The Old Cat And The Young Mouse
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The Old Cat And The Young Mouse
The Old Cat and the Young Mouse (''Le vieux chat et la jeune souris'') is a late fable by Jean de la Fontaine (XII.5). Written towards the end of his life, its grim conclusion is that 'Youth thinks its every wish will gain success; Old age is pitiless.' La Fontaine prefaces his poem with a dedication to the young Duke of Burgundy, who had asked the poet for a fable on a cat and mouse theme. At that period the young prince was accounted arrogant and self-willed and the tale demonstrates that one cannot always have one's own way. A mouse, caught by an experienced cat, begs for her life, arguing that at present she is small and would be better left to fatten and make a meal for the cat's offspring. He replies that such conduct goes against his nature; his children will feed themselves without his help. The story relates to two earlier fables by La Fontaine. It contrasts with The Cat and an Old Rat (III.18), in which an experienced rat is too canny to be taken in by a cat's tricks ...
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La Fontaine's Fables
Jean de La Fontaine collected fables from a wide variety of sources, both Western and Eastern, and adapted them into French free verse. They were issued under the general title of Fables in several volumes from 1668 to 1694 and are considered classics of French literature. Humorous, nuanced and ironical, they were originally aimed at adults but then entered the educational system and were required learning for school children. Composition history Divided into 12 books, there are 239 of the ''Fables'', varying in length from a few lines to some hundred, those written later being as a rule longer than those written earlier. The first collection of ''Fables Choisies'' had appeared March 31, 1668, dividing 124 fables into six books over its two volumes. They were dedicated to ''"Monseigneur"'' Louis, ''le Grand Dauphin'', the six-year-old son of Louis XIV of France and his queen consort Maria Theresa of Spain. By this time, La Fontaine was 47 and known to readers chiefly as the aut ...
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The Cat And The Mice
The Cat and the Mice is a fable attributed to Aesop of which there are several variants. Sometimes a weasel is the predator; the prey can also be rats and chickens. The Fables The Greek version of the fable recorded by Babrius concerns a cat that pretends to be a sack hanging from a peg in order to deceive the chickens, but his disguise is seen through by a rooster. This is numbered 79 in the Perry Index. William Caxton tells a very much amplified story of the rats that are the cat's victims. These hold a council and make the decision to stay off the floor and keep in the rafters. The cat then hangs himself from a hook and pretends to be dead, but the rats are not deceived. Later authors substituted mice for rats. The moral lesson taught by these stories is summed up by the English proverb 'Once bitten, twice shy'. The episode of the rats holding a council is similar to the fable of The Mice in Council who suggested hanging a bell on the cat, but that only developed during the Mid ...
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The Fisherman And The Little Fish
The Fisherman and the Little Fish is one of Aesop's fables. It is numbered 18 in the Perry Index. Babrius records it in Greek and Avianus in Latin. The story concerns a small fry caught by a fisherman (or "angler") that begs for its life on account of its size and suggests that waiting until it is larger would make it a more filling meal. The fisherman refuses, giving as his reason that every little amount helps and that it is stupid to give up a present advantage for an uncertain future gain. The fable was given further currency in La Fontaine's Fables(V.3). The popularity of the fable in England was eventually overtaken by the similar story "The Hawk and the Nightingale", which had the advantage of being reinforced by the proverb "A bird in the hand is worth two in the bush". La Fontaine had no such proverb in French to which to appeal and ends on the reflection that one possession is better than two promises (''Un 'tiens' vaut mieux que deux 'tu l'auras). However, his Engli ...
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Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, an ...
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Aaron Copland
Aaron Copland (, ; November 14, 1900December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as "the Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets ''Appalachian Spring'', ''Billy the Kid'' and ''Rodeo'', his ''Fanfare for the Common Man'' and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland ...
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Literary Duos
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially prose fiction, drama, and poetry. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment, and can also have a social, psychological, spiritual, or political role. Literature, as an art form, can also include works in various non-fiction genres, such as biography, diaries, memoir, letters, and the essay. Within its broad definition, literature includes non-fictional books, articles or other printed information on a particular subject.''OED'' Etymologically, the term derives from Latin ''literatura/litteratura'' "learning, a writing, grammar," originally "writing formed with letters," from ''litera/littera'' "letter". In spite of this, the term has also been applied to spoken or sun ...
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Cats In Literature
The cat (''Felis catus'') is a Domestication of the cat, domestic species of small carnivorous mammal. It is the only domesticated species in the family Felidae and is commonly referred to as the domestic cat or house cat to distinguish it from the wild members of the family. Cats are commonly kept as house pets but can also be farm cats or feral cats; the feral cat ranges freely and avoids human contact. Domestic cats are valued by humans for companionship and their ability to kill rodents. About 60 cat breeds are recognized by various cat registries. The cat is similar in Cat anatomy, anatomy to the other felid species: they have a strong flexible body, quick reflexes, sharp teeth, and retractable claws adapted to killing small prey. Their night vision and sense of smell are well developed. Cat communication includes Animal communication, vocalizations like meowing, purring, trilling, hissing, growling, and grunting as well as Cat body language, cat-specific body language. ...
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