|
The Osmonds (TV Series)
''The Osmonds'' is a 1972 ABC-TV Saturday morning cartoon series produced by Rankin/Bass Productions starring the Osmond Brothers. Each episode features the family in a different location around the world, with young Jimmy's antics usually driving the plot of the episode. As with most television series oriented around bands, the Osmonds' songs were featured prominently in the series. The series also featured their talking pet dog, Fuji. Marie Osmond did not appear in the series (save for being briefly depicted in "Transylvania,") as she would not make her performing debut until 1973. An abridged version of their hit song " One Bad Apple" was used for the opening and closing credits of the show. Like '' The Jackson 5ive'', it used a laugh track created by Rankin/Bass Rankin/Bass Animated Entertainment (founded and formerly known as Videocraft International, Ltd. and Rankin/Bass Productions, Inc.) was an American production company located in New York City, and known for its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo Muller
Romeo Earl Muller, Jr. (August 7, 1928 – December 30, 1992) was an American screenwriter and actor most remembered for his screenplays for the Rankin/Bass holiday specials including ''Rudolph the Red-Nosed Reindeer, The Little Drummer Boy, Frosty the Snowman and Santa Claus is Coming to Town''. Early years Muller was born in the Bronx, New York, the son of Mildred (Kuhlmann) and Romeo Earl Muller. He was raised on Long Island. His talents in the arts were evident very early on. At age 11, he became a puppeteer at his grade school and eventually he began writing his own plays. His career in theatre began when he joined an acting troupe called "Theater Go Round" in Virginia Beach, Virginia with producer/friend Lesley Savage. At this time Romeo wrote plays such as ''Angel With The Big, Big Ears'' and ''The Great Getaway'', which eventually became the Rankin-Bass off Broadway play ''A Month Of Sundays''. Since Muller was a big man at 6'2", 300 pounds (1.88 m, 136 kg), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturday Morning Cartoon
"Saturday-morning cartoon" is a colloquial term for the original animated series programming that was typically scheduled on Saturday and Sunday mornings in the United States on the "Big Three" television networks. The genre's popularity had a broad peak from the mid-1960s through the mid-1990s; after that point it declined, in the face of changing cultural norms, increased competition from formats available at all times, and heavier regulations. In the last two decades of the genre's existence, Saturday-morning and Sunday-morning cartoons were primarily created and aired to meet regulations on children's television programming in the United States, or E/I. Minor television networks, in addition to the non-commercial PBS in some markets, continue to air animated programming on Saturday and Sunday while partially meeting those mandates. In the United States, the generally accepted times for these and other children's programs to air on Saturday mornings were from 8:00 a.m. to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crazy Horses (album)
''Crazy Horses'' is the fourth studio album by the American singing group The Osmonds, released in 1972. It reached number 14 on the ''Billboard'' Top LPs chart on December 23, 1972. Two singles were released in support of the album, " Hold Her Tight" and " Crazy Horses", both of which reached number 14 on the ''Billboard'' Hot 100 singles chart. It was certified Gold by the RIAA on January 24, 1973. Building upon the sound of the band's previous album, '' Phase III'', ''Crazy Horses'' is a hard rock and heavy metal album. Cited as particularly significant in the evolution of heavy metal music, author and music journalist Chuck Eddy ranked ''Crazy Horses'' as #66 in his 1991 book ''"The Five Hundred Best Heavy Metal Albums in the Universe"''. Merrill was the lead singer on most songs as he was the lead singer for the Osmonds. Jay was the lead on Crazy Horses with Alan, Wayne and Donny each taking a portions of the lead vocals on some of the songs. Track listing All son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crazy Horses
"Crazy Horses" is a 1972 hit single by The Osmonds, the title track from the album of the same name. The song, the only hit record from the Osmonds to feature Jay Osmond as lead vocalist, reached number 14 on the US ''Billboard'' Hot 100 and number 2 in the UK Singles Chart. The song has since been covered by numerous other performers. Recording and content Singer Merrill Osmond said of the song, "Before that, my brothers and I had been what's now called a boy band: all our songs were chosen for us by the record company. But now, having been successful, we wanted to freak out and make our own music. We were rehearsing in a basement one day when Wayne started playing this heavy rock riff. I came up with a melody and Alan got the chords. Within an hour, we had the song. I had always been the lead singer, but I sang Crazy Horses with Jay. The line "What a show, there they go, smoking up the sky" had to be sung higher, so I did that and Jay did the verses because his voice was gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wake Up Little Susie
"Wake Up Little Susie" is a popular song written by Felice and Boudleaux Bryant and published in 1957. The song is best known in a recording by the Everly Brothers, issued by Cadence Records as catalog number 1337. The Everly Brothers record reached No. 1 on the ''Billboard'' Pop chart and the ''Cash Box'' Best Selling Records chart, despite having been banned from Boston radio stations for lyrics that, at the time, were considered suggestive, according to a 1986 interview with Don Everly. "Wake Up Little Susie" also spent seven weeks atop the ''Billboard'' country chart and got to No. 2 on the UK Singles Chart. The song was ranked at No. 318 on the ''Rolling Stone'' magazine's list of "The 500 Greatest Songs of All Time". Song premise The song is written from the point of view of a high school boy to his girlfriend, Susie. In the song, the two go out on a date to a cinema (perhaps a drive-in), only to fall asleep during the movie. They do not wake up until 4 o'clock in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Why (Frankie Avalon Song)
"Why" is a hit song recorded by Frankie Avalon in 1959. It reached No. 1 on the U.S. ''Billboard'' Hot 100 chart published on the week of December 28, 1959. It was Avalon's second and final No. 1 hit. The song was covered by Donny Osmond, and this version reached No. 3 on the UK Singles chart. Background "Why" was written and produced by Avalon's manager and record producer Robert "Bob" Marcucci and Peter De Angelis. The melody is based on an Italian song. The Avalon version features an uncredited female singer (alleged to be Fran Lori), heard in the repeat of the first four lines of the first part of the song, with Avalon replying, "Yes, I love you". He concludes the last quarter of the song with a coda, by himself. The song topped the U.S. ''Billboard'' Hot 100 chart published on the week of December 28, 1959 for the week ending January 2, 1960, making it the last No. 1 single of the 1950s, and the first No. 1 single of the 1960s at the same time. It also became the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet And Innocent (Donny Osmond Song)
"Sweet and Innocent" is a song written by Rick Hall and Billy Sherrill, first recorded by Roy Orbison in 1958. It was released as the B-side to the single, "Seems to Me". The Osmonds recording In 1970, pop singing group The Osmonds recorded a substantially reworked version of the song with Donny handling the lead vocals, and it was billed as his first solo single release. The lyrics were shifted from Orbison's original words being a compliment to a young woman, to Osmond's remake being repulsed by her behavior. Donny took the song to No. 7 on the ''Billboard'' Hot 100 singles chart on June 5, 1971, and number 32 for all of 1971. It was certified Gold by the RIAA The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/ ... on August 30, 1971. Charts Certifications References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go Away Little Girl
"Go Away Little Girl" is a popular song written by Gerry Goffin and Carole King. It was first recorded by Bobby Vee for Liberty Records on March 28, 1962. The lyrics consist of a young man asking a young attractive woman to stay away from him, so that he will not be tempted to betray his steady girlfriend by kissing her. The song is notable for making the American Top 20 three times: for Steve Lawrence in 1963 (US number 1), for The Happenings in 1966 (US number 12), and for Donny Osmond in 1971 (US number 1). It is also the first song, and one of only nine, to reach US number 1 by two different artists. Also notable in each of the solo versions is the similar double-tracked treatment of the singer's voice. Steve Lawrence version In late 1962, Steve Lawrence released the second recording of this song (Bobby Vee recorded it first in March 1962). The single reached number 1 on the Billboard Hot 100, ''Billboard'' Hot 100 in January 1963 and remained in the top position for two week ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Pilot
A television pilot (also known as a pilot or a pilot episode and sometimes marketed as a tele-movie), in United States television, is a standalone episode of a television series that is used to sell a show to a television network or other distributor. A pilot is created to be a testing ground to gauge whether a series will be successful. It is, therefore, a test episode for the intended television series, an early step in the series development, much like pilot studies serve as precursors to the start of larger activity. A successful pilot may be used as the series premiere, the first aired episode of a new show, but sometimes a series' pilot may be aired as a later episode or never aired at all. Some series are commissioned straight-to-series without a pilot. On some occasions, pilots that were not ordered to series may also be broadcast as a standalone television film or special. A "backdoor pilot" is an episode of an existing series that heavily features supporting charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rankin/Bass
Rankin/Bass Animated Entertainment (founded and formerly known as Videocraft International, Ltd. and Rankin/Bass Productions, Inc.) was an American production company located in New York City, and known for its seasonal television specials, usually done in stop motion animation. Rankin/Bass' stop-motion productions are recognizable by their visual style of doll-like characters with spheroid body parts and ubiquitous powdery snow using an animation technique called "Animagic". Nearly all of the studio's animation was outsourced to Japanese animation companies such as MOM Production, Mushi Productions and Topcraft. Rankin/Bass was one of the first western studios to outsource their low-budget animated television and film productions to animation studios in foreign countries; the others that already practiced animation outsourcing includes Total Television and King Features Syndicate TV in New York City; and Jay Ward Productions and Hanna-Barbera Productions in Los Angeles, Cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laugh Track
A laugh track (or laughter track) is a separate soundtrack for a recorded comedy show containing the sound of audience laughter. In some productions, the laughter is a live audience response instead; in the United States, where it is most commonly used, the term usually implies artificial laughter (canned laughter or fake laughter) made to be inserted into the show. This was invented by American sound engineer Charles "Charley" Douglass. The Douglass laugh track became a standard in mainstream television in the U.S., dominating most prime-time sitcoms and sketch comedies from the late 1950s to the late 1970s. Usage of the Douglass laughter decreased by the 1980s when stereophonic laughter was provided by rival sound companies as well as the overall practice of single-camera sitcoms eliminating audiences altogether. History in the United States Radio Before radio and television, audiences experienced live comedy performances in the presence of other audience members. Radio and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
