The Pitchfork Disney
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The Pitchfork Disney
''The Pitchfork Disney'' is a 1991 stage play by Philip Ridley. It was his first professional stage work, having also produced work as a visual artist, novelist, filmmaker, and scriptwriter for film and radio. The play premiered at the Bush Theatre in London, UK in 1991 and was directed by Matthew Lloyd, who directed most of Ridley's subsequent early plays. Although initially met with negative critical reviews for its script, the production was enthusiastically received by predominantly young audiences, making it something of a controversial hit. Over time, the play has come to be regarded as a seminal work in the confrontational 1990s style and sensibility of British drama termed in-yer-face theatre. The play is the first entry in Ridley's unofficially titled "East End Gothic Trilogy", followed by ''The Fastest Clock in the Universe'' and ''Ghost from a Perfect Place''. In 2015 the script was republished as part of the ''Methuen Drama Modern Classics'' series, recognising the p ...
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Philip Ridley
Philip Ridley (born 1957 in East London) is an English storyteller working in a wide range of artistic media. As a visual artist he has been cited as a contemporary of the 'Young British Artists', and had his artwork exhibited internationally. As a novelist he has created fiction for both children and adults and has had particular success and recognition as a children's author. In the field of cinema he is perhaps best known for his award-winning screenplay for the 1990 film, ''The Krays (film), The Krays'' (1990), a biopic about the Kray twins which was directed by Peter Medak. As a filmmaker in his own right he is recognised for creating a loose trilogy of horror films: ''The Reflecting Skin'' (1990), ''The Passion of Darkly Noon'' (1995) and ''Heartless (2009 film), Heartless'' (2009) for which he has acquired a cult following. As a playwright he has been described as "a pioneer of In-yer-face theatre", which is a style and sensibility of drama that characterised many new ...
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Hampstead Theatre
Hampstead Theatre is a theatre in South Hampstead in the London Borough of Camden. It specialises in commissioning and producing new writing, supporting and developing the work of new writers. Roxana Silbert has been the artistic director since 2019. History The original theatre (The Hampstead Theatre Club) was created in 1959 in Moreland Hall, a parish church school hall in Holly Bush Vale, Hampstead Village. James Roose-Evans was the founder and first Artistic Director, and the 1959–1960 season included ''The Dumb Waiter'' and ''The Room'' by Harold Pinter, Eugène Ionesco's ''Jacques'' and ''The Sport of My Mad Mother'' by Ann Jellicoe. In 1962 the company moved to a portable cabin in Swiss Cottage where it remained for nearly 40 years, before, in 2003, the new purpose-built Hampstead Theatre opened in Swiss Cottage. The main auditorium seats 373 people. The studio theatre, Hampstead Downstairs, seats up to 100 people and was turned into a laboratory for new writing in ...
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City Limits
City limits or city boundaries refer to the defined boundary or border of a city. The area within the city limit can be called the city proper. Town limit/boundary and village limit/boundary apply to towns and villages. Similarly, corporate limit is a legal name that refers to the boundary of municipal corporations. In some countries, the limit of a municipality may be expanded through annexation. United Kingdom In the UK, city boundaries are more difficult to define, since British cities are defined as any town or local authority area, regardless of area or population size, that has been granted letters patent as a royal prerogative. In smaller cities, such as Wells (pop. approx. 10,000) or Gloucester (pop. approx. 100,000), the boundary will be that governed by the city council, though in certain cases such as Carlisle, this may include large rural and even uninhabited areas which are largely distinct from the main settlement. In the case of larger cities, such as Birmingham ...
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Jean Cocteau
Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The ''National Observer'' suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.” He is best known for his novels ''Le Grand Écart'' (1923), ''Le Livre blanc'' (1928), and '' Les Enfants Terribles'' (1929); the stage plays ''La Voix Humaine'' (1930), '' La Machine Infernale'' (1934), ''Les Parents terribles'' (1938), '' La Machine à écrire'' (1941), and ''L'Aigle à deux têtes'' (1946); and the films ''The Blood of a Poet'' (1930), ''Les Parents Terribles'' (1948), ''Beauty and the Beast'' (1946), ''Orpheus'' (1950), and ' ...
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Harold Pinter
Harold Pinter (; 10 October 1930 – 24 December 2008) was a British playwright, screenwriter, director and actor. A Nobel Prize winner, Pinter was one of the most influential modern British dramatists with a writing career that spanned more than 50 years. His best-known plays include '' The Birthday Party'' (1957), ''The Homecoming'' (1964) and ''Betrayal'' (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include ''The Servant'' (1963), ''The Go-Between'' (1971), ''The French Lieutenant's Woman'' (1981), ''The Trial'' (1993) and ''Sleuth'' (2007). He also directed or acted in radio, stage, television and film productions of his own and others' works. Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refus ...
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Operating Theatre
An operating theater (also known as an operating room (OR), operating suite, or operation suite) is a facility within a hospital where surgical operations are carried out in an aseptic environment. Historically, the term "operating theater" referred to a non-sterile, tiered theater or amphitheater in which students and other spectators could watch surgeons perform surgery. Contemporary operating rooms are usually devoid of a theater setting, making the term "operating theater" a misnomer in those cases. Operating rooms Operating rooms are spacious, in a cleanroom, and well-lit, typically with overhead surgical lights, and may have viewing screens and monitors. Operating rooms are generally windowless, though windows are becoming more prevalent in newly built theaters to provide clinical teams with natural light, and feature controlled temperature and humidity. Special air handlers filter the air and maintain a slightly elevated pressure. Electricity support has backup systems in ...
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Theatre Of The Absurd
The Theatre of the Absurd (french: théâtre de l'absurde ) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s. It is also a term for the style of theatre the plays represent. The plays focus largely on ideas of existentialism and express what happens when human existence lacks meaning or purpose and communication breaks down. The structure of the plays is typically a round shape, with the finishing point the same as the starting point. Logical construction and argument give way to irrational and illogical speech and to the ultimate conclusion—silence. Etymology Critic Martin Esslin coined the term in his 1960 essay "The Theatre of the Absurd", which begins by focusing on the playwrights Samuel Beckett, Arthur Adamov, and Eugène Ionesco. Esslin says that their plays have a common denominator — the "absurd", a word that Esslin defines with a quotation from Ionesco: "absurd is t ...
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David Nathan (journalist)
David Nathan (9 December 1926 – 21 April 2001) was a British journalist. Born in Manchester, he joined the '' Daily Herald'' in 1955.Michael FreedlanObituary: David Nathan ''The Guardian'', 25 April 2001 Initially employed as a general reporter, he became a drama critic and entertainment writer on the newspaper. From 1962 he was a contributor to satirical comedy programmes broadcast by BBC television, including ''That Was The Week That Was'' on which he collaborated with Dennis Potter during 1963.Humphrey Carpenter ''That Was Satire That Was: The Satire Boom in the 1960s'', London: Victoer Gollancz, 2000, p.232 By the 1970s he was a drama critic on ''The Jewish Chronicle'' and became the weeklies deputy editor in 1985 remaining in the post until 2001. Nathan co-wrote the first biography of Tony Hancock with the comedian's second wife Freddie, the first edition was published in 1969, and books about of the actors John Hurt and Glenda Jackson Glenda May Jackson (born ...
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The Jewish Chronicle
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant s ...
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The Pickwick Papers
''The Posthumous Papers of the Pickwick Club'' (also known as ''The Pickwick Papers'') was Charles Dickens's first novel. Because of his success with ''Sketches by Boz'' published in 1836, Dickens was asked by the publisher Chapman & Hall to supply descriptions to explain a series of comic "cockney sporting plates" by illustrator Robert Seymour (illustrator), Robert Seymour, and to connect them into a novel. The book became a publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller (character), Sam Weller joke books, and other merchandise. On its cultural impact, Nicholas Dames in ''The Atlantic'' writes, “'Literature' is not a big enough category for ''Pickwick''. It defined its own, a new one that we have learned to call “entertainment.” Published in 19 issues over 20 months, the success of ''The Pickwick Papers'' popularised Serial (literature), serialised fiction and cliffhanger endings. Seymour's widow claimed that the idea for the novel was or ...
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The Evening Standard
The ''Evening Standard'', formerly ''The Standard'' (1827–1904), also known as the ''London Evening Standard'', is a local free daily newspaper in London, England, published Monday to Friday in tabloid format. In October 2009, after being purchased by Russian businessman Alexander Lebedev, the paper ended a 180-year history of paid circulation and became a free newspaper, doubling its circulation as part of a change in its business plan. Emily Sheffield became editor in July 2020 but resigned in October 2021. History From 1827 to 2009 The newspaper was founded by barrister Stanley Lees Giffard on 21 May 1827 as ''The Standard''. The early owner of the paper was Charles Baldwin. Under the ownership of James Johnstone, ''The Standard'' became a morning paper from 29 June 1857. ''The Evening Standard'' was published from 11 June 1859. ''The Standard'' gained eminence for its detailed foreign news, notably its reporting of events of the American Civil War (1861–1865 ...
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Pontins
Pontins is a British company operating holiday parks in the UK, founded in 1946 by Fred Pontin. Since 2011, it has been owned by Britannia Hotels. Pontins specialises in offering half-board and self-catering holidays featuring entertainment at resorts, or "holiday parks", as they have branded them. Accommodation is usually in the form of chalets (which Pontins calls "apartments"). Company history Fred Pontin opened his first holiday camp in 1946 on the site of a former U.S. army base (built during World War II), at Brean Sands near Weston-super-Mare in Somerset at a cost of £23,000. Pontin formed a syndicate, in which he held 50% control, to own the camp. Within a year he had six camps. Over the years he bought more camps and personally ran them for a year, before selling them to the syndicate. He gradually expanded his empire to thirty sites. The camps were smaller and less expensive than Butlin's holiday camps. Pontins had Bluecoats to entertain their guests, as oppose ...
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