studio album by jazz pianist Bud Powell recorded in 1964 and released the same year by Roulette Records. Also on the album were bassist John Ore and drummer J. C. Moses. Author and pianist Francis Paudras highlighted disagreements between Powell and Moses prior to the session, with the pianist only agreeing to play with Moses on the condition that the volume of the drums be reduced during mixing. Reception A writer for ''Billboard'' stated that, on the album, Powell is "just as strong, polished and vibrantly exciting as before," and noted that Ore and Moses "romp along with him." Trevor Tolley of ''Coda'' wrote: "while the fingering is clean and the tone well sustained, the performances are rhythmically limp, and one has the sense at times that the bass and drums are doing their best to fit in, so as to hide the rhythmic uncertainty." Harvey Pekar, writing for ''DownBeat'', gave a mixed evaluation of the album, noting on two of the tracks th ...
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Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ...
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Someone To Watch Over Me (song)
"Someone to Watch Over Me" is a 1926 song composed by George Gershwin with lyrics by Ira Gershwin, assisted by Howard Dietz who penned the title. It was written for the musical ''Oh, Kay!'' (1926), with the part originally sung on Broadway by English actress Gertrude Lawrence while holding a rag doll in a sentimental solo scene. The musical ran for more than 200 performances in New York and then saw equivalent acclaim in London in 1927, all with the song as its centerpiece. Lawrence released the song as a medium-tempo single which rose to #2 on the charts in 1927. Origin Initially, "Someone to Watch Over Me" was written by George Gershwin for the musical ''Oh, Kay!'' as a "fast and jazzy" up-tempo rhythm tune – marked ''scherzando'' (playful) in the sheet music – but in the 1930s and 1940s it was recorded by singers in a slower ballad form, which became the standard. The definitive slow torch song version was first released by Lee Wiley in 1939, followed by Margaret Whiting in ...
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Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.
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If I Loved You
"If I Loved You" is a show tune from the 1945 Rodgers and Hammerstein musical ''Carousel''. Background In the show, the characters of Billy Bigelow and Julie Jordan sing this song as they hesitantly declare their love for one another, yet are too shy to express their true feelings. The song was in turn inspired by lines of dialogue from Ferenc Molnár's original '' Liliom'', the source material for the musical. Carousel The song was introduced by John Raitt as "Billy Bigelow" and Jan Clayton as "Julie" in the original Broadway production. The song was performed in the 1956 film version ''Carousel'' by Gordon MacRae and Shirley Jones. Other recordings There were four hit versions of the song in 1945: Perry Como (#3), Frank Sinatra (#7), Bing Crosby Harry Lillis "Bing" Crosby Jr. (May 3, 1903 – October 14, 1977) was an American singer, musician and actor. The first multimedia star, he was one of the most popular and influential musical artists of the 20th cen ...
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Benny Golson
Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982. In addition to " I Remember Clifford", many of Golson's compositions have become jazz standards including "Blues March", " Whisper Not", and "Killer Joe". Biography While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm ...
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I Remember Clifford (song)
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.Blumenthal, Bob (2004) In ''The Complete Argo/Mercury Art Farmer/Benny Golson/Jazztet Sessions'' D liner notes p. 3. Mosaic. Notable recordings * Bob Acri - ''Bob Acri'' (Blujazz, 2004) * Art Blakey and The Jazz Messengers – '' 1958 – Paris Olympia'' (Fontana, 1958) * Donald Byrd - ''Jazz Lab'' (Columbia, 1957) * George Cables – ''Circle'' (Contemporary, 1979) * Ray Charles – ''My Kind of Jazz'' (1970) * Kenny Dorham – ''This Is the Moment!'' (Riverside, 1958) * Don Ellis – ''Shock Treatment'' (2002) * Stan Getz and Kenny Barron – '' People Time: The Complete Recordings'' (1991) * Dizzy Gillespie – ''Dizzy Gillespi ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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Just One Of Those Things (song)
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical ''Jubilee''. Porter had written the score for ''Jubilee'' while on an extended sea cruise in the early part of 1935: however, in September 1935 while he was visiting a friend's farm in Ohio with ''Jubilees librettist Moss Hart, the latter mentioned that the play's second act required an additional song, and Porter had "Just One of Those Things" completed by the following morning (he had previously used the title for a song intended for but not featured in the 1930 musical ''The New Yorkers''—apart from the title the two songs are distinct). Porter's original lyric lacked an adjective for the line "a trip to the moon on '' gossamer'' wings": "gossamer" would be suggested by his friend, Ed Tauch. A recording by Richard Himber reached the charts of the day in 1935 and Peggy Lee's stylized arrangement of the song was a No. 14 hit in the Billboard charts in 1952. Other recordings The song has beco ...
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Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ...
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Bronisław Kaper
Bronisław Kaper (; February 5, 1902 – April 26, 1983) was a Polish film composer who scored films and musical theater in Germany, France, and the USA. The American immigration authorities misspelled his name as Bronislau Kaper. He was also variously credited as Bronislaw Kaper, Bronislaw Kapper, Benjamin Kapper, and Edward Kane. Kaper is perhaps best remembered as the composer of the jazz standards " On Green Dolphin Street" (lyrics by Ned Washington) and " Invitation" (lyrics by Paul Francis Webster) which were the respective title songs for the Metro-Goldwyn-Mayer films '' Green Dolphin Street'' (1947) and '' Invitation'' (1952). He also scored the MGM film musical ''Lili'' (1953) for which he received the Academy Award for Best Original Score. Kaper's later works include ''Mutiny on the Bounty'' (1962) and the TV series ''The F.B.I.'' (1965–1974). Biography Bronisław Kaper was born in Warsaw, Poland, to an Ashkenazi Jewish family, and began playing the piano at the age o ...
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On Green Dolphin Street (song)
"On Green Dolphin Street" (originally titled "Green Dolphin Street") is a 1947 popular song composed by Bronisław Kaper with lyrics by Ned Washington. The song was composed for the film '' Green Dolphin Street,'' which was based on a 1944 novel of the same name by Elizabeth Goudge, and became a jazz standard after it was recorded by Miles Davis Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of music ... in 1958. Renditions In popular culture "On Green Dolphin Street" is referenced in the sixth part of J''oJo's Bizarre Adventure'', ''Stone Ocean'' in the name of Green Dolphin Street Prison, the primary setting of the story. References {{Authority control 1940s jazz standards 1947 songs Songs with lyrics by Ned Washington Songs with music by Bronisław Kaper Jazz standards ...
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Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ...
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