|
The Recognition Of Shakuntala
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaurava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynasty that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma - Mahabharata - Shakuntala
''Raja'' (; from , IAST ') is a royal title used for South Asian monarchs. The title is equivalent to king or princely ruler in South Asia and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the Rigveda, where a ' is a ruler, see for example the ', the "Battle of Ten Kings". Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Pindrawal * the Raja of Morni * the Raja of Rajouri * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Narsinghgarh * the Raja of Pudukkottai * the Raja of Rajgarh * the Raja of Sangli * the Raja of Sailana * the Raja ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apsara
An apsaras or apsara ( sa, अप्सरा ' lso ' pi, अक्चरा, translit=accharā) is a type of female spirit of the clouds and waters in Hinduism and Buddhist culture. They figure prominently in the sculpture, dance, literature and painting of many Indian and Southeast Asian cultures. There are two types of apsaras: ''laukika'' (worldly) and ''daivika'' (divine). Urvasi, Menaka, Rambha, Tilottama and Ghritachi are the most famous among them. They are most often depicted in the court and discretion of Indra. Apsaras are widely known as ''Apsara'' ( ) in Khmer, and also called as ''Accharā'' in Pāli, or ''Bidadari'' (Malay, Maranao), ''Biraddali'' ( Tausug, Sinama), ''Hapsari/Apsari'' or ''Widadari/Widyadari'' ( Javanese), ''Helloi'' ( Meitei) and ''Apsorn'' ( th , อัปสร). English translations of the word "Apsara" include "nymph", "fairy", "celestial nymph", and "celestial maiden". In Hinduism, apsaras are beautiful, supernatural female beings. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Jones (philologist)
Sir William Jones (28 September 1746 – 27 April 1794) was a British philologist, a puisne judge on the Supreme Court of Judicature at Fort William in Bengal, and a scholar of ancient India. He is particularly known for his proposition of the existence of a relationship among European and Indo-Aryan languages, which later came to be known as the Indo-European languages. Jones is also credited for establishing the Asiatic Society of Bengal in 1784. Early life William Jones was born in London; his father William Jones (1675–1749) was a mathematician from Anglesey in Wales, noted for introducing the use of the symbol π. The young William Jones was a linguistic prodigy, who in addition to his native languages English and Welsh, learned Greek, Latin, Persian, Arabic, Hebrew and the basics of Chinese writing at an early age. By the end of his life he knew eight languages with critical thoroughness, was fluent in a further eight, with a dictionary at hand, and had a fair c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Philosophy
Indian philosophy refers to philosophical traditions of the Indian subcontinent. A traditional Hindu classification divides āstika and nāstika schools of philosophy, depending on one of three alternate criteria: whether it believes the Vedas as a valid source of knowledge; whether the school believes in the premises of Brahman and Atman; and whether the school believes in afterlife and Devas. There are six major schools of Vedic philosophy— Nyaya, Vaisheshika, Samkhya, Yoga, Mīmāṃsā and Vedanta, and five major heterodox (sramanic) schools—Jain, Buddhist, Ajivika, Ajñana, and Charvaka. However, there are other methods of classification; Vidyaranya for instance identifies sixteen schools of Indian philosophy by including those that belong to the Śaiva and Raseśvara traditions.Cowell and Gough, p. xii.Nicholson, pp. 158-162. The main schools of Indian philosophy were formalised and recognised chiefly between 500 BCE and the late centuries of the Common Era. Com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandavas
The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) refers to the five legendary brothers— Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva—who are the central characters of the Hindu epic ''Mahabharata''. They are acknowledged as the sons of Pandu, the King of Kuru, but were fathered by different ''Devas'' (gods) due to Pandu's inability to naturally conceive children. In the epic, the Pandavas married Draupadi, the princess of Panchala, and founded the city of Indraprastha after the Kuru Kingdom was split to avoid succession disputes. After their paternal cousins the Kauravas—led by Duryodhana—tricked them into surrendering their kingdom and refused to return it, the Pandavas waged a civil war against their extended family, and this conflict was known as the Kurukshetra War. With the help of the god Krishna, the Pandavas eventually won the war with the death of the Kauravas, albeit at great cost. Etymology The word ''Pandava'' ( sa, पाण्ड ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kauravas
''Kaurava'' is a Sanskrit term which refers to descendants of Kuru, a legendary king of India who is the ancestor of many of the characters of the epic ''Mahabharata''. Usually, the term is used for the 100 sons of King Dhritarashtra and his wife Gandhari. Duryodhana, Dushasana, Vikarna and Chitrasena are the most popular among the brothers. They also had a sister named Dussala and a half-brother named Yuyutsu. Etymology The term ''Kauravas'' is used in the ''Mahabharata'' with two meanings: *The wider meaning is used to represent all the descendants of Kuru. This meaning, which includes the Pandava brothers, is often used in the earlier parts of popular renditions of the ''Mahabharata''. *The narrower but more common meaning is used to represent the elder line of the descendants of Kuru. This restricts it to the children of King Dhritarashtra, excluding the children of his younger brother, Pandu, whose children form the Pandava line. The rest of this article deals with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> Indra's myths and powers are similar to other Indo-European deities such as Jupiter, Perun, Perkūnas, Zalmoxis, Taranis, Zeus, and Thor, part of the greater Proto-Indo-European mythology. Indra is the most referred deity in the ''Rigveda''. He is celebrated for his powers, and as the one who killed the great evil (a malevolent type of asura) named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rains and sunshine as the saviour of mankind. He is also an important deity worshipped by the Kalash people, indicating his prominence in ancient Hinduism. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asuras
Asuras (Sanskrit: असुर) are a class of beings in Indic religions. They are described as power-seeking clans related to the more benevolent Devas (also known as Suras) in Hinduism. In its Buddhist context, the word is sometimes translated " titan", "demigod", or "antigod". According to Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are called ''Devas'', while malevolent Asuras compete against these Devas and are considered "enemy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signet Ring
A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container (hence the modern English verb "to seal", which implies secure closing without an actual wax seal). The seal-making device is also referred to as the seal ''matrix'' or ''die''; the imprint it creates as the seal impression (or, more rarely, the ''sealing''). If the impression is made purely as a relief resulting from the greater pressure on the paper where the high parts of the matrix touch, the seal is known as a ''dry seal''; in other cases ink or another liquid or liquefied medium is used, in another color than the paper. In most traditional forms of dry seal the design on the seal matrix is in intaglio (cut below the flat surface) and therefore the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durvasa
In Hindu scriptures, Durvasa ( sa, दुर्वासा, ) also known as Durvasas (Sanskrit: दुर्वासस्), is a legendary rishi (sage). He is the son of Anasuya and Atri. According to some Puranas, Durvasa is a partial avatar of Shiva, known for his short temper. Wherever he goes, he is received with great reverence by humans and devas alike. Curses and boons The rishi Durvasa, being short-tempered, is said to have both cursed and gifted boons to several notable deities and people in the Hindu scriptures. Some of them include: Curses # Indra, whom he cursed to lose all his powers, after Indra's elephant Airavata threw down a rather fragrant garland given by Durvasa to Indra. # Saraswati, whom he cursed to be born as a human because she laughed at his incorrect recitation of the Vedas. # Rukmini, whom he cursed to be separated from her husband, Krishna, because she drank water without seeking Durvasa's permission. # Shakuntala, who avoided Durvasa while at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacrificial Fire
Worship or deification of fire (also pyrodulia, pyrolatry or pyrolatria) is known from various religions. Fire has been an important part of human culture since the Lower Paleolithic. Religious or animist notions connected to fire are assumed to reach back to such early pre-''Homo sapiens'' times. Indo-European religions In Indo-European languages, there were two concepts regarding fire: that of an animate type called *''h₁n̥gʷnís'' (cf. Sanskrit ''agni'', English ''ignite'' from Latin ''ignis'', Polish ''ogień'' and Russian ''ogon''), and an inanimate type *''péh₂wr̥'' (cf. English ''fire'', Greek ''pyr'', Sanskrit ''pu''). A similar distinction existed for water. Archaeologically, evidence for Indo-Iranian fire worship and the rite of cremation is found at the transition from the Sintashta-Petrovka to the Andronovo culture around 1500 BC. Fire worship was prevalent in Vedic and the Ancient Iranian religion. Whereas cremation became ubiquitous in Hinduism, it was pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hastinapura
Hastinapur is a city in the Meerut district in the Indian state of Uttar Pradesh. ''Hastinapura'', described in Hindu texts such as the ''Mahabharata'' and the Puranas as the capital of the Kuru Kingdom, is also mentioned in ancient Jain texts. Hastinapur is located on the right bank of the Ganga river. Etymology In Sanskrit, ''Hastinapura'' translates to 'the City of Elephants' from ''Hastina'' (elephant) and ''pura'' (city). Its history dates back to the period of ''Mahabharata''. It is said that the city was named after King Hasti. It is also mentioned in the ''Ramayana'' (2:68), the 13th and 14th verses of which say (translated): History The early archaeological remains of the region belong to Ochre Coloured Pottery culture which was a Bronze Age culture of Ganga Yamuna doab. Around c.1200 BCE the region transformed to an Iron Age culture. The region was occupied by the Painted Grey Ware culture which corresponds to the Vedic Period. In the ''Mahabharata'', Hastinap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Indra")
.jpg "Click for more on -> Signet Ring")
