The Parisian Market Or Le Marché Des Innocents
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The Parisian Market Or Le Marché Des Innocents
''The Parisian Market'' (aka ''Le Marché des parisien or Les Marché des Innocents'') is a ''comic ballet'' in one act, with libretto and choreography by Marius Petipa and music by Cesare Pugni.Petipa Society website First presented by the Imperial Ballet under the title ''Le Marché des parisien'' on at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Principal dancers: Mariia Surovshchikova-Petipa (as Lizetta), Marius Petipa (as Simon), and Timofei Stukolkin (as the Marquis Megrèle). Revivals/Restagings *Restaged by Marius Petipa for the Ballet of the Académie Royale de Musique, (AKA The Paris Opera) under the title ''Les Marché des Innocents''. First presented on 29 May 1861. For this production Petipa changed the names of the characters Lizetta and Marquis Megrèle to Gloriette and Lindor. ''Principal Dancers -'' Mariia Surovshchikova-Petipa (as Gloriette), and Louis Mérante (as Lindor). *Revival by Lev Ivanov for the Imperial Ballet. First presented for ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Krasnoe Selo
Krasnoye Selo (russian: Кра́сное Село́, lit. ''Red village''). Г. П.  Смолицкая. "Топонимический словарь Центральной России". "Армада-Пресс", 2002 is a municipal town in Krasnoselsky District of the federal city of St. Petersburg, Russia. It is located south-southeast of the city center. Population: It was founded in the early 18th century, as a suburban village south of St. Petersburg. In 1764, the village had a paper mill, located near the road leading to St. Petersburg. During the 19th century, Krasnoye Selo developed as a recreational suburb of the capital with numerous summer dachas and villas, including the summer residences of the royals. In 1884, the famous airplane designer Alexander Mozhaysky tested his early monoplane there, achieving a power-assisted take off or 'hop' of . In late tsarist times, Krasnoye Selo was the location of the annual military manoeuvres pre ...
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Ballets By Cesare Pugni
Cesare Pugni (; russian: Цезарь Пуни, Cezar' Puni; 31 May 1802 in Genoa – ) was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed for Her Majesty's Theatre in London (1843–1850), and for the Imperial Theatres in St. Petersburg, Russia (1850–1870). The majority of his ballet music was composed for the works of the ballet master Jules Perrot, who mounted nearly every one of his ballets to scores by Pugni. In 1850 Perrot departed London for Russia, having accepted the position of ''Premier maître de ballet'' of the St. Petersburg Imperial Theatres at the behest of Carlotta Grisi, who was engaged as ''Prima ballerina''. Cesare Pugni followed Perrot and Grisi to Russia, and remained in the imperial capital even after Grisi's departure in 1853 and Perrot's departure in 1858. Pugni went on to compose for Perrot ...
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Ballets By Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flore ...
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Enrico Cecchetti
Enrico Cecchetti (; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the ''Teatro Tordinona'' in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world. After an esteemed career in Russia, originating such roles as both the Bluebird and Carabosse in Petipa's masterpiece, '' The Sleeping Beauty'', he turned to teaching. Some of his students included other notable dancers of the Imperial Ballet, such as: Anna Pavlova, Léonide Massine, and Vaslav Nijinsky. While in London in 1920, he provided instruction to the American ballerina Ruth Page and ...
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Sergei Litavkin
Sergius is a male given name of Ancient Roman origin after the name of the Latin ''gens'' Sergia or Sergii of regal and republican ages. It is a common Christian name, in honor of Saint Sergius, or in Russia, of Saint Sergius of Radonezh, and has been the name of four popes. It has given rise to numerous variants, present today mainly in the Romance (Serge, Sergio, Sergi) and Slavic languages (Serhii, Sergey, Serguei). It is not common in English, although the Anglo-French name Sergeant is possibly related to it. Etymology The name originates from the Roman ''nomen'' (patrician family name) ''Sergius'', after the name of the Roman ''gens'' of Latin origins Sergia or Sergii from Alba Longa, Old Latium, counted by Theodor Mommsen as one of the oldest Roman families, one of the original 100 ''gentes originarie''. It has been speculated to derive from a more ancient Etruscan name but the etymology of the nomen Sergius is problematic. Chase hesitantly suggests a connection with t ...
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