The Real Estate Show
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The Real Estate Show
The Real Estate Show was a squatted exhibition by New York artists' group Colab, on the subject of landlord speculation in real estate held on New Year's Day (January 1, 1980) in a vacant city-owned building at 123 Delancey Street in the Lower East Side of Manhattan, New York City. Exhibition The squatting action followed a year of campaigning to rent the property for an exhibition space from officials of the NYC Department of Housing Preservation and Development (HPD). On New Year's Day, the show was officially opened to the public. It was to be a two-week occupation/exhibit but was quickly closed down by the police. This brief exhibition went on to inspire a much larger and longer lasting Colab exhibition called ''The Times Square Show''. Eviction On the morning of January 2, the Colab artists discovered the storefront padlocked shut and their work locked inside. Phone calls revealed it to be the doing of HPD. ''The Real Estate Show'' had been open exactly one day. On January ...
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The Real Estate Show Poster
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital media, digital subscribers. It also is a producer of popular podcasts such as ''The Daily (podcast), The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones (publisher), George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won List of Pulitzer Prizes awarded to The New York Times, 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national "newspaper of record". For print it is ranked List of newspapers by circulation, 18th in the world by circulation and List of newspapers in the United States, 3rd in the U.S. The paper is owned by the New York Times Company, which is Public company, publicly traded. It has been governed by the Sulzberger family since 189 ...
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Just Another Asshole
Just Another Asshole was a no wave mixed media publication project launched from the Lower East Side of Manhattan from 1978 to 1987. Barbara Ess organized and edited seven issues of Just Another Asshole, which formed thanks to an open, collaborative submission process. Issues 3 and 4 were co-edited by Jane M. Sherry and issues 5 through 7 were co-edited by Glenn Branca. Issue formats include: zine, LP record, large format tabloid, magazine, exhibition catalog, and paperback book. Just Another Asshole #1 and #2: The Zines Barbara Ess edited the first two installments of Just Another Asshole alone; these photocopied zines utilized intermingling high contrast compositions of apocalyptic warnings, celebrity close-ups, helicopters, and tabloids. The title for these works came from the first zine, which contains an alarming juxtaposition of the image of a deaf boy killed by an attack that he could not hear alongside the handwritten words ''just another asshole'', a coupling which drops bo ...
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Mudd Club
The Mudd Club was a nightclub located at 77 White Street in the TriBeCa neighborhood of Lower Manhattan in New York City. It operated from 1978 to 1983 as a venue for underground music and counterculture events. It was opened by Steve Maas, Diego Cortez and Anya Phillips. History The Mudd Club was founded by filmmaker Steve Maas, art curator Diego Cortez, and downtown punk scene figure Anya Phillips in 1978. Maas named the club after Samuel Alexander Mudd, the physician who treated John Wilkes Booth in the aftermath of Abraham Lincoln's assassination. To secure the space for the venue, which was a loft owned by artist Ross Bleckner, Maas described the future venue as essentially an art bar cabaret, like Mickey Ruskin's One University Place, itself based on Ruskin's successful Max's Kansas City. Mudd Club featured a bar, gender-neutral bathrooms, and an art gallery curated by Keith Haring on the fourth floor.Gruen, John (ed). ''Keith Haring: The Authorized Biography'', Prentic ...
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Gentrification
Gentrification is the process of changing the character of a neighborhood through the influx of more Wealth, affluent residents and businesses. It is a common and controversial topic in urban politics and urban planning, planning. Gentrification often increases the Value (economics), economic value of a neighborhood, but the resulting Demography, demographic displacement may itself become a major social issue. Gentrification often sees a shift in a neighborhood's racial or ethnic composition and average Disposable household and per capita income, household income as housing and businesses become more expensive and resources that had not been previously accessible are extended and improved. The gentrification process is typically the result of increasing attraction to an area by people with higher incomes spilling over from neighboring cities, towns, or neighborhoods. Further steps are increased Socially responsible investing, investments in a community and the related infrastruct ...
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Robin Winters
Robin Winters (born 1950 in Benicia, California) is an American conceptual artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. As an early practitioner of Relational Aesthetics Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Recurring imagery in his work includes faces, boats, cars, bottles, hats, and the fool. Early life and education Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which ...
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Coleen Fitzgibbon
Coleen Fitzgibbon (born 1950) is an American experimental film artist associated with Collaborative Projects, Inc. (a.k.a. Colab). She worked under the pseudonym Colen Fitzgibbon between the years 1973-1980. Fitzgibbon currently resides on Ludlow Street in New York City and in Montana. Career history Fitzgibbon was a student of 1960s Structuralist cinema at the School of the Art Institute of Chicago and the Whitney Independent Study Program where she studied with Owen Land (aka “ George Landow”), Stan Brakhage, Yvonne Rainer, Carolee Schneemann and Vito Acconci. Fitzgibbon worked on film and sound projects for Dennis Oppenheim, Gordon Matta-Clark and Les Levine. Fitzgibbon formed the collaborative ''X&Y'' project with Robin Winters in 1976 and helped form the conceptual art project called ''The Offices of Peter Fend, Fitzgibbon, Jenny Holzer, Peter Nadin, Richard Prince and Robin Winters'' in 1979 (the same year she performed at ''Public Arts International/Free Speech''). She ...
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Peter Fend
Peter Fend is an American artist born in 1950. In 1980, he founded Offices and the Ocean Earth Construction and Development Corporation with Colen Fitzgibbon, Jenny Holzer, Peter Nadin, Richard Prince and Robin Winters, which was a "corporation" invented for a group of artists. In 1994, the organization changed its name to Ocean Earth Development Corporation (OCEAN EARTH). Work The Offices and the Ocean Earth Construction and Development Corporation firm has come to be a vehicle for gathering authoritative evidence, such as detailed maps and satellite images, for what is described in the 1989 scientific conference ''Global Monitoring and Assessments: Towards the 21st Century'' as "ocean-basin monitoring and management." Precise maps mosaiced from aeronautical charts have been produced to include what UNEP documents call "land-based sources of pollution", or all possible terrain for drainage, for each regional sea. This would include, as shown in '' Documenta'' in 1992, the Black ...
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Mitch Corber
Mitch Corber is a New York City neo-Beat poet, an eccentric performance artist, and no wave videographer known for his rapid whimsically comical montage and collage style. He has been associated with Collaborative Projects, Inc. (aka Colab), participated in ''Public Arts International/Free Speech'' and ''The Times Square Show'', and is creator-director of cable TV long-running weekly series Poetry Thin Air in New York City and its on-line poetry/video archive. He has worked closely with ABC No Rio, Colab TV and the MWF Video Club and his audio art (often musique concrète collages) have been published on Tellus Audio Cassette Magazine three times. He is a recipient of a NY Foundation for the Arts Fellowship grant (1987) in the field of emerging artforms. Education, performance, and video history Corber graduated from UCLA School of Theater, Film and Television in 1971 and shortly thereafter moved to New York City's Lower East Side, became influenced by the slide show performances ...
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Robert C
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Rivington Street
Rivington Street is a street in the New York City borough of Manhattan, which runs across the Lower East Side neighborhood, between the Bowery and Pitt Street, with a break between Chrystie and Forsyth for Sara D. Roosevelt Park. Vehicular traffic runs west on this one-way street. It is named after James Rivington, who under cover of writing one of the most infamous Loyalist newspapers in the American colonies, secretly ran a spy ring that supplied George Washington with information. Early in the 20th century, the street was the home of many Italian and Jewish immigrants, hence the birthplace of many second generation Italian and Jewish Americans. George Burns lived there for a time. Points of interest The site of the second African burial ground in New York lies between Rivington and Stanton Streets, now a playground in the Sara D. Roosevelt Park. The M'Finda Kalunga community garden is also at this location. Several functioning synagogues remain on Rivington Street, a remind ...
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ABC No Rio
ABC No Rio is a collectively-run non-profit arts organization on New York City's Lower East Side. It was founded in 1980 in a squat at 156 Rivington Street, following the eviction of the 1979-80 Real Estate Show. The centre featured an art gallery space, a zine library, a darkroom, a silkscreening studio, and public computer lab. In addition, it played host to a number of radical projects including weekly hardcore punk matinees and the city Food Not Bombs collective. In July 2016, ABC No Rio vacated the Rivington Street building in advance of demolition and construction of a new facility on the same site for its programs, projects and operations, including the silkscreen studio, zine library, art exhibitions and music shows. History Founding Beginning in the late 1960s, Manhattan's Lower East Side was facing massive disinvestment by absentee landlords—by the late 1970s up to 80% of the area's housing stock was abandoned and in rem (seized by the city's government for non- ...
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