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The Pet Sounds Sessions
''The Pet Sounds Sessions'' is a 4-Compact disc, CD box set by the American rock band the Beach Boys. Released on November 4, 1997 by Capitol Records, it compiles tracks from the group's 11th studio album ''Pet Sounds'' (1966) and its 1965–66 recording sessions. The entire album is included in its original monaural, mono mix, as well as a specially-created digital stereophonic sound, stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album. The box set was nominated for Grammy Award for Best Historical Album, Best Historical Album at the Grammy Awards of 1999. In 2011, it was followed by ''The Smile Sessions'', a similar compilation devoted to the recording of the Beach Boys' unfinished ''Smile (Beach Boys album), Smile'' project. Background Original producer Brian Wilson writes in the liner notes to ''The Pet So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmony, vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry Wilson, Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Awards Of 1999
The 41st Annual Grammy Awards were held on February 24, 1999, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the year 1998. Lauryn Hill received the most nominations with 10, setting a record for Grammy Award records#Most nominations in one night, the most nominations for female artist in one night. Hill received a total of 5 awards, and became the first female rapper to take home Grammy Award for Best New Artist, Best New Artist. Her album ''The Miseducation of Lauryn Hill'' became the first Hip hop music, hip hop album to win the award for Grammy Award for Album of the Year, Album of the Year. Songwriters James Horner and Will Jennings won Grammy Award for Song of the Year, Song of the Year for Celine Dion's "My Heart Will Go On". Dion herself took home Record of the Year for the latter song. The ceremony was known as the "Grammy Year of Women", because every artist nominated for Album of the Year was female (including Garbage (band), Garbag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Diken
Dennis Diken (born February 25, 1957) is an American drummer, DJ, author, music historian, and founding member of the band the Smithereens, which he formed in 1980 with Pat DiNizio, Jim Babjak, and Mike Mesaros in Carteret, New Jersey. Besides playing with the Smithereens, Diken is a fill-in DJ on WFMU as well as a liner notes author and reissue project researcher. As a musician, Diken has recorded or toured with, among others, Ronnie Spector, Dave Davies, Nancy Sinatra, Mary Weiss of the Shangri-Las and Ben E. King, and worked with musicians such as Dave Amels and R. Stevie Moore. Diken graduated from Carteret High School in 1975, together with Jim Babjak. Career Diken has been a constant member of the Smithereens since 1980 but has also worked as a session drummer since the 1980s. He toured with former Shangri-La Mary Weiss in the late 2000s and has since 2014 toured with former Kinks guitarist Dave Davies' solo band. On December 18, 2015 during Dave Davies’ concert at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Love
Michael Edward Love (born March 15, 1941) is an American singer and songwriter who co-founded the Beach Boys with his cousins Brian, Dennis, and Carl Wilson and their friend Al Jardine. Characterized by his nasal tenor and occasional bass-baritone singing, Love has been one of the band's vocalists and lyricists for their entire career, contributing to each of their studio albums and serving as their frontman for live performances. During the mid-1960s, he was one of Brian's main collaborators, co-writing hit records such as " Fun, Fun, Fun" (1964), " I Get Around" (1964), "Help Me, Rhonda" (1965), "California Girls" (1965), and "Good Vibrations" (1966). Drawing inspiration from Chuck Berry and Felice and Boudleaux Bryant, Love's lyrics primarily reflected the youth culture of surfing, cars, and romance, which helped fashion pop culture's perception of the "California Dream". Love also had a significant role in the Beach Boys' vocal arrangements – particularly the doo-wop ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Still Believe In Me
"You Still Believe in Me" is a song by American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Initially conceived as "In My Childhood", it was the first songwriting collaboration between Brian Wilson, the group's ''de facto'' leader, and songwriter Tony Asher. Wilson sang the lead vocal. The lyrics are about a man who, while acknowledging his irresponsible behavior and unfaithfulness, is impressed by the unwavering loyalty of his lover, who is left shouldering the stability of their relationship. Wilson's then-wife Marilyn surmised that this choice of subject matter was indebted to the couple's marital struggles at the time. One of the first songs produced for ''Pet Sounds'', Wilson recorded the track between October 1965 and February 1966 with the aid of his bandmates, Asher, and 13 session musicians who variously played harpsichord, clarinets, 12-string electric guitars, timpani, finger cymbals, pianos, basses, and bicycle horn. Wilson and Asher created th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Only Knows
"God Only Knows" is a song by American rock band the Beach Boys from their 1966 album ''Pet Sounds''. Written by Brian Wilson and Tony Asher, it is a Baroque-style love song distinguished for its harmonic innovation and its subversion of typical pop music formula. It is often praised as one of the greatest songs ever written and as the Beach Boys' finest record. The song's musical sophistication is demonstrated by its three contrapuntal vocal parts and weak tonal center (competing between the keys of E and A). Lyrically, the words are expressed from the perspective of a narrator who asserts that life without their lover could only be fathomed by God—an entity that had been considered taboo to name in the title or lyric of a pop song. It marked a departure for Wilson, who attributed the impetus for the song to Asher's affinity for standards such as " Stella by Starlight". Some commentators interpret "God Only Knows" as promoting suicidal ideations, although such an interpret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wouldn't It Be Nice
"Wouldn't It Be Nice" is a song by the American rock music, rock band the Beach Boys and the opening track from their 1966 album ''Pet Sounds''. Written by Brian Wilson, Tony Asher, and Mike Love, it is distinguished for its sophisticated Wall of Sound-style arrangement and refined vocal performances, and is regarded among the band's finest songs. With its juxtaposition of joyous-sounding music and melancholic lyrics, it is considered a formative work of power pop, and with respect to musical innovation, progressive pop. The song was inspired by Wilson's confused infatuations for his sister-in-law, who projected an "innocent aura" that he wished to capture in "Wouldn't It Be Nice". Lyrically, the song describes a young couple who feel empowered by their monogamous relationship and fantasize about the romantic freedom they would earn as adults. Like the other tracks on ''Pet Sounds'', it subverted listeners' expectations, as past Beach Boys songs had normally celebrated superficial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Western Recorders
United Western Recorders was a two-building recording studio complex in Hollywood that was one of the most successful independent recording studios of the 1960s. The complex merged neighboring studios United Recording Corp. on 6050 Sunset Boulevard and Western Studio on 6000 Sunset Boulevard. In 1984, United Western Recorders was renamed and succeeded by Ocean Way Recording. Starting in 1999, the complex was divided into two establishments: Ocean Way Recording (now United Recording Studios) at 6050 Sunset and Cello Studios (now EastWest Studios) at 6000 Sunset. Some of the biggest hits of the 1960s were recorded at United Western. According to the book ''Temples of Sound'', "No other studio has won more technical excellence awards, and no studio has garnered as many Best Engineered Grammys". Western's Studio 3 is considered iconic for its use by Brian Wilson for the Beach Boys' albums ''Pet Sounds'' (1966) and ''Smile'' (unreleased). Structure The complex's two buildings, U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ping-pong Recording
Table tennis, also known as ping-pong and whiff-whaff, is a sport in which two or four players hit a lightweight ball, also known as the ping-pong ball, back and forth across a table using small solid rackets. It takes place on a hard table divided by a net. Except for the initial serve, the rules are generally as follows: Players must allow a ball played toward them to bounce once on their side of the table and must return it so that it bounces on the opposite side. A point is scored when a player fails to return the ball within the rules. Play is fast and demands quick reactions. Spinning the ball alters its trajectory and limits an opponent's options, giving the hitter a great advantage. Table tennis is governed by the worldwide organization International Table Tennis Federation (ITTF), founded in 1926. ITTF currently includes 226 member associations. The official rules are specified in the ITTF handbook. Table tennis has been an Olympic sport since 1988, with several event c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stem Mixing And Mastering
Stem-mixing is a method of mixing audio material based on creating groups of audio tracks and processing them separately prior to combining them into a final master mix. Stems are also sometimes referred to as submixes, subgroups, or buses. The distinction between a stem and a separation is rather unclear. Some consider stem manipulation to be the same as separation mastering, although others consider stems to be sub-mixes to be used along with separation mastering. It depends on how many separate channels of input are available for mixing and/or at which stage they are on the way towards reducing them to a final stereo mix. The technique originated in the 1960s, with the introduction of mixing boards equipped with the capability to assign individual inputs to sub-group faders and to work with each sub-group (stem mix) independently from the others. The approach is widely used in recording studios to control, process and manipulate entire groups of instruments such as drums, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multitrack Recording
Multitrack recording (MTR), also known as multitracking or tracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized. A multitrack recorder allows one or more sound sources to different tracks to be simultaneously recorded, which may subsequently be processed and mixed separately. Take, for example, a band with vocals, guitars, a keyboard, bass, and drums that are to be recorded. The singer's microphone, the output of the guitars and keys, and eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duophonic
Duophonic sound was a trade name for a type of audio signal processing used by Capitol Records on certain releases and re-releases of mono recordings issued during the 1960s and 1970s. In this process monaural recordings were reprocessed into a type of artificial stereo. Generically, the sound is commonly known as fake stereo or mock stereo. This was done by splitting the mono signal into two channels, then delaying one channel's signal by means of delay lines and other circuits, i.e. desynchronizing the two channels by fractions of a second, and cutting the bass frequencies in one channel with a high-pass filter, then cutting the treble frequencies in the other channel with a low-pass filter. The result was an artificial stereo effect, without giving the listener the true directional sound characteristics of real stereo. In some cases, the effect was enhanced with reverberation and other technical tricks, sometimes adding stereo echo to mono tracks in an attempt to fool the lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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