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The Peony Pavilion
''The Peony Pavilion'' ( zh, t=牡丹亭, s=牡丹亭, p=Mǔdān tíng, w=Mu-tan t'ing), also named ''The Return of Soul at the Peony Pavilion'', is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598. The plot was drawn from the short story ''Du Liniang Revives For Love'', and depicts a love story between Du Liniang and Liu Mengmei that overcomes all difficulties. Tang's play diverges from the short story in that it integrates elements of the Ming dynasty, despite being set in the Southern Song. The play was originally written for staging as Kunqu opera, one of the genres of traditional Chinese theatre arts. It was first performed in 1598 at the Pavilion of Prince Teng. Its author, Tang Xianzu, was one of the greatest dramatists and writers in the Ming dynasty, and ''The Peony Pavilion'' can be regarded as the most successful masterpiece in his life. It is also one of the dramas in Tang's famous collection ''Linchuan si meng'' (The Four Dreams in the Jade Tea Hal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burial
Burial, also known as interment or inhumation, is a method of final disposition whereby a dead body is placed into the ground, sometimes with objects. This is usually accomplished by excavating a pit or trench, placing the deceased and objects in it, and covering it over. A funeral is a ceremony that accompanies the final disposition. Humans have been burying their dead since shortly after the origin of the species. Burial is often seen as indicating respect for the dead. It has been used to prevent the odor of decay, to give family members closure and prevent them from witnessing the decomposition of their loved ones, and in many cultures it has been seen as a necessary step for the deceased to enter the afterlife or to give back to the cycle of life. Methods of burial may be heavily ritualized and can include natural burial (sometimes called "green burial"); embalming or mummification; and the use of containers for the dead, such as shrouds, coffins, grave liners, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guo Wenjing
Guo Wenjing (born 1 February 1956, in Chongqing) is a Chinese composer and educator. Guo Wenjing is a contemporary Chinese composer. Unlike many Chinese composers who have studied and lived in other countries, he has only studied in Beijing. He has lived and worked in his home country for nearly his entire life with the exception of a short period of time living in New York. However, over the years he has had many works commissioned around the world. He and his music have appeared at the Beijing Music Festival, Edinburgh Festival, Hong Kong Arts Festival, Holland Music Festival, New York Lincoln Center Festival, Paris Autumn Festival, Perth International Arts Festival, Almeida Theatre (London), Frankfurt Opera (Germany), Konzerthaus Berlin (Germany), Kennedy Center (Washington), as well as Turin, Warsaw, etc. In addition, he is contracted by CASA RICORDI-BMG and the first composer to be contracted by People's Music Publishing House. His music has been given high praise both at hom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Liuyi
Li Liuyi () is a Chinese director and playwright of Beijing People's Art Theatre. His theory "Pure Drama" and his related exploration in the field are known as "Li Liuyi Methodology", which is widely acclaimed and researched. Japanese modern theater master Tadashi Suzuki (Japanese: 鈴木忠志) calls him "The most influential stage artist of Asia in the new century". Early life Li Liuyi was born into an opera family in 1961. He did research in the Chinese National Academy of Arts for eight years. He has directed numerous genres of drama with distinguished regional characteristics, including Kunqu Opera, Peking Opera, Sichuan opera, Henan Opera, Pingju Opera, Liu Opera, Liuqin tune and Meihu Opera. Participation in international artistic events Li Liuyi has been invited to different international art festivals and commissioned to create new productions. He was once invited by the City of Linz—the European Capital of Culture in 2009 to direct the opera ''The Land of Sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Ballet Of China
The National Ballet of China (NBC), known in China as the Central Ballet Troupe was founded on 31 December 1959. It is the national ballet company of the People's Republic of China. The ballet company works from the Tianqiao Theater, this was specifically built for NBC in 1959, and it was renovated in 2001. This theatre is one of a handful of such theatres in China that specialize in ballet and opera performances. History In 1954, the first ballet school in China, Beijing Dance School, was established, and in the following years ballets such as ''Swan Lake'' and ''Romeo and Juliet'' were performed. Later in 1959 the National Ballet of China was founded as the Experimental Ballet Company of the Beijing Dance School. Two persons made their mark on both the school and the company - Dai Ailian who was the principal of the school and one of the ballet company directors, and Pyotr Gusev who instituted the Russian training system that formed the technical foundation for the company. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadler's Wells Theatre
Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat main auditorium and the Lilian Baylis Studio, with extensive rehearsal rooms and technical facilities also housed within the site. Sadler's Wells is renowned as one of the world's leading dance venues. As well as a stage for visiting companies, the theatre is also a producing house, with a number of associated artists and companies that produce original works for the theatre. Sadler's Wells is also responsible for the management of the Peacock Theatre in the West End, during times not used by the London School of Economics. History First theatre and pleasure gardens Richard Sadler opened a "Musick House" in 1683, the second public theatre newly opened in London after the Restoration, the first being the Theatre Royal, Drury Lane. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tan Dun
Tan Dun (, ; born 18 August 1957) is a Chinese-born American composer and conductor. A leading figure of contemporary classical music, he draws from a variety of Western and Chinese influences, a dichotomy which has shaped much of his life and music. Having collaborated with leading orchestras around the world, Tan is the recipient of numerous awards, including a Grawemeyer Award for his opera ''Marco Polo'' (1996) and both an Academy Award and Grammy Award for his film score in Ang Lee's ''Crouching Tiger, Hidden Dragon'' (2000). His ''oeuvre'' as a whole includes operas, orchestral, vocal, chamber, solo and film scores, as well as genres that Tan terms "organic music" and "music ritual." Born in Hunan, China, Tan grew up during the Cultural Revolution and received musical education from the Central Conservatory of Music. His early influences included both Chinese music and 20th-century classical music. Since receiving a DMA from Columbia University in 1993, Tan has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 Fifth Avenue, along the Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's largest art museums. The first portion of the approximately building was built in 1880. A much smaller second location, The Cloisters at Fort Tryon Park in Upper Manhattan, contains an extensive collection of art, architecture, and artifacts from medieval Europe. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The museum's permanent collection consists of works of art from classical antiquity and ancient Egypt, paintings, and sculptures from nearly all the European masters, and an extensive collection of American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet
''Romeo and Juliet'' is a tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with ''Hamlet'', is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers. ''Romeo and Juliet'' belongs to a tradition of tragic romances stretching back to antiquity. The plot is based on an Italian tale translated into verse as '' The Tragical History of Romeus and Juliet'' by Arthur Brooke in 1562 and retold in prose in '' Palace of Pleasure'' by William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597. The text of the first quarto version was of poor quality, howeve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane (''mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Emperor
''Huangdi'' (), translated into English as Emperor, was the superlative title held by monarchs of China who ruled various imperial regimes in Chinese history. In traditional Chinese political theory, the emperor was considered the Son of Heaven and the autocrat of all under Heaven. Under the Han dynasty, Confucianism replaced Legalism as the official political theory and succession in most cases theoretically followed agnatic primogeniture. The lineage of emperors descended from a paternal family line constituted a dynasty. The absolute authority of the emperor came with a variety of governing duties and moral obligations; failure to uphold these was thought to remove the dynasty's Mandate of Heaven and to justify its overthrow. In practice, emperors sometimes avoided the strict rules of succession and dynasties' ostensible "failures" were detailed in official histories written by their successful replacements. The power of the emperor was also limited by the imperial bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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