The Norwegian Folk Music Series
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The Norwegian Folk Music Series
The Norwegian folk music series is a scientific collection of traditional Norwegian dance music, divided into two separate series, a hardanger fiddle series, and a regular fiddle series. The Hardanger fiddle series is already published (Hardingfeleverket), and the fiddle series is in production. Together, the two series are meant to represent most, but not all, of Norwegian fiddle music as collected and written down. The Hardanger fiddle series The Hardanger fiddle books were published between 1958 and 1981. The editors were all traditional fiddlers who were well acquainted with the music in question. The three of them, Arne Bjørndal, Truls Ørpen and Eivind Groven, had all collected fiddle tunes in their areas, and were now asked to put their collections into print. As work progressed, Ørpen and Bjørndal both died, and Groven went on alone. Most of the practical edition was carried out by him. The series consists of seven volumes, with some 2000 tunes all in all, from all th ...
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Hardanger Fiddle
A Hardanger fiddle ( no, hardingfele) is a traditional stringed instrument considered to be the national instrument of Norway. In modern designs, this type of fiddle is very similar to the violin, though with eight or nine strings (rather than four as on a standard violin) and thinner wood. The F-holes of the Hardanger fiddle are unique, oftentimes with a more “sunken” appearance, and generally straighter edges (unlike the frilly, swirly F-holes of a violin). Four of the strings are strung and played like a violin, while the rest, named understrings or sympathetic strings, resonate under the influence of the other four. These extra strings are tuned and secured with extra pegs at the top of the scroll, effectively doubling the length of a Hardingfele scroll when compared to a violin. The sympathetic strings, once fastened to their pegs, are funneled through a “hollow” constructed fingerboard, which is built differently than a violin’s, being slightly higher and thicker to ...
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Arne Bjørndal
Arne Bjørndal (11 February 1882 – 11 January 1965) was a Norwegian hardingfele fiddler, composer and folklorist. Personal life Bjørndal was born in Hosanger as the son of Peder Monsen Bjørndal and Kari Knutsdotter Nordås. He was married to Brita Rongved from 1910 to 1924, and to Anna Strømmen from 1929. He died in Bergen in 1965. Career Bjørndal started playing the fiddle as a young boy, and later studied with fiddler Ola Mosafinn, while he learned theory by W. Gomnæs, Borghild Holmsen and J. Thorkildsen. He made his concert debut in Kristiania in February 1908. From 1911 he received a scholarship for collecting traditional music. He wrote down thousands of traditional Norwegian folk melodies, which have later been stored at the University of Bergen. He played in more than six hundred weddings, gave more than 1,000 concerts, and had success in folk music contests. Among his compositions is music to Torvald Tu's "Kjærlege par", music to Olav Gullvåg's play ''Storborgbr ...
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Truls Ørpen
Truls or Troels is a Nordic masculine given name. Truls is mainly used in Norway, and to a lesser extent in Sweden. Troels is predominantly used in Denmark. It is a short form of ''Torgils'', derived from Old Norse ''Þórgísl'' (Old Danish ''Thrugils, Thrugels'', Old Swedish ''Thorgils, Thorgisl''), composed of '' Þór-'', the name of the god of thunder, and ''gísl'' "arrow, arrow-shaft". Troels *Troels Frederik Lund (1840–1921), Danish historian *Troels Wörsel (born 1950), Danish painter * Troels Kirk (born 1956), Danish painter *Troels Rasmussen (born 1961), Danish football (soccer) player *Troels Rusel (born 1964), Danish darts player *Troels Bech (born 1966), Danish football player, then manager *Troels Lyby (born 1966), Danish film, television and stage actor *Troels Svane (born 1967), Danish cellist and part of the Zapolski Quartet *Troels Brun Folmann (born 1974), musical composer specialized in orchestral music featured in TV shows, trailers and video games *Troels L ...
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Eivind Groven
Eivind Groven (8 October 1901 – 8 February 1977) was a Norwegian composer and music-theorist. He was from traditional region of Vest-Telemark and had a background in the folk music of the area. Biography Groven was born in the village of Lårdal in Telemark, Norway. Groven's rural background was filled with traditional music. He came from a family of talented musicians and artists, prominent in his home area. His father, Olav Åsmundsson Gjøitil (1865–1947) was the youngest of eight siblings. Two of his father's brothers played the hardanger fiddle. His mother, Aslaug Rikardsdotter Berge (1863–1946), was the youngest daughter of Rikard Aslaksson Berge, known for preserving a great amount of old tunes, religious songs and dance-tunes and a friend of Myllarguten's. Two of Groven's maternal uncles also played the hardanger fiddle, and his mother's sisters, as well as Aslaug herself, were talented folk singers. Groven was the youngest of five brothers. Two of his brothers b ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Real Book
The ''Real Book'' is a musicians' fake book – a compilation of lead sheets for jazz standards. Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles. The Real Book was initially produced by two students at the Berklee College of Music in the 1970s, as an updated fake book. It became so popular that the books was eventually "legitimized" by publisher Hal Leonard, and re-released in a series of editions and transpositions for various instruments. Background For years, musicians had been producing "lead sheets", so called because they contained only rough outlines of music pieces rather than fully notated scores. These lead sheets were collected together in volumes and sold to other musicians. These books gave the musician enough basic information – melody, chord symbols, structure, lyrics – to "fake" his way thorough the tune, that is, to perform a cre ...
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