The Real Thing (Taj Mahal Album)
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The Real Thing (Taj Mahal Album)
''The Real Thing'' is a double live album by Taj Mahal, released in 1971. It was recorded on February 13, 1971, at the Fillmore East in New York City and features Taj Mahal backed by a band that includes four tuba players. Track listing All tracks by Taj Mahal except where noted. # "Fishin' Blues" (Henry Thomas) – 2:58 # "Ain't Gwine to Whistle Dixie (Any Mo')" (Chuck Blackwell, Jesse Ed Davis, Gary Gilmore, Taj Mahal) – 9:11 # "Sweet Mama Janisse" – 3:32 # "Going Up to the Country and Paint My Mailbox Blue" – 3:24 # "Big Kneed Gal" – 5:34 # " You're Going to Need Somebody on Your Bond" (Blind Willie Johnson) – 6:13 # "Tom and Sally Drake" – 3:39 # "Diving Duck Blues" (Sleepy John Estes) – 3:46 # "John, Ain' It Hard" – 5:30 # " She Caught the Katy (And Left Me a Mule to Ride)" (Taj Mahal, Yank Rachell) – 4:08 #*Omitted from the vinyl issue, added to 2000 CD issue. Studio recording appears on ''The Natch'l Blues'' (1968). # "You Ain't No Street Walker Mama, Ho ...
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Taj Mahal (musician)
Henry St. Claire Fredericks Jr. (born May 17, 1942), better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments,Evans, et al., xii. often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.Komara, 951. Early life Mahal was born Henry St. Claire Fredericks Jr. on May 17, 1942, in Harlem, New York City. Growing up in Springfield, Massachusetts, he was raised in a musical environment: his mother was a member of a local gospel choir and his father, Henry Saint Claire Fredericks Sr., was an Afro-Caribbean jazz arranger and piano player. His family owned a shortwave radio which received music broadcasts from around the world, exposing him at an early age to ...
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Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ...
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Fife (musical Instrument)
A fife is a small, high-pitched, transverse aerophone, that is similar to the piccolo. The fife originated in medieval Europe and is often used in fife and drum corps, military units, and marching bands. Someone who plays the fife is called a fifer. The word ''fife'' comes from the German , meaning pipe, which comes from the Latin word . The fife is a diatonically tuned instrument commonly consisting of a tube with 6 finger holes and an embouchure hole that produces sound when blown across. Modern versions of the fife are chromatic, having 10 or 11 finger holes that allow any note to be played. On a 10-hole fife, the index, middle and ring fingers of both hands remain in the same positions as on the 6-hole fife, while both thumbs and both pinkies are used to play accidentals. An 11-hole fife has holes positioned similarly but adds a second hole under the right middle finger. Fifes are made primarily of wood, such as blackwood, grenadilla, rosewood, mopane, pink ivory, co ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ...
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Resonator Guitar
A resonator guitar or resophonic guitar is an acoustic guitar that produces sound by conducting string vibrations through the bridge to one or more spun metal cones (resonators), instead of to the guitar's sounding board (top). Resonator guitars were originally designed to be louder than regular acoustic guitars, which were overwhelmed by horns and percussion instruments in dance orchestras. They became prized for their distinctive tone, however, and found life with bluegrass music and the blues well after electric amplification solved the problem of inadequate volume. Resonator guitars are of two styles: * Square-necked guitars played in lap steel guitar style * Round-necked guitars played in conventional guitar style or steel guitar style There are three main resonator designs: * The ''tricone'', with three metal cones, designed by the first National company * The single-cone "biscuit" design of other National instruments * The single inverted-cone design (also known as ...
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Chromatic Harmonica
The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone higher in each hole. Thus, the instrument is capable of playing the 12 notes of the Western chromatic scale. The chromatic harmonica can thus be contrasted with a standard harmonica, which can play only the notes in a given musical key. Famously accomplished chromatic harmonica players include classical players Larry Adler, Tommy Reilly (harmonica player), Tommy Reilly, Antonio Serrano (musician), Antonio Serrano, Sigmund Groven, and Willi Burger, jazz players Toots Thielemans, :da:Mathias_Heise, Mathias Heise, Gregoire Maret, Yvonnick Prene, Hendrik Meurkens, and William Galison, and popular musicians Norton Buffalo and Stevie Wonder. Chromatic ...
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Blues Harp
The Richter-tuned harmonica, or 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-octave range. The standard diatonic harmonica is designed to allow a player to play chords and melody in a single key. Because they are only designed to be played in a single key at a time, diatonic harmonicas are available in all keys. Harps labeled G through B start (on hole 1 blow) below middle C, while Harps labeled D through F start above middle C (C4). Here is the layout for a standard diatonic harmonica, labeled C, starting on middle C (C4). :: Although there are three octaves between 1 and 10 "blow", there is only one full major scale available on the harmonica, between holes 4 and 7. The lower holes are designed around the tonic (C major) and dominant (G major) chords ...
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The Natch'l Blues
''The Natch'l Blues'' is the second studio album by American blues artist Taj Mahal, released in 1968. Track listing All tracks composed by Taj Mahal, except where indicated: ;Side 1 # "Good Morning Miss Brown" – 3:13 # "Corinna" (Mahal, Jesse Ed Davis) – 2:59 # "I Ain't Gonna Let Nobody Steal My Jellyroll" – 3:12 # "Going Up to the Country, Paint My Mailbox Blue" – 3:34 # "Done Changed My Way of Living" – 7:02 ;Side 2 # " She Caught the Katy and Left Me a Mule to Ride" (Mahal, Yank Rachell) – 3:27 # "The Cuckoo" (Traditional) – 4:13 # "You Don't Miss Your Water ('Til Your Well Runs Dry)" ( William Bell) – 4:23 # "Ain't That a Lot of Love" (Homer Banks, Deanie Parker) – 3:59 ;2000 CD reissue bonus tracks # "The Cuckoo" (Alternate Version) – 3:20 # "New Stranger Blues" – 5:38 # "Things Are Gonna Work Out Fine" – 3:15 Personnel *Taj Mahal – vocals, harmonica, Miss "National" resonator guitar *Jesse Ed Davis – guitar, piano, brass arrangements *Gary Gilm ...
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Yank Rachell
Yank Rachell (born James A. Rachel; March 16, 1903 or 1910 – April 9, 1997) was an American country blues musician who has been called an "elder statesman of the blues". His career as a performer spanned nearly seventy years, from the late 1920s to the 1990s. Career Rachell grew up in Brownsville, Tennessee. There is uncertainty over his birth year; although his gravestone shows 1910, researchers Bob Eagle and Eric LeBlanc conclude, on the basis of a 1920 census entry, that he was probably born in 1903. In 1958, during the American folk music revival, he moved to Indianapolis. He recorded for Delmark Records and Blue Goose Records. He was a capable guitarist and singer but was better known as a master of the blues mandolin. He bought his first mandolin at age eight, in a trade for a pig his family had given him to raise. He often performed with the guitarist and singer Sleepy John Estes. "She Caught the Katy," which he wrote with Taj Mahal (musician), Taj Mahal, is considered ...
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She Caught The Katy
"She Caught the Katy (And Left Me a Mule to Ride)" is a blues standard written by Taj Mahal and James Rachell. The song was first recorded for Taj Mahal's 1968 album ''The Natch'l Blues'', and is one of Mahal's most famous tunes. It has since been covered many times, and it is included on the soundtrack for the 1980 movie ''The Blues Brothers'' (the song plays over the opening credits as Jake Blues leaves prison). According to John Belushi's widow, it was Belushi's favorite blues song. The "Katy" refers to the Missouri–Kansas–Texas Railroad. Other renditions *The Blues Brothers''The Blues Brothers'' * Peter Frampton Band''All Blues'' *Albert King''Lovejoy'' *PhishLive performance *Wet WillieLive performance *Widespread PanicLive performance *The Youngbloods''High on a Ridge Top'' See also *List of train songs A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of ...
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Sleepy John Estes
John Adam Estes (January 25, 1899 or 1900June 5, 1977),
known as Sleepy John Estes, was an American guitarist, songwriter and vocalist. His music influenced such artists as , and .


Life and career

Estes was born in

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Blind Willie Johnson
Blind Willie Johnson (January 25, 1897 – September 18, 1945) was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions. A revival of interest in Johnson's music began in the 1960s, following his inclusion on Harry Smith's '' Anthology of American Folk Music'', and by the efforts of the blues guitarist Reverend Gary Davis. Along with Davis, he has since been considered the dominant player of " holy blues" music, which conveyed religious themes in a blues idiom and often with the genre's sty ...
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