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The Mountain Sylph
''The Mountain Sylph'' is an opera in two acts by John Barnett to a libretto by Thomas James Thackeray, after '' Trilby, ou le lutin d'Argail'' by Charles Nodier. It was first produced in London at the Lyceum Theatre in 1834 with great success. Often (mistakenly) cited as the first through-composed English opera of the 19th century, it was Barnett's only great success on the stage out of some 30 operas and operettas, and was perhaps the most effective work by an English composer in the style of Carl Maria von Weber. Rarely (if ever) performed in the last century, its plot was parodied by W. S. Gilbert in his libretto for the Savoy Opera '' Iolanthe'' (1882). Background The story-line of ''The Mountain Sylph'', based on Nodier's tale, had already been adapted in 1832 by the singer Adolphe Nourrit as the basis of the ballet ''La Sylphide'', and it was probably the success of the ballet in Paris, where the cast included the famous ballerina, Marie Taglioni, which brought the subject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Alexander Macfarren
Sir George Alexander Macfarren (2 March 181331 October 1887) was an English composer and musicologist. Life George Alexander Macfarren was born in London on 2 March 1813 to George Macfarren, a dancing-master, dramatic author and journalist, who later became the editor of the ''Musical World'', and Elizabeth Macfarren, ''née'' Jackson.Brown (2004). At the age of seven, Macfarren was sent to Dr. Nicholas's school in Ealing, where his father was dancing-master; the school numbered among its alumni John Henry, Cardinal Newman and Thomas Henry Huxley.Banister (1891), 10. His health was poor, however, and his eyesight weak, so much so that he was given a large-type edition of the Bible and had to use a powerful magnifying-glass for all other reading. He was withdrawn from the school in 1823 to undergo a course of eye treatment. The treatment was unsuccessful, and his eyesight progressively worsened until he became totally blind in 1860. However, his blindness had little effect on h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. Performance history First performed at Covent Garden, London, on 12 April 1826, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Edward Horn
Charles Edward Horn (21 June 1786 – 21 October 1849) was an English composer and singer. Life and career Horn was born in St Martin-in-the-Fields, London, to Charles Frederick Horn and his wife, Diana Dupont. He was the eldest of their seven children. His father taught him music; he also took music lessons briefly in 1808 from singer Venanzio Rauzzini in Bath, Somerset.Brown. Horn made his singing debut on 26 June 1809 with a performance in the comic opera ''Up All Night, or the Smuggler's Cave'' (words by Samuel James Arnold and music by Matthew Peter King) at Lyceum Theatre, London. Horn continued singing, including a well-received turn in 1814 as Seraskier in Stephen Storace's ''The Siege of Belgrade''. He achieved prominence with his portrayal of Caspar in the English version of Carl Maria von Weber's ''Der Freischütz'' in 1824. Horn began composing music soon after his stage debut, writing glees and operas. He helped compose music for Thomas Moore's comic opera '' M.P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Articled
Apprenticeship is a system for training a new generation of practitioners of a trade or profession with on-the-job training and often some accompanying study (classroom work and reading). Apprenticeships can also enable practitioners to gain a license to practice in a regulated occupation. Most of their training is done while working for an employer who helps the apprentices learn their trade or profession, in exchange for their continued labor for an agreed period after they have achieved measurable competencies. Apprenticeship lengths vary significantly across sectors, professions, roles and cultures. In some cases, people who successfully complete an apprenticeship can reach the "journeyman" or professional certification level of competence. In other cases, they can be offered a permanent job at the company that provided the placement. Although the formal boundaries and terminology of the apprentice/journeyman/master system often do not extend outside guilds and trade unions, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel James Arnold
Samuel James Arnold (1774–1852) was an English dramatist and theatrical manager. Under his management the Lyceum Theatre, London became the English Opera House, and staged the first English productions of many operas, including in 1824 Carl Maria von Weber's ''Der Freischütz''. Life Arnold was the son of the composer Samuel Arnold, and was given an artistic education. In 1794 at the Haymarket Theatre he produced ''Auld Robin Gray'', a musical play in two acts; and this was followed by other works of the same class: ''Who Pays the Reckoning?'' produced at the Haymarket in 1795; ''The Shipwreck'', produced at the Drury Lane Theatre in 1796; ''The Irish Legacy'', produced at the Haymarket in 1797; and ''The Veteran Tar'', produced at Drury Lane in 1801. ''Foul Deeds Will Rise'', first played at the Haymarket in 1804, was described by the critic John Genest as "an unnatural mixture of tragedy and farce". ''The Prior Claim'', produced at Drury Lane in 1805, was a comedy written in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Loder
Edward James Loder (10 July 1809 – 5 April 1865) was an English composer and conductor. His best remembered work is perhaps the 1855 opera ''Raymond and Agnes'', though his most successful opera during his lifetime was ''The Night Dancers''. Biography Loder was born in Bath, Somerset. He was the son of John David Loder (1788–1846), a violinist and musical director of the Theatre Royal, Bath, and his wife Rosamund, née Mills (1787–1856), a step-daughter of the comedian John Fawcett. Edward Loder's twin brother John Fawcett Loder (1809–1853) was a violinist, and a younger brother William Sowerby Loder (1812–1851) was a cellist who married the soprano Emily Woodyatt. His cousins included the composer and conductor George Loder (1816–1868) and George's sister, composer and pianist Kate Loder. Loder's family sent him to Frankfurt in 1826 to study under Ferdinand Ries, who was an old friend of the family. He returned to England in 1828 and embarked on a successful car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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