The Noon Witch
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The Noon Witch
''The Noon Witch'' (or ''The Noonday Witch''; cs, Polednice), Op. 108, B. 196, is a symphonic poem written in 1896 by Antonín Dvořák which was inspired by the Karel Jaromír Erben poem ''Polednice'' from the collection ''Kytice''. ''Polednice'' is based on the noon demon "Lady Midday" of Slavic mythology. It is one of a set of late orchestral works inspired by national themes which were written after his return to his native Bohemia from the United States. "Lady Midday" Synopsis A mother warns her son that if he does not behave she will summon the Noon Witch to take him away. He does not behave, and the witch arrives at the stroke of noon. The witch, described as a horrible creature, demands the child. The mother, terrified that the witch has actually come, grabs her son, and the witch begins chasing them. Finally the mother faints, grasping her child. Later that day, the father arrives home, and finds his wife passed out with the dead body of their son in her arms. The mot ...
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Symphonic Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ...
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Karel Jaromír Erben
Karel Jaromír Erben (; 7 November 1811 – 21 November 1870) was a Czech folklorist Folklore studies, less often known as folkloristics, and occasionally tradition studies or folk life studies in the United Kingdom, is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms, gained currenc ... and poet of the mid-19th century, best known for his collection ''Kytice'', which contains poems based on traditional and folklore, folkloric themes. He also wrote ''Písně národní v Čechách'' ("Folk Songs of Bohemia") which contains 500 songs and ''Prostonárodní české písně a říkadla'' ("Czech Folk Songs and Nursery Rhymes"), a five-part book that brings together most of Czech folklore. Biography He was born on 7 November 1811 in Miletín near Jičín. He went to college in Hradec Králové. Then, in 1831, he went to Prague where he studied philosophy and later law. He started working in the National Museum (Prague), National Museu ...
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Kytice
''Kytice z pověstí národních'' (''A Bouquet of Folk Legends''), also known by the short title ''Kytice'' (Czech for '' bouquet''), is a collection of ballads by the Czech author Karel Jaromír Erben. The collection was first published in 1853 and was originally made up of 12 poems. ''Lilie'' was added to the second edition in 1861. # # (Treasure) # (The Wedding Shirts) # (Lady midday) # (The Golden Spinning-Wheel) # (Christmas Eve) # (Little Dove) # (Záhoř's Bed) # (The Water-Goblin) # (Willow) # (Lily) # (Daughter's Curse) # (Seeress) Translations There are two full translations into English in print, Marcela Sulak (2012), ''A Bouquet of Czech Folktales'', Prague, Twisted Spoon Press, and Susan Reynolds (2012), ''Kytice'', London, Jantar Publishing. Marcela Sulak's translation has been used for subtitling performances of Dvořák's adaptations in Prague and the film version at the Warsaw Film Festival. The edition is illustrated with artwork by Alén Divi ...
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Lady Midday
Poludnitsa (from: ''Polden'' or ''Poluden'', 'half-day' or 'midday') is a mythical character common to the various Slavic countries of Eastern Europe. She is referred to as Południca in Polish, Полудниця in Ukrainian, Полудница (Poludnitsa) in Serbian, Bulgarian and Russian, Polednice in Czech, Poludnica in Slovak, Připołdnica in Upper Sorbian, and Полознича (Poloznicha) in Komi, Chirtel Ma in Yiddish. The plural form of this word is poludnitsy (or poludnici). Poludnitsa is a noon demon in Slavic mythology. She can be referred to in English as "Lady Midday", "Noonwraith" or "Noon Witch". She was usually pictured as a young woman dressed in white that roamed field bounds. She assailed folk working at noon causing heatstrokes and aches in the neck, sometimes she even caused madness. In some accounts, she symbolizes the midday star, thereby being the sister of Zarya-Zarenitsa (the morning star; also called Utrenica), Vechorka (the evening star; also ...
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Slavic Mythology
Slavic mythology or Slavic religion is the religious beliefs, myths, and ritual practices of the Slavs before Christianisation, which occurred at various stages between the 8th and the 13th century. The South Slavs, who likely settled in the Balkan Peninsula during the 6th–7th centuries AD, bordering with the Byzantine Empire to the south, came under the sphere of influence of Eastern Christianity, beginning with the creation of writing systems for Slavic languages (first Glagolitic, and then Cyrillic script) in 855 by the brothers Saints Cyril and Methodius and the adoption of Christianity in Bulgaria in 863. The East Slavs followed with the official adoption in 988 by Vladimir the Great of Kievan Rus'. The West Slavs' process of Christianization was more gradual and complicated. The Moravians accepted Christianity as early as 831, the Bohemian dukes followed in 845, Slovaks accepted Christianity somewhere between the years 828 and 863, but the Poles accepted it much later ...
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Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ...
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Time Signatures
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational mete ...
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Antonín Bennewitz
Antonín Bennewitz (also Anton Bennewitz; 26 March 1833 – 29 May 1926) was a Bohemian violinist, conductor and teacher. He was in a line of violinists that extended back to Giovanni Battista Viotti, and forward to Jan Kubelík and Wolfgang Schneiderhan (violinist), Wolfgang Schneiderhan. He was born in Přívrat, Bohemia as Antonín Benevic (his name is most often seen in a German rendering, Bennewitz) to a German father and a Czech mother. He studied under Moritz Mildner :ru:Мильднер, Мориц, (Мильднер, Мориц) (Mořic Mildner: 1812-1865) at the Prague Conservatory from 1846-52. He then worked in Prague (where he was engaged as first violinist of the Estates Theatre (1852-1861)), Salzburg and Stuttgart. In 1859 he performed in Paris and Brussels. It was during this period that on 3 December 1855 he participated in the first performance of Bedřich Smetana’s Piano Trio in G minor, Op. 15, in the Prague Konvict Hall, with Smetana himself as pianist and J ...
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Henry Wood
Sir Henry Joseph Wood (3 March 186919 August 1944) was an English conductor best known for his association with London's annual series of promenade concerts, known as the Proms. He conducted them for nearly half a century, introducing hundreds of new works to British audiences. After his death, the concerts were officially renamed in his honour as the "Henry Wood Promenade Concerts", although they continued to be generally referred to as "the Proms". Born in modest circumstances to parents who encouraged his musical talent, Wood started his career as an organist. During his studies at the Royal Academy of Music, he came under the influence of the voice teacher Manuel Garcia and became his accompanist. After similar work for Richard D'Oyly Carte's opera companies on the works of Arthur Sullivan and others, Wood became the conductor of a small operatic touring company. He was soon engaged by the larger Carl Rosa Opera Company. One notable event in his operatic career was c ...
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Erlkönig (Schubert)
"Erlkönig", Op. 1, 328, is a '' Lied'' composed by Franz Schubert in 1815, which sets Johann Wolfgang von Goethe's poem of the same name. The singer takes the role of four characters — the narrator, a father, his small son, and the titular "Erlking", a supernatural creature who pursues the boy — each of whom exhibit different tessitura, harmonic and rhythmic characteristics. A technically challenging piece for both performers and accompanists, "Erlkönig" has been popular and acclaimed since its premiere in 1821, and has been described as one of the "commanding compositions of the century". Among Schubert's most famous works, the work has been arranged by various composers, such as Franz Liszt (solo piano) and Heinrich Wilhelm Ernst (solo violin); Hector Berlioz, Franz Liszt, and Max Reger have orchestrated the piece. History Goethe's poem was set in music by some hundred composers, including Johann Friedrich Reichardt, Carl Friedrich Zelter and Carl Loewe, th ...
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Symphonic Poems By Antonín Dvořák
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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