The New Lord Of The Village
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The New Lord Of The Village
''Le Nouveau Seigneur du village'', also known as ''On ne badine pas avec l'amour'', and known in English as ''No Trifling With Love'' and as ''The New Lord of the Village'', is a 1908 French short silent film released by Georges Méliès, and supervised by an actor-director employee of Méliès's, known as Manuel. Production The film is one of many made in 1908 for Méliès by the actor Manuel. Méliès hardly ever appeared in Manuel's films, which were mainly made in the larger of Méliès's two studios, Studio B. The cast includes Fernande Albany as the mother, and a Mademoiselle Bodson as the bride. The unidentified actor who plays the Marquis would go on to play Baron Munchausen in Méliès's 1911 film ''Baron Munchausen's Dream'', while the actor playing the bailiff had already played a similar role in Méliès's 1905 film ''Rip's Dream''. Release ''Le Nouveau Seigneur du village'' was sold by Méliès's Star Film Company The Manufacture de films pour cinématographes, ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Fernande Albany
Fernande Françoise Raoult, known professionally as Fernande Albany (22 December 1889, Lison – 25 November 1966, Paris), was a French actress in theatre and film. Career Albany appeared in many of the films of Georges Méliès. Her work on the Parisian stage included roles in ''L'alcôve de Marianne'' by Félix Gandera (Théâtre de l'Athénée, 1920), ''Les Fontaines lumineuses'' by Georges Berr and Louis Verneuil (Théâtre des Variétés, 1935), and ''Crépuscule du théâtre'' by Henri-René Lenormand (Théâtre du Vieux-Colombier, 1937). Albany was married to the French stage and film actor Charles Dechamps. Filmography Silent films Source: Fernande Albany
at IMDB * 1904 : ''Voyage à travers l'impossible'' (English title: ''

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Star Film Company
The Manufacture de films pour cinématographes, often known as Star Film, was a French film production company run by the illusionist and film director Georges Méliès. History On 28 December 1895, Méliès attended the celebrated first public demonstration of the Lumière Brothers' Kinetoscope. The event, held in a room at 14 Boulevard des Capucines in Paris with one hundred chairs and an entry price of 1, demonstrated the practicality of film cameras and projectors. According to later recollections by Méliès, he immediately approached Antoine Lumière and offered to buy a Lumière projector for his own experimentation; Lumière refused. Méliès went on to make repeated offers, all similarly turned down. Méliès next turned to the British film experimenter Robert W. Paul, and in February 1896, obtained an Animatographe projector for 1,000, along with a collection of short films, some by Paul and some by Edison Studios. Méliès projected these for the first time at his t ...
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Short Film
A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Baron Munchausen's Dream
''Baron Munchausen's Dream'' (french: Les Hallucinations du baron de Münchausen), also known as ''Les Aventures de baron de Munchausen'' and ''Monsieur le Baron a trop bien dîné'', is a 1911 French short silent film directed by Georges Méliès. Synopsis After an evening of entertaining guests with lavish food and drink, a drunk Baron Munchausen is carried to his bed, underneath a huge Rococo mirror. He soon drifts into heavy sleep, only to experience a variety of disturbing and otherworldly dreams. An idyllic scene of couples dancing in a park gives way to a violent tableau of Ancient Egyptian design; the Three Graces, standing in classical poses, become three frog-like monsters and then three halberdiers. Awaking briefly, the Baron checks his reflection in a mirror to ensure all is well, then drifts back into dreams: his bed seems to dance about in an Orientalist landscape, and then it is attacked by giant grasshopper and a clown. Believing himself to be awake, the Baron ap ...
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Rip's Dream
''Rip's Dream'' (french: La Légende de Rip Van Vinckle ) is a 1905 French silent film directed by Georges Méliès. Plot Production ''Rip's Dream'' is based on two sources: the original 1819 "Rip Van Winkle" story by Washington Irving, and the 1882 operetta version of ''Rip Van Winkle'' (with music by Robert Planquette and libretto by Henri Meilhac, Philippe Gille, and Henry Brougham Farnie). Two elements, the mysterious snake and the village idiot, are Méliès's own creations. Méliès himself plays Rip. His son André appears as a village child carrying a large lantern. (Rip's friends' lanterns are in fact Bastille Day celebratory lanterns with the initials RF, for République française, clearly marked upon them.) Like many of Méliès's films made around 1905, ''Rip's Dream'' revels in theatricality. While some of Méliès's earlier major films, such as ''The Impossible Voyage'' and '' The Kingdom of the Fairies'', had experimented with innovative cinematic continuity ...
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David Shepard (film Preservationist)
David Haspel Shepard (October 22, 1940 – January 31, 2017)Grimes, William (February 5, 2017).. ''New York Times''. Retrieved 2017-02-08. was a film preservationist whose company, Film Preservation Associates, is responsible for many high-quality video versions of silent films. Some come from the Blackhawk Films library (owned by Shepard) and others from materials owned by private collectors and film archives around the world. Biography Shepard was born in Manhattan, New York City, the son of Marjorie (née Haspel) and Bertram Shepard. His father was an executive with the Grand Union grocery-store chain, and his mother a homemaker. When he was 11 years old his family moved to Tenafly, New Jersey. As a teenager he filmed school football games for the coaches to study, and in the off-season began to make his own films with student actors. He graduated from Hamilton College, in Upstate New York, in 1962, with a BA in philosophy, and completed a master's degree from the A ...
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French Black-and-white Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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