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The Real Me (Patti Austin Album)
''The Real Me'' is an album of mostly standards by American singer Patti Austin released in 1988, and recorded for the Qwest label. The album reached #7 on ''Billboards Jazz chart. Track listing #"I Can Cook Too" (Leonard Bernstein, Betty Comden, Adolph Green) - 5:14 #"Stockholm Sweetnin'" (Quincy Jones) - 1:37 #"Smoke Gets in Your Eyes" (Jerome Kern, Otto Harbach) - 4:15 #" True Love" (Cole Porter) - 3:49 #" Across the Alley From the Alamo" (Joe Greene) - 3:47 #"How Long Has This Been Going On?" (George Gershwin, Ira Gershwin) - 4:07 #"Lazy Afternoon" (Jerome Moross, John La Touche) - 5:46 #"Love Letters" (Victor Young, Edward Heyman) - 3:55 #"They Can't Take That Away From Me" (George Gershwin, Ira Gershwin) - 3:59 #"Mood Indigo" (Duke Ellington, Barney Bigard, Irving Mills) - 3:26 #" Cry Me a River" (Arthur Hamilton) - 4:21 #"Someone Is Standing Outside" (Jimmy Webb) - 3:54 #" Spring Can Really Hang You Up The Most" (Tommy Wolf, Fran Landesman) - 5:08 Personnel * Patti Austi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patti Austin
Patti Austin (born August 10, 1950) is an American R&B, pop, and jazz singer and songwriter. Music career Austin was born in Harlem, New York, to Gordon Austin, a jazz trombonist. She was raised in Bay Shore, New York on Long Island. Quincy Jones and Dinah Washington have referred to themselves as her godparents. When Austin was four years old, she performed at the Apollo Theater. As a teenager she recorded commercial jingles and worked as a session singer in soul and R&B. She had an R&B hit in 1969 with "Family Tree". She sang backing vocals on Paul Simon's 1975 number-one hit " 50 Ways to Leave Your Lover". The jazz label CTI released her debut album, ''End of a Rainbow'', in 1976. She sang "The Closer I Get to You" for Tom Browne's album ''Browne Sugar'', a duet with Michael Jackson for his album '' Off the Wall'', and a duet with George Benson on "Moody's Mood for Love". After singing on Quincy Jones's album '' The Dude'', she signed a contract with his record labe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Long Has This Been Going On?
"How Long Has This Been Going On?" is a song composed by George Gershwin, with lyrics by Ira Gershwin, for the musical ''Funny Face'' in 1927. History According to Ira Gershwin in his book ''Lyrics on Several Occasions'', after the premiere of ''Funny Face'' in Philadelphia he received a call from the then professional manager of Shapiro, Bernstein and Co. asking him to remove the song because ''“It doesn't mean anything”'' and because ''“Well, we've bought a song with the same title and we're about to publish it. Yours doesn't get you anywhere, so how about taking it out of the show?”'' Eventually the song was deleted as Ira Gershwin indicates, ''“Well, he had'' his ''wish. A couple of weeks later on the road (either in Atlantic City or Washington) ''"How Long..."'' was out, replaced by "''He Loves and She Loves''"”. Replaced by "He Loves and She Loves" in ''Funny Face'', it was eventually introduced in the musical '' Rosalie'' (1928) by Bobbe Arnst as Mary O'Brien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cry Me A River (1953 Song)
"Cry Me a River" is a popular American torch song, written by Arthur Hamilton, first published in 1953 and made famous in 1955 with the version by Julie London. Origins and early recordings Arthur Hamilton later said of the song: "I had never heard the phrase. I just liked the combination of words... Instead of 'Eat your heart out' or 'I'll get even with you,' it sounded like a good, smart retort to somebody who had hurt your feelings or broken your heart." He was initially concerned that listeners would hear a reference to the Crimea, rather than "..cry me a...", but said that "..sitting down and playing the melody and coming up with lyrics made it a nonissue." A bluesy jazz ballad, "Cry Me a River" was originally written for Ella Fitzgerald to sing in the 1920s-set film, '' Pete Kelly's Blues'' (released 1955). According to Hamilton, he and Julie London had been high school classmates, and she contacted him on behalf of her husband, Jack Webb, who was the film's director ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 16, 1894 – April 21, 1985) was an American music publisher, musician, lyricist, and jazz artist promoter. He sometimes used the pseudonyms Goody Goodwin and Joe Primrose. Personal Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky (1868–1905), was a hat maker who had immigrated from Odessa to the United States with his wife Sofia ''(née'' Sophia Dudis; born 1870). Hyman died in 1905, forcing Irving and his brother, Jacob ''(aka'' "Jack"; 1891–1979), to work odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was listed as a telephone operator. Mills married Beatrice ("Bessie") Wilensky (1896–1976) in 1911 and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul," "When I Fall in Love," and " For Sentimental Reasons." He also contributed to a number of songs for films. Biography Heyman studied at the University of Michigan where he had an early start on his career writing college musicals. After graduating from college, Heyman moved back to New York City where he started working with a number of experienced musicians like Victor Young ("When I Fall in Love"), Dana Suesse ("You Oughta Be in Pictures") and Johnny Green (" Body and Soul," " Out of Nowhere," "I Cover the Waterfront" and "Easy Come, Easy Go"). From 1935 to 1952, Heyman contributed songs to film scores including '' Sweet Surrender'', ''That Girl from Paris'', ''Curly Top'', '' The Kissing Bandit'', ''Delightfully Dangerous'' and ''Northwest Outpost''. Arguably Heyman's biggest hit is his lyric to " Body and Soul", written in 1930, which was often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Letters (song)
"Love Letters" is a 1945 popular song with lyrics by Edward Heyman and music by Victor Young. The song appeared, without lyrics, in the movie of the same name performed by Dick Haymes, and was nominated for the Academy Award for Best Original Song in 1945 but lost out to "It Might as Well Be Spring". The song has been covered by a number of artists, most notably by Nat King Cole (1957), Ketty Lester (1961), Elvis Presley (1966), and Alison Moyet (1987). Ketty Lester version In 1961, Era Records released Ketty Lester's version of "Love Letters" b/w "I'm a Fool to Want You". Lester's recording of "Love Letters", which featured Lincoln Mayorga's sparse piano arrangement and Earl Palmer on drums, reached No. 5 on the ''Billboard'' Hot 100 in early 1962.Profile Oldies.com; accessed August 15, 2015. The record also reached No. 2 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John La Touche (lyricist)
John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue '' Pins and Needles''. For the show ''Sing For Your Supper'' (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
