The Rape Of The Lock
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The Rape Of The Lock
''The Rape of the Lock'' is a mock-heroic narrative poem written by Alexander Pope. One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's ''Miscellaneous Poems and Translations'' (May 1712) in two cantos (334 lines); a revised edition "Written by Mr. Pope" followed in March 1714 as a five-canto version (794 lines) accompanied by six engravings. Pope boasted that this sold more than three thousand copies in its first four days. The final form of the poem appeared in 1717 with the addition of Clarissa's speech on good humour. The poem was much translated and contributed to the growing popularity of mock-heroic in Europe. Description The poem of ''The Rape of the Lock'' satire, satirises a minor incident of life, by comparing it to the Epic poetry, epic world of the gods, and is based on an event recounted to Alexander Pope by his friend John Caryll the younger, John Caryll. Arabella Fermor and her suitor, Robert Petre, 7th ...
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Arabella Fermor
Arabella Fermor (1696–1737) was the daughter of a marriage between two recusant Roman Catholic families in Protestant England, the Fermors of Oxfordshire and the Brownes of Berkshire. The family seat was Tusmore House, noted for its formal gardens. Her beauty was made famous by her starring role in Alexander Pope's famous poem ''The Rape of the Lock ''The Rape of the Lock'' is a mock-heroic narrative poem written by Alexander Pope. One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's ''Miscellaneous Poems and Translations'' (May 1712) ...''. After her beau Robert Petre brought about the dissolution of their engagement by stealing a lock of her hair (satirically related in the poem), Fermor married Francis Perkins of Ufton Court around 1715. She bore one daughter, Arabella, who died as a child, and five sons. References {{DEFAULTSORT:Fermor, Arabella People from Ufton Nervet 1696 births 1737 deaths ...
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Daemon (classical Mythology)
Daimon or Daemon (Ancient Greek: , "god", "godlike", "power", "fate") originally referred to a lesser deity or guiding spirit such as the daimons of ancient Greek religion and mythology and of later Hellenistic religion and philosophy. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the souls of men of the golden age acting as tutelary deities, according to entry at Liddell & Scott. See also daimonic: a religious, philosophical, literary and psychological concept. Description Daimons are lesser divinities or spirits, often personifications of abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's ''Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon is not ...
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Angel
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (lit ...
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Deity
A deity or god is a supernatural being who is considered divine or sacred. The ''Oxford Dictionary of English'' defines deity as a god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheistic religions accept only one deity (predominantly referred to as " God"), whereas polytheistic religions accept multiple deities. Henotheistic religions accept one supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eternal creator deity, but may accept a pantheon of deities which live, die and may be reborn like any other being. Although most monotheistic religions trad ...
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Storm In A Teacup
Tempest in a teapot (American English), or storm in a teacup (British English), is an idiom meaning a small event that has been exaggerated out of proportion. There are also lesser known or earlier variants, such as ''tempest in a teacup'', ''storm in a cream bowl'', ''tempest in a glass of water'', ''storm in a wash-hand basin'', and ''storm in a glass of water''. Etymology Cicero, in the first century BC, in his ''De Legibus'', used a similar phrase in Latin, possibly the precursor to the modern expressions, , translated: "For Gratidius raised a tempest in a ladle, as the saying is". Then in the early third century AD, Athenaeus, in the ''Deipnosophistae'', has Dorion ridiculing the description of a tempest in the ''Nautilus'' of Timotheus by saying that he had seen a more formidable storm in a boiling saucepan. The phrase also appeared in its French form ('a tempest in a glass of water'), to refer to the popular uprising in the Republic of Geneva near the end of the eighteen ...
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Iliad
The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the '' Odyssey'', the poem is divided into 24 books and contains 15,693 lines in its most widely accepted version, and was written in dactylic hexameter. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks. In particular, it depicts a fierce quarrel between King Agamemnon and a celebrated warrior, Achilles. It is a central part of the Epic Cycle. The ''Iliad'' is often regarded as the first substantial piece of European literature. The ''Iliad'', and the ''Odyssey'', were likely written down in Homeric Greek, a literary amalgam of Ionic Greek and other dialects, probably around the late 8th or early 7th century BC. ...
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Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxf ...
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Excursus
An excursus (from Latin ''excurrere'', 'to run out of') is a short episode or anecdote in a work of literature. Often excursuses have nothing to do with the matter being discussed by the work, and are used to lighten the atmosphere in a tragic story, a similar function to that of satyr plays in Greek theatre. Sometimes they are used to provide backstory to the matter being discussed at hand, as in Pseudo-Apollodorus' ''Bibliotheke''. In the Middle Ages, the excursus is a favourite rhetorical device to allow the narrator to comment or to suspend the action for reflection. Furthermore, an excursus is often applied to a piece of academic writing to provide digressive information, which does not contribute directly to the line of argument but can still be linked with the overall topic of the text. Etymologies as excursuses Sometimes detailed or fanciful etymologies are used as excursuses. This was used as early as the 5th Century BC by the poet Pindar. The most famous case of etymol ...
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Achilles
In Greek mythology, Achilles ( ) or Achilleus ( grc-gre, Ἀχιλλεύς) was a hero of the Trojan War, the greatest of all the Greek warriors, and the central character of Homer's '' Iliad''. He was the son of the Nereid Thetis and Peleus, king of Phthia. Achilles' most notable feat during the Trojan War was the slaying of the Trojan prince Hector outside the gates of Troy. Although the death of Achilles is not presented in the ''Iliad'', other sources concur that he was killed near the end of the Trojan War by Paris, who shot him with an arrow. Later legends (beginning with Statius' unfinished epic '' Achilleid'', written in the 1st century AD) state that Achilles was invulnerable in all of his body except for one heel, because when his mother Thetis dipped him in the river Styx as an infant, she held him by one of his heels. Alluding to these legends, the term "Achilles' heel" has come to mean a point of weakness, especially in someone or something with an other ...
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Helen Of Troy
Helen of Troy, Helen, Helena, (Ancient Greek: Ἑλένη ''Helénē'', ) also known as beautiful Helen, Helen of Argos, or Helen of Sparta, was a figure in Greek mythology said to have been the most beautiful woman in the world. She was believed to have been the daughter of Zeus and Leda, and was the sister of Clytemnestra, Castor and Pollux, Philonoe, Phoebe and Timandra. She was married to King Menelaus of Sparta "who became by her the father of Hermione, and, according to others, of Nicostratus also." The usual tradition is that after the goddess Aphrodite promised her to Paris in the Judgement of Paris, she was seduced by him and carried off to Troy. This resulted in the Trojan War when the Achaeans set out to reclaim her. Another ancient tradition, told by Stesichorus, tells of how "not she, but her wraith only, had passed to Troy, while she was borne by the Gods to the land of Egypt, and there remained until the day when her lord Menelaus, turning aside on the hom ...
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