The Night At Goldenhall
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The Night At Goldenhall
''The Night at Goldenhall'' (german: link=no, Die Nacht auf Goldenhall) is a 1920 German silent film directed by and starring Conrad Veidt.Soister p. 101 It is now considered a lost film. The film's sets were designed by the art director Robert Neppach. Cast * Conrad Veidt as Lord Reginald Golden / Harald Golden * Gussy Holl as Ellen Lehden * Esther Hagan as Rajah * Heinrich Peer Heinrich Peer (25 November 1867 – 13 May 1927) was an Austrian stage and film actor.Hardt p. 221 He appeared in around a hundred films during the silent era. Selected filmography * ''Where Is Coletti?'' (1913) * '' The Blue Mouse'' (1913) * ' ... as Baron Lehden References Bibliography * John T. Soister. ''Conrad Veidt on Screen: A Comprehensive Illustrated Filmography''. McFarland, 2002. External links * 1920 films Films of the Weimar Republic German silent feature films Films directed by Conrad Veidt German black-and-white films Lost German films 1920s German films {{1920s-G ...
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Conrad Veidt
Hans Walter Conrad Veidt (; 22 January 1893 – 3 April 1943) was a German film actor who attracted early attention for his roles in the films ''Different from the Others'' (1919), '' The Cabinet of Dr. Caligari'' (1920), and ''The Man Who Laughs'' (1928). After a successful career in German silent films, where he was one of the best-paid stars of UFA, he and his new Jewish wife Ilona Prager left Germany in 1933 after the Nazis came to power. The couple settled in Britain, where he took British citizenship in 1939. He appeared in many British films, including '' The Thief of Bagdad'' (1940), before emigrating to the United States around 1941, which led to his being cast in what may be his best remembered role as Major Strasser in ''Casablanca'' (1942). This was Veidt's last film role to be released during his lifetime. Early life Hans Walter Conrad Veidt was born on 22 January 1893 in his parents' home at Tieckstraße 39 in Berlin to Amalie Marie (née Gohtz) and Philipp Heinri ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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German Black-and-white Films
German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Ger ...
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Films Directed By Conrad Veidt
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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German Silent Feature Films
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germ ...
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Films Of The Weimar Republic
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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1920 Films
The year 1920 in film involved some significant events. __TOC__ Top-grossing films (U.S.) The top three films released in 1920 by U.S. gross are as follows: Events * March 28 - "America's Sweetheart" Mary Pickford and "Everybody's Hero" Douglas Fairbanks marry, becoming the first supercouple of Hollywood. * August – Jack Cohn, Joe Brandt and Harry Cohn form C. B. C. Film Sales Corporation which would later become Columbia Pictures. * November 27 – '' The Mark of Zorro'', starring Douglas Fairbanks opens. Notable films released in 1920 Austria :For a complete list see: ''List of Austrian films of the 1920s'' * ''Anita'' (aka ''Trance''), directed by Luise Kolm and Jakob Fleck; an obscure adaptation of George Du Maurier's novel ''Trilby'' *''Boccaccio'', directed by Michael Curtiz. *''The Prince and the Pauper'' directed by Alexander Korda. *'' The Scourge of God'' directed by Michael Curtiz. *''The Star of Damascus'' directed by Michael Curtiz. France :For a complete li ...
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Esther Hagan
Esther is the eponymous heroine of the Book of Esther. In the Achaemenid Empire, the Persian king Ahasuerus seeks a new wife after his queen, Vashti, is deposed for disobeying him. Hadassah, a Jewess who goes by the name of Esther, is chosen to fulfill this role due to her beauty. Ahasuerus' grand vizier, Haman, is offended by Esther's cousin and guardian, Mordecai, due to his refusal to prostrate himself before Haman. Consequently, Haman plots to have all the Jewish subjects of Persia killed, and convinces Ahasuerus to permit him to do so. However, Esther foils the plan by revealing Haman's eradication plans to Ahasuerus, who then has Haman executed and grants permission to the Jews to kill their enemies instead, as royal edicts (including the order for eradication issued by Haman) cannot be revoked under Persian law. Her story provides the traditional explanation for the Jewish holiday of Purim, celebrated on the date given in the story for when Haman's order was to go in ...
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Robert Neppach
Robert Neppach (2 March 1890 – 18 August 1939) was an Austrian architect, film producer and art director. Neppach worked from 1919 in the German film industry. He oversaw the art direction of over 80 films during his career, including F.W. Murnau's '' Desire'' (1921) and Richard Oswald's '' Lucrezia Borgia'' (1922). Neppach was comparatively unusual among set designers during the era in having university training.Bergfelder, Harris & Street p.35-36 In 1932, he switched to concentrate on film production. In May 1933, his first wife Nelly, a successful tennis player, took her life because of the discrimination and prosecution of Jews in Nazi Germany. He married Grete Walter, daughter of the composer Bruno Walter in Autumn 1933. With his Jewish wife, life grew increasingly difficult for him under the Nazis. He began to work as an architect again, and the couple emigrated to Switzerland. In 1939, shortly before the outbreak of the Second World War, he shot himself and his wife. ...
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Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ...
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Richard Oswald
Richard Oswald (5 November 1880 – 11 September 1963) was an Austrian film director, producer, screenwriter, and father of German-American film director Gerd Oswald. Early career Richard Oswald, born in Vienna as Richard W. Ornstein, began his career as an actor on the Viennese stage. He made his film directorial debut at age 34 with ''The Iron Cross'' (1914) and worked a number of times for Jules Greenbaum. In 1916, Oswald set up his own production company in Germany, writing and directing most of his films himself. His pre-1920 efforts include such literary adaptations as ''The Picture of Dorian Gray'' (1917), '' Peer Gynt'' (1919), the once scandalous ''Different from the Others'' (1919) and ''Around the World in Eighty Days'' (1919). Oswald directed nearly 100 films. Some critics have suggested that Oswald was more prolific than talented, but such films as his horror film '' Unheimliche Geschichten'' (1932), produced by no less than Gabriel Pascal, would seem to refute thi ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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