The Peaceful Side
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The Peaceful Side
''The Peaceful Side'' is an album by pianist and composer Billy Strayhorn recorded in Paris in 1961 and originally released on United Artists Jazz in 1963, then reissued by Solid State in 1968 as ''The Peaceful Side of Billy Strayhorn''.Billy Strayhorn discography
accessed April 14, 2015


Reception

The AllMusic review by Scott Yanow stated: "This is a little-known and rather melancholy set, virtually Billy Strayhorn's only recording away from the world of Duke Ellington. The focus is totally on Strayhorn's piano throughout his interpretations of ten of his compositions... Strayhorn's melodic and concise playing is quite somber, peaceful in volume but filled with inner ten ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Day Dream
"Day Dream" is a jazz standard composed by Billy Strayhorn with lyrics by John Latouche and written in 1939. It was first recorded by saxophonist Johnny Hodges and his ensemble on November 2, 1940. Duke Ellington was credited as co-composer on the label of the original 78 RPM release, though he is not generally considered to be one of the song's creators. Background On March 23, 1939, Duke Ellington and his orchestra boarded the SS ''Île de France'' for a spring tour of Europe. Strayhorn was working for Ellington at the time but was allowed to remain at his Harlem residence. Thus, he had nearly seven weeks to work on new compositions and arrangements. "Day Dream" was composed during this time. Notable recordings By Johnny Hodges *''Day Dream / Junior Hop'' (Bluebird 11021, 1940) *''Memories Of Ellington'' (Norgran, 1954) *'' Johnny Hodges with Billy Strayhorn and the Orchestra'' (Verve, 1962) By Duke Ellington *'' The Carnegie Hall Concerts: January 1943'' (released 1977) * ...
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1963 Albums
Events January * January 1 – Bogle–Chandler case: Commonwealth Scientific and Industrial Research Organisation scientist Dr. Gilbert Bogle and Mrs. Margaret Chandler are found dead (presumed poisoned), in bushland near the Lane Cove River, Sydney, Australia. * January 2 – Vietnam War – Battle of Ap Bac: The Viet Cong win their first major victory. * January 9 – A total penumbral lunar eclipse is visible in the Americas, Europe, Africa, and Asia, and is the 56th lunar eclipse of Lunar Saros 114. Gamma has a value of −1.01282. It occurs on the night between Wednesday, January 9 and Thursday, January 10, 1963. * January 13 – 1963 Togolese coup d'état: A military coup in Togo results in the installation of coup leader Emmanuel Bodjollé as president. * January 17 – A last quarter moon occurs between the penumbral lunar eclipse and the annular solar eclipse, only 12 hours, 29 minutes after apogee. * January 19 – Soviet spy Gheorghe ...
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Billy Strayhorn Albums
Billy may refer to: * Billy (name), a name (and list of people with the name) Animals * Billy (dog), a dog breed * Billy (pigeon), awarded the Dickin Medal in 1945 * Billy (pygmy hippo), a pet of U.S. President Calvin Coolidge * Billy, a young male domestic goat Film * Billy (''Black Christmas''), a character from ''Black Christmas'' * Billy (''Saw''), a puppet from ''Saw'' * '' Billy: The Early Years'', a 2008 biographical film about Billy Graham Literature * ''Billy'' (novel), a 1990 novel by Whitley Strieber * ''Billy'', a 2002 biography of Billy Connolly by Pamela Stephenson Music Musicals * ''Billy'' (musical), a musical based on Billy Liar * ''Billy'', a 1969 Broadway musical with music and lyrics by Gene Allen and Ron Dante Albums * ''Billy'' (Samiam album) (1992) * ''Billy'' (Feedtime album) Songs * "Billy" (Kathy Linden song), a 1958 song by Kathy Linden * "Billy", a 1986 song by Céline Dion from ''The Best of Celine Dion'' * "Billy", a 1973 so ...
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String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Something To Live For (song)
"Something to Live For" is a 1939 jazz composition by Billy Strayhorn. It was the first collaboration between Strayhorn and Duke Ellington and became the first of many Strayhorn compositions to be recorded by Ellington's orchestra. The song was based on a poem Strayhorn had written as a teenager. According to an all-day tribute to Strayhorn on KCSM radio on 29 November 2008—Strayhorn's birthday—Strayhorn began working on this tune in 1933 when he was 18. The song has been recorded many times, by Ellington, Lena Horne, Ella Fitzgerald, Nina Simone, Carmen McRae, Tony Bennett, Johnny Mathis, Mel Torme and many others. Fitzgerald has called it her favorite song. See also *List of 1930s jazz standards References External linksReview of ''Something to Live For: The Music of Billy Strayhorn''(Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing histo ...
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Chelsea Bridge (song)
"Chelsea Bridge" (1941) is an impressionistic jazz standard composed by Billy Strayhorn. History The piece was originally recorded by the Duke Ellington orchestra on 2 December 1941, with Strayhorn (rather than Ellington himself) on piano and solos by tenor saxophonist Ben Webster and valve trombonist Juan Tizol. It has since been recorded by Webster several times, including with Gerry Mulligan in 1959, as well as by Vince Guaraldi (1956), Joe Henderson (1967), Kenny Burrell (1975), Bobby Hutcherson (1988), Lew Tabackin (1989), Joe Lovano (1994), Ahmad Jamal (1995), André Previn (1999 and live in 2000), Keith Jarrett (1999), and Wynton Marsalis (1999), among many others. Strayhorn himself returned to the piece, recording it as an unaccompanied piano solo on his 1961 album ''The Peaceful Side''. Another version appears on the posthumously released album ''Lush Life'', issued by the Red Baron label. In 1958, lyrics were written for the song by Bill Comstock, a member of The Four F ...
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John La Touche (lyricist)
John Treville Latouche (La Touche) (November 13, 1914, Baltimore, Maryland – August 7, 1956, Calais, Vermont) was a lyricist and bookwriter in American musical theater. Biography John Treville Latouche was born in Baltimore, Maryland. His family moved to Richmond, Virginia, when he was four months old. There he attended school, before going north to Columbia University. He became involved in music and theater, writing for the Varsity Show and joining the Philolexian Society. He did not graduate. In 1937 Latouche contributed two songs in the revue '' Pins and Needles''. For the show ''Sing For Your Supper'' (1939), he wrote the lyrics for "Ballad for Uncle Sam", later retitled "Ballad for Americans", with music by Earl Robinson. It was featured at both the 1940 Republican Convention and the convention of the American Communist Party, and was extremely popular in 1940s America. This 13-minute cantata to American democracy was written for a soloist and as well a full orches ...
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Take The "A" Train
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra. History The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers, Authors and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio at the time. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP's competitor BMI, to "write a whole new book for the band," Mercer recalled. "'A' Train" was one of many tunes written by Strayhorn, and was picked to replace "Sepia Panorama" as the band's signature song. Mercer recalled that he found the composition in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. The song was first recorded ...
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