The Oxford Circle
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The Oxford Circle
The Oxford Circle was an American garage rock and psychedelic rock band from Davis, California, near Sacramento, who were active from 1964 to 1967. They became a popular garage rock act with a proto-punk sound influenced by Them and other blues-based bands of the British Invasion, that, in addition to heavy guitar feedback, came to encompass psychedelia. The group began to make appearances in San Francisco, where they became a top draw in venues such as the Avalon Ballroom. They taped a show at the Avalon in 1966 and, after lying in the vaults for years, it was rereleased in 1997 on the ''Nuggets from California: Live at the Avalon 1966'' anthology. In 1967, they released the single, "Foolish Woman" b/w "Mind Destruction", which is also included, along with several other studio outtakes, on the ''Nuggets from California'' compilation. In 1967, drummer Paul Whaley left to play in pioneering heavy rock act Blue Cheer. Lead vocalist and guitarist Gary Lee Yoder and bassist Dehne ...
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Davis, California
Davis is the most populous city in Yolo County, California. Located in the Sacramento Valley region of Northern California, the city had a population of 66,850 in 2020, not including the on-campus population of the University of California, Davis, which was over 9,400 (not including students' families) in 2016. there were 38,369 students enrolled at the university. History Davis sits on land that originally belonged to the Indigenous Patwin, a southern branch of Wintun people, who were killed or forced from their lands by the 1830s as part of the California Genocide through a combination of mass murders, smallpox and other diseases, and both Mexican and American systems of Indigenous slavery. Patwin burial grounds have been found across Davis, including on the site of the UC Davis Mondavi Center. After the killing and expulsion of the Patwin, territory that eventually became Davis emerged from one of California's most complicated, corrupt land grants, Laguna de Santos Callé ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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The Ultimate 1960s Garage Punk Primer
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ...
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Big Beat Records (UK)
Big Beat Records is a British record label and import distributor owned by Ace Records, specialising in garage rock.David Stubbs, Rob Young ''Ace Records: Labels Unlimited'' 2008 Page 87 Another example of the type of group Big Beat worked with was The Stingrays. As Alec Palao, the American-based English expat, one time member of the band and subsequent Ace consultant, recalls: "The band was an amalgam of everything we were into, be it rockabilly, garage punk, 1970s punk, surf, northern soul, folk-rock; we were omnivores." The Stingrays were the classic example of a band who had supersized on Ace's ever-increasing and eclectic output of lost music. Roster Releases include: * The Ace of Cups *Big Star * Dean Carter *The Chocolate Watchband *Count Five * Creedence Clearwater Revival *The Cramps * The Damned * Fifty Foot Hose *The Flaming Stars * Frumious Bandersnatch *The Fugs * Guana Batz * Dan Hicks *Bert Jansch * Janie Jones & the Lash * Larry and the Blue Notes *Mahogany ...
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Joe Louis Walker
Joe Louis Walker, also known as JLW (born December 25, 1949) is an American musician, best known as an electric blues guitarist, singer, songwriter and producer. His knowledge of blues history is revealed by his use of older material and playing styles. ''NPR Music'' described him as "Powerful, soul-stirring, fierce and gritty...a legendary boundary-pushing icon of modern blues." Another music journalist noted "If you define 'blues' by the rigid categories of structure rather than the flexible language of feeling allusion, Robert Cray... Larry Garner, Joe Louis Walker and James Armstrong are a new and uncategorizable breed, their music blues-like rather than blues, each of them blending ideas and devices from a variety of sources – soul, rock, jazz, gospel – with a sophistication beyond the reach of their forerunners". Career He was born Louis Joseph Walker Jr. in San Francisco, United States. He came from a musical family, amidst the early influences of T-Bone Wal ...
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I'm A Man (Bo Diddley Song)
"I'm a Man" is a rhythm and blues song written and recorded by Bo Diddley in 1955. Inspired by an earlier blues song, it was one of his first hits. "I'm a Man" has been recorded by a variety of artists, including the Yardbirds, who adapted it in an upbeat rock style. Bo Diddley song "I'm a Man" was one of the first songs Bo Diddley recorded for Checker Records. Unlike his self-titled "Bo Diddley (Bo Diddley song), Bo Diddley" that was recorded the same day (March 2, 1955 in Chicago), "I'm a Man" does not use the Bo Diddley beat. Rather, it was inspired by Muddy Waters' 1954 song "Hoochie Coochie Man", written by Willie Dixon. After Diddley's release, Waters recorded an "answer song" to "I'm a Man" in May 1955, titled "Mannish Boy", a play on words on Bo Diddley's younger age as it related to the primary theme of the song. In a ''Rolling Stone'' magazine interview, Bo Diddley recounts that the song took a long time to record because of confusion regarding the timing of the "M.. ...
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Bo Diddley
Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, Elvis Presley, The Beatles, The Rolling Stones, The Animals, George Thorogood, and The Clash. His use of African rhythms and a signature beat, a simple five- accent hambone rhythm, is a cornerstone of hip hop, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance the sound of his distinctive rectangular-shaped guitars. Early life ...
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The Amboy Dukes (band)
The Amboy Dukes were an American rock band formed in 1964 in Chicago, Illinois, and later based in Detroit, Michigan. They are best known for their only hit single, "Journey to the Center of the Mind". The band's name comes from the title of a novel by Irving Shulman. In the UK, the group's records were released under the name of the American Amboy Dukes, because of the existence of a British group with the same name. The band went through a number of personnel changes during its active years, the only constant being lead guitarist and composer Ted Nugent. The band transitioned to being Nugent's backing band before he discontinued the name in 1975. The Amboy Dukes' primary genres were psychedelic rock, acid rock, and hard rock. Origins Ted Nugent, the nucleus of the Amboy Dukes, was born and raised in Detroit and started performing in 1958 at age 10. He played in a group called the Royal High Boys from 1960 to 1962 and later in group named the Lourds, where he first met future ...
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Mister, You're A Better Man Than I
"You're a Better Man Than I", alternately listed as "Mr. You're a Better Man Than I" or "Better Man Than I", is a song first recorded by the English rock band the Yardbirds. It was written by brothers Mike and Brian Hugg, and became the opening track to the group's second American album, '' Having a Rave Up with the Yardbirds'' (1965). Three months later in February 1966, it was released in the UK as the B-side to the "Shapes of Things" single. With its politically conscientious lyrics and catchy melody, "You're a Better Man Than I" has been covered several times. A version by American garage rock band Terry Knight and the Pack appeared on ''Billboard'' magazine's Bubbling Under Hot 100 chart. Critical commentary In a song review for AllMusic, Matthew Greenwald writes: Besides the lyrics, he adds that " Jeff Beck's sinewy electric guitar solo is the most identifiable ingredient in the brilliant arrangement". Recordings by other artists In February 1966, Terry Knight and ...
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The Yardbirds
The Yardbirds are an English rock band, formed in London in 1963. The band's core lineup featured vocalist and harmonica player Keith Relf, drummer Jim McCarty, rhythm guitarist and later bassist Chris Dreja and bassist/producer Paul Samwell-Smith. The band started the careers of three of rock's most famous guitarists, Eric Clapton, Jimmy Page and Jeff Beck, all of whom ranked in the top five of ''Rolling Stone'' magazine's list of 100 greatest guitarists. The band had a string of hits throughout the mid-1960s, including " For Your Love", "Heart Full of Soul", "Shapes of Things" and "Over Under Sideways Down". Originally a blues-based band noted for their signature "rave-up" instrumental breaks, the Yardbirds broadened their range into pop, pioneering psychedelic rock and early hard rock; and contributed to many electric guitar innovations of the mid-1960s. Some rock critics and historians also cite their influence on the later punk rock, progressive rock and heavy m ...
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Big Brother And The Holding Company
Big Brother and the Holding Company is an American rock band that formed in San Francisco in 1965 as part of the same psychedelic music scene that produced the Grateful Dead, Quicksilver Messenger Service, and Jefferson Airplane. After some initial personnel changes, the band became well known with the lineup of vocalist Janis Joplin, guitarists Sam Andrew and James Gurley, bassist Peter Albin, and drummer Dave Getz. Their second album '' Cheap Thrills'', released in 1968, is considered one of the masterpieces of the psychedelic sound of San Francisco; it reached number one on the ''Billboard'' charts, and was ranked number 338 in ''Rolling Stone''s the 500 greatest albums of all time. The album is also included in the book ''1001 Albums You Must Hear Before You Die''. Joplin left the band in 1968, following the recording of ''Cheap Thrills'', for a successful solo career. The band recruited new members Nick Gravenites, Kathi McDonald, and Dave Schallock to replace her and ...
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Quicksilver Messenger Service
Quicksilver Messenger Service is an American psychedelic rock band formed in 1965 in San Francisco. The band achieved wide popularity in the San Francisco Bay Area and, through their recordings, with psychedelic rock enthusiasts around the globe, and several of their albums ranked in the Top 30 of the Billboard Pop charts. They were part of the new wave of album-oriented bands, achieving renown and popularity despite a lack of success with their singles (only one, "Fresh Air" charted, reaching number 49 in 1970). Though not as commercially successful as contemporaries Jefferson Airplane and the Grateful Dead, Quicksilver was integral to the beginnings of their genre. With their jazz and classical influences and a strong folk background, the band attempted to create an individual, innovative sound. Music historian Colin Larkin wrote: "Of all the bands that came out of the San Francisco area during the late '60s, Quicksilver typified most of the style, attitude and sound of that er ...
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