The Princess From The Land Of Porcelain
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The Princess From The Land Of Porcelain
''Rose and Silver: The Princess from the Land of Porcelain'' (better known as ''The Princess from the Land of Porcelain''; also known by the French title ''La Princesse du pays de la porcelaine'') is a painting by American-born artist James Abbott McNeill Whistler. It was painted between 1863 and 1865. The painting currently hangs above the fireplace in ''The Peacock Room'' at the Freer Gallery of Art in Washington, D.C. Description ''Princess'' depicts a European woman wearing a kimono worn in a Western manner, standing amidst numerous Asian art objects, including a rug, Japanese folding screen and a large decorative porcelain vase. She holds a hand fan and looks ahead "wistfully". The entirety is rendered in an impressionistic manner. The painting‘s frame is decorated with a similar motif to the painting, with interlocking circles and numerous rectangles. At the time Whistler painted ''Princess'', he often used large amounts of gold in his work, such as in his similarly the ...
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Oil Painting
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority ...
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Marie Spartali Stillman
Marie Stillman (née Spartali) (Greek language, Greek: Μαρία Σπαρτάλη; 10 March 1844 – 6 March 1927) was a British member of the second generation of the Pre-Raphaelite Brotherhood. Of the Pre-Raphaelites, she had one of the longest-running careers, spanning sixty years and producing over one hundred and fifty works. Though her work with the Brotherhood began as a favorite model, she soon trained and became a respected painter, earning praise from Dante Gabriel Rossetti and others. Personal life Family history Marie Spartali was the eldest child of Michael Spartali, a wealthy merchant, principal of the firm Spartali & Co and Greek consul-general based in London from 1866 to 1879. He had moved to London around 1828, where he married Euphrosyne Varsini, the daughter of a Greek merchant from Genoa. The family split time between their home at Clapham Common in London and their country home on the Isle of Wight. In the city, Spartali’s father was fond of lavish garden ...
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Christie's
Christie's is a British auction house founded in 1766 by James Christie (auctioneer), James Christie. Its main premises are on King Street, St James's in London, at Rockefeller Center in New York City and at Alexandra House in Hong Kong. It is owned by Groupe Artémis, the holding company of François-Henri Pinault. Sales in 2015 totalled £4.8 billion (US$7.4 billion). In 2017, the ''Salvator Mundi (Leonardo), Salvator Mundi'' was sold for $400 million at Christie's in New York, at the time List of most expensive paintings, the highest price ever paid for a single painting at an auction. History Founding The official company literature states that founder James Christie (auctioneer), James Christie (1730–1803) conducted the first sale in London, England, on 5 December 1766, and the earliest auction catalogue the company retains is from December 1766. However, other sources note that James Christie rented auction rooms from 1762, and newspaper advertisements for Christi ...
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Thomas Jeckyll
Thomas Jeckyll (1827 Wymondham, Norfolk – 1881 Norwich) (baptised on 20 June 1827) was an English architect who excelled in the creation of metalwork and furniture strongly influenced by Japanese design, and is best known for his planning in 1876 of the ‘Peacock Room’ at 49 Princes Gate, London. Biography Thomas Jeckyll was a son of George Jeckell, a Nonconformist (Protestantism), Nonconformist clerk who had taken holy orders, was curate of the Abbey Church in Wymondham and was married to Maria Ann Balduck. Thomas later changed his surname to 'Jeckyll.' His brother Henry was a brass founder in Dudley. He became ill in 1877 and later died at St Andrew's Hospital, Norwich. Career He is regarded as an important figure in the Aesthetic Movement. The Tate states "the Arts and Crafts movement ... was a key direct influence on the Aesthetic Movement and Art Nouveau", the V&A sees the Aesthetic Movement as having "sparked a revolution in the architecture and interior decoration ...
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Kangxi Transitional Porcelain
Transitional porcelain is Jingdezhen porcelain, manufactured at China's principle ceramic production area, in the years during and after the transition from Ming to Qing. As with several previous changes of dynasty in China, this was a protracted and painful period of civil war. Though the start date of Qing rule is customarily given as 1644, when the last Ming emperor hanged himself as the capital fell, the war had really begun in 1618 and Ming resistance continued until 1683. During this period, the Ming system of large-scale manufacturing in the imperial porcelain factories, with orders and payments coming mainly from the imperial court, finally collapsed, and the officials in charge had to turn themselves from obedient civil servants into businessmen, seeking private customers, including foreign trading companies from Europe, Japanese merchants, and new domestic customers. These new customers led to major changes in the style of porcelain, most of it painted in underglaze coba ...
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Frederick Huth
Frederick Huth, formerly known as Johann Friedrich Andreas Huth (1777–1864), was a German-born British merchant banker, who established the London merchant bank Frederick Huth & Co in 1809. Professional career Frederick Huth was born on the 29 October 1777 in the German town of Stade, then part of the Electorate of Hanover (Lower Saxony, Germany). He was the second son of Johann Friedrich Huth (d. 1801), a soldier of the Scharnhorst regiment, and his wife, Marie Amelia (d. 1812), daughter of Johann Thee, farmer. The family settled in 1781 at nearby Harsefeld, where Johann Huth worked as a tailor and where Friedrich attended local schools. In 1791 Huth was apprenticed to Brentano Urbieta & Co., a Spanish merchant house at Hamburg. In 1797 he moved to Spain, and he also lived in South America before settling in London and establishing Frederick Huth & Co., which became one of London's leading banking houses. In 1829 Huth was appointed as London financial advisor and banker to ...
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Muses
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R ...
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Joanna Hiffernan
Joanna Hiffernan (1843 – 1886) or Joanna Heffernan was an Irish artists' model and muse who was romantically linked with American painter James Abbott McNeill Whistler and French painter Gustave Courbet. In addition to being an artists' model, Hiffernan herself also drew and painted, although it is not believed she ever exhibited her work. Early life Hiffernan was a Roman Catholic, born in Limerick in Ireland in 1843 to Anne ''née'' Hickey and Patrick Hiffernan. She and her family may have left Ireland for London during the Great Famine of 1845 to 1848, taking up residence at 69 Newman Street. The spelling errors in her surviving letters reveal she received a modest education.Jill Berk Jiminez (e''Dictionary of Artists' Models'' Routledge (2001) - Google Books pgs. 275-278 Her father, Patrick Hiffernan, was described by Whistler's friends, Joseph Pennell and his wife Elizabeth, as being like "Captain Costigan," the drunken Irishman in Thackeray's novel ''Pendennis''. Th ...
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Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence, ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from '' The Girlhood of Mary Virgin'' (1849) and ''Astarte ...
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Ernest Gambart
Jean Joseph Ernest Theodore Gambart (12 October 1814 – 12 April 1902) was a Belgian-born English art publisher and dealer who dominated the London art world in the middle of the nineteenth century. Life and career Gambart was born in Kortrijk, the son of a printer, binder and bookseller. By the age of 19, he had moved to Paris where he established his own print and papermaking business. He soon became known to the well-established Goupil print publishers, for whom he moved to England in 1840 to establish a branch in London. He soon struck out on his own again in 1842, this time in partnership with one Mr. Junin, to form the company Gambart & Junin which specialised in the import of art prints from Europe. The company was a success, and by early in 1844, the company was established as publishers as well as importers and exporters. Art publisher Gambart soon gained a reputation as a leading publisher of fine art prints. He established fair and mutually beneficial agreements with ...
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Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ...
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Folding Screen
A folding screen, also known as pingfeng (), is a type of free-standing furniture consisting of several frames or panels, which are often connected by hinges or by other means. They have practical and decorative uses, and can be made in a variety of designs with different kinds of materials. Folding screens originated from ancient China, eventually spreading to the rest of East Asia, and were popular amongst Europeans. History Origin Screens date back to China during the Eastern Zhou period (771–256 BCE). These were initially one-panel screens in contrast to folding screens. Folding screens were invented during the Han dynasty (206 BCE – 220 CE). Depictions of those folding screens have been found in Han-era tombs, such as one in Zhucheng, Shandong Province. A folding screen was often decorated with beautiful art; major themes included mythology, scenes of palace life, and nature. It is often associated with intrigue and romance in Chinese literature, for example, a you ...
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