The Model Of Poesy
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The Model Of Poesy
''The Model of Poesy'' (1599), by William Scott, is a Renaissance-era (15th–17th c.), English literary treatise about the art of poetry, which presents a theoretical description of what is poetry, and practical guidelines about how to write well. Proceeding from ''An Apology for Poetry'' (1595), by Philip Sidney, ''The Model of Poesy'' develops Scott's poetics in the classical and continental traditions, using examples from Geoffrey Chaucer and Edmund Spenser, William Shakespeare and quotations from Scott's partial, English translation of the French ''La Sepmaine'' (1578), by Guillaume de Salluste du Bartas. Author William Scott was born in Kent, England, in the early 1570s and died in 1617. As a student of law at the Inner Temple, Scott wrote and completed much of ''The Model of Poesy'' in summer of 1599. He dedicated his translation to English of Du Bartas's '' La Sepmaine'' (1578) to his uncle George Wyatt of Boxley (1553–1624), who was the sole, surviving son of Thomas Wy ...
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English Renaissance
The English Renaissance was a Cultural movement, cultural and Art movement, artistic movement in England from the early 16th century to the early 17th century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century. As in most of the rest of northern Europe, England saw little of these developments until more than a century later. Renaissance style and ideas, however, were slow to penetrate England, and the Elizabethan era in the second half of the 16th century is usually regarded as the height of the English Renaissance. However, many scholars see its beginnings in the early 16th century, during the reign of Henry VIII. The English Renaissance is different from the Italian Renaissance in several ways. The dominant art forms of the English Renaissance were literature and music. Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English period began far later than ...
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Boris Godunov
Borís Fyodorovich Godunóv (; russian: Борис Фёдорович Годунов; 1552 ) ruled the Tsardom of Russia as ''de facto'' regent from c. 1585 to 1598 and then as the first non-Rurikid tsar from 1598 to 1605. After the end of his reign, Russia descended into the Time of Troubles. Early years Boris Godunov was the most noted member of an ancient, now extinct, Russian family of Tatar origin ( Chet), which came from the Horde to Kostroma in the early 14th century. This cites: * Platon Vasilievich Pavlov, ''On the Historical Significance of the Reign of Boris Godunov'' (Rus.) (Moscow, 1850) * Sergyei Mikhailivich Solovev, ''History of Russia'' (Rus.) (2nd ed., vols. vii–viii., St Petersburg, 1897). This legend is written in the annals dating from early 17th century. He was descended from the Tatar Prince Chet, who went from the Golden Horde to Russia and founded the Ipatiev Monastery in Kostroma. Boris was probably born before or after the Kazan campaign. Boris was ...
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Julius Caesar Scaliger
Julius Caesar Scaliger (; April 23, 1484 – October 21, 1558), or Giulio Cesare della Scala, was an Italian scholar and physician, who spent a major part of his career in France. He employed the techniques and discoveries of Renaissance humanism to defend Aristotelianism against the New Learning. In spite of his contentious disposition, his contemporary reputation was high. Jacques Auguste de Thou claimed that none of the ancients could be placed above him and that he had no equal in his own time. Biography Scaliger's father, Benedetto Bordone, was a miniaturist and illuminator. Scaliger himself was known in his youth by the family name Bordone, but later insisted that he was a scion of the house of La Scala, for a hundred and fifty years lords of Verona. He was born in 1484 at the Rocca di Riva, on Lake Garda. There are two accounts of his life, his own and that of his critics. His own account When he was twelve, his kinsman the emperor Maximilian placed him among his pages. ...
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Lyric Poetry
Modern lyric poetry is a formal type of poetry which expresses personal emotions or feelings, typically spoken in the first person. It is not equivalent to song lyrics, though song lyrics are often in the lyric mode, and it is also ''not'' equivalent to Ancient Greek lyric poetry, which ''was'' principally limited song lyrics, or chanted verse, hence the confusion. The term for both modern lyric poetry and modern song lyrics both derive from a form of Ancient Greek literature, the Greek lyric, which was defined by its musical accompaniment, usually on a stringed instrument known as a kithara. The term owes its importance in literary theory to the division developed by Aristotle among three broad categories of poetry: lyrical, dramatic, and epic. Lyric poetry is also one of the earliest forms of literature. Meters Much lyric poetry depends on regular meter based either on number of syllables or on stress – with two short syllables typically being exchangeable for one long ...
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Satirical Poetry
Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in addition to, or in place of, a prosaic ostensible meaning. A poem is a literary composition, written by a poet, using this principle. Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poetry, the ''Epic of Gilgamesh'', was written in Sumerian. Early poems in the Eurasian continent evolved from folk songs such as the Chinese ''Shijing'', as well as religious hymns (the Sanskrit ''R ...
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Comic Verse
This article focuses on poetry from the United Kingdom written in the English language. The article does not cover poetry from other countries where the English language is spoken, including Republican Ireland after December 1922. The earliest surviving English poetry, written in Anglo-Saxon, the direct predecessor of modern English, may have been composed as early as the 7th century. The earliest English poetry The earliest known English poem is a hymn on the creation; Bede attributes this to Cædmon (fl. 658–680), who was, according to legend, an illiterate herdsman who produced extemporaneous poetry at a monastery at Whitby. This is generally taken as marking the beginning of Anglo-Saxon poetry. Much of the poetry of the period is difficult to date, or even to arrange chronologically; for example, estimates for the date of the great epic ''Beowulf'' range from AD 608 right through to AD 1000, and there has never been anything even approaching a consensus. It is poss ...
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Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ...
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Pastoral Poetry
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ...
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Epic Poetry
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. Etymology The English word ''epic'' comes from Latin ''epicus'', which itself comes from the Ancient Greek adjective (''epikos''), from (''epos''), "word, story, poem." In ancient Greek, 'epic' could refer to all poetry in dactylic hexameter (''epea''), which included not only Homer but also the wisdom poetry of Hesiod, the utterances of the Delphic oracle, and the strange theological verses attributed to Orpheus. Later tradition, however, has restricted the term 'epic' to ''heroic epic'', as described in this article. Overview Originating before the invention of writing, primary epics, such as those of Homer, were composed by bards who used complex rhetorical and metrical schemes by which they could memorize the epic as received i ...
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Simonides
Simonides of Ceos (; grc-gre, Σιμωνίδης ὁ Κεῖος; c. 556–468 BC) was a Greek lyric poet, born in Ioulis on Kea (island), Ceos. The scholars of Hellenistic Alexandria included him in the canonical list of the nine lyric poets esteemed by them as worthy of critical study. Included on this list were Bacchylides, his nephew, and Pindar, reputedly a bitter rival, both of whom benefited from his innovative approach to lyric poetry. Simonides, however, was more involved than either in the major events and with the personalities of their times. Gotthold Ephraim Lessing, Lessing, writing in the Age of Enlightenment, Enlightenment era, referred to him as "the Greek Voltaire." His general renown owes much to traditional accounts of his colourful life, as one of the wisest of men; as a greedy miser; as an inventor of a system of mnemonics; and the inventor of some letters of the History of the Greek alphabet, Greek alphabet (). Such accounts include fanciful element ...
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Reason
Reason is the capacity of consciously applying logic by drawing conclusions from new or existing information, with the aim of seeking the truth. It is closely associated with such characteristically human activities as philosophy, science, language, mathematics, and art, and is normally considered to be a distinguishing ability possessed by humans. Reason is sometimes referred to as rationality. Reasoning is associated with the acts of thinking and cognition, and involves the use of one's intellect. The field of logic studies the ways in which humans can use formal reasoning to produce logically valid arguments. Reasoning may be subdivided into forms of logical reasoning, such as: deductive reasoning, inductive reasoning, and abductive reasoning. Aristotle drew a distinction between logical discursive reasoning (reason proper), and intuitive reasoning, in which the reasoning process through intuition—however valid—may tend toward the personal and the subject ...
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Representation (arts)
Representation is the use of signs that stand in for and take the place of something else.Mitchell, W. 1995, "Representation", in F Lentricchia & T McLaughlin (eds), ''Critical Terms for Literary Study'', 2nd edn, University of Chicago Press, Chicago It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantic constructions and express relations. For many philosophers, both ancient and modern, man is regarded as the "representational animal" or '' animal symbolicum'', the creature whose distinct character is the creation and the manipulation of signs – things that "stand for" or "take the place of" something else. Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to a novel representing the day in the life of several Dubliners". The t ...
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