The Miserly Knight
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The Miserly Knight
''The Miserly Knight'', Op. 24, also ''The Covetous Knight'' (russian: Скупой рыцарь, ''Skupój rýtsar’''), is a Russian opera in one act with music by Sergei Rachmaninoff, with the libretto based on Alexander Pushkin's drama of the same name. It contains roles for five male singers, but no females. The composer decided essentially to set the Pushkin text as written, and had Feodor Chaliapin in mind for the role of the Baron, however, Chaliapin withdrew from the production over artistic differences. The first performance was on 24 January (11 January OS) 1906 at the Bolshoi Theatre, Moscow, with the composer himself conducting, in a double-bill performance with another Rachmaninoff opera written contemporaneously, '' Francesca da Rimini''. The director was Vasiliy Shkafer. Productions of the opera have been rare. In addition, the characterization of the moneylender, who is identified in the story as being Jewish, has been criticized as anti-Semitic. Roles Synop ...
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Sergei Rachmaninoff
Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he made a point of using his skills as a performer to fully explore the expressive and technical possibilities of the instrument. Born into a musical family, Rachmaninoff took up the piano at the age of four. He studied with Anton Arensky and Sergei Taneyev at the Moscow Conservatory and graduated in 1892, having already composed several piano and orchestral pieces. In 1897, following the d ...
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LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ...
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Russian-language Operas
Russian (russian: русский язык, russkij jazyk, link=no, ) is an East Slavic language mainly spoken in Russia. It is the native language of the Russians, and belongs to the Indo-European language family. It is one of four living East Slavic languages, and is also a part of the larger Balto-Slavic languages. Besides Russia itself, Russian is an official language in Belarus, Kazakhstan, and Kyrgyzstan, and is used widely as a lingua franca throughout Ukraine, the Caucasus, Central Asia, and to some extent in the Baltic states. It was the ''de facto'' language of the former Soviet Union, Constitution and Fundamental Law of the Union of Soviet Socialist Republics, 1977: Section II, Chapter 6, Article 36 and continues to be used in public life with varying proficiency in all of the post-Soviet states. Russian has over 258 million total speakers worldwide. It is the most spoken Slavic language, and the most spoken native language in Europe, as well as the most geographica ...
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Operas Based On Works By Aleksandr Pushkin
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Operas By Sergei Rachmaninoff
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Vladimir Jurowski
Vladimir Mikhailovich Jurowski (; born 4 April 1972) is a Russian conductor. He is the son of conductor Michail Jurowski, and grandson of Soviet film music composer Vladimir Michailovich Jurowski. Early life Born in Moscow, Jurowski began his musical studies at the Moscow Conservatory. In 1990, he moved with his family, including his brother Dmitri (conductor) and his sister Maria (pianist) to Germany, where he completed his education at the music schools at the Hochschule für Musik Carl Maria von Weber Dresden and the Hochschule für Musik Hanns Eisler. He studied conducting with Rolf Reuter and vocal coaching with Semion Skigin. He participated in a conducting master class with Sir Colin Davis on Sibelius' Symphony No. 7 in 1991. Career Jurowski first appeared on the international scene in 1995 at the Wexford Festival, where he conducted Nikolai Rimsky-Korsakov's opera '' May Night'', and he returned the following year for Giacomo Meyerbeer's ''L'étoile du nord'', whi ...
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London Philharmonic Orchestra
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras. The founders' ambition was to build an orchestra the equal of any European or American rival. Between 1932 and the Second World War the LPO was widely judged to have succeeded in this regard. After the outbreak of war, the orchestra's private backers withdrew and the players reconstituted the LPO as a self-governing cooperative. In the post-war years, the orchestra faced challenges from two new rivals; the Philharmonia and the Royal Philharmonic, founded respectively in 1946 and 1947, achieved a quality of playing not matched by the older orchestras, including the LPO. By the 1960s the LPO had regained its earlier standards, and in 1964 it secured a valuable engagement to play in the Glyndebourne Festival during the summer mo ...
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Sergei Leiferkus
Sergei Leiferkus (born 4 April 1946) is an operatic baritone from Russia, known for his dramatic technique and powerful voice particularly in Russian and Italian language repertoire. He is most notable for his roles as Scarpia in ''Tosca'', Iago in '' Otello'', Grand-prétre de Dagon in ''Samson et Dalila'' and ''Simon Boccanegra'' as the title role. Leiferkus was born in Leningrad (now known as St Petersburg), Russia. He studied music at the St. Petersburg conservatory. In 1972, he made his debut with Maly Theatre of Leningrad and received recognition for ''Eugene Onegin'', ''Iolanta'', ''Barber of Seville'' and '' Don Giovanni.'' He joined Kirov Opera Company in 1977 performing in Prokofiev's ''War and Peace'' as Andrei. While at the Kirov Opera, Leiferkus's talent began to receive international reputation as a powerful singer and imaginative actor. Leiferkus has toured most opera houses in the world including Royal Opera House, Vienna State Opera, Opéra Bastille in Paris ...
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Russian Season
Russian(s) refers to anything related to Russia, including: *Russians (, ''russkiye''), an ethnic group of the East Slavic peoples, primarily living in Russia and neighboring countries *Rossiyane (), Russian language term for all citizens and people of Russia, regardless of ethnicity *Russophone, Russian-speaking person (, ''russkogovoryashchy'', ''russkoyazychny'') *Russian language, the most widely spoken of the Slavic languages *Russian alphabet *Russian cuisine *Russian culture *Russian studies Russian may also refer to: *Russian dressing *''The Russians'', a book by Hedrick Smith *Russian (comics), fictional Marvel Comics supervillain from ''The Punisher'' series *Russian (solitaire), a card game * "Russians" (song), from the album ''The Dream of the Blue Turtles'' by Sting *"Russian", from the album ''Tubular Bells 2003'' by Mike Oldfield *"Russian", from the album '' '' by Caravan Palace *Nik Russian, the perpetrator of a con committed in 2002 *The South African name for a ...
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Neeme Järvi
Neeme Järvi (; born 7 June 1937) is an Estonian American conductor. Early life Järvi was born in Tallinn. He initially studied music there, and later in Leningrad at the Leningrad Conservatory under Yevgeny Mravinsky, and Nikolai Rabinovich, among others. Early in his career, he held posts with the Estonian Radio and Television Symphony Orchestra, the Estonian National Symphony Orchestra and the Estonian National Opera in Tallinn. In 1971 he won first prize in the International Conductors Competition at the Accademia Nazionale di Santa Cecilia in Rome. Järvi emigrated to the United States in 1980 with his family. He became an American citizen in 1985. Career In 1982, he became the principal conductor of the Gothenburg Symphony Orchestra, and held the post for 22 years, the longest-serving principal conductor in the orchestra's history. During his Gothenburg tenure, the recording profile and reputation of the orchestra greatly increased. He also helped to secure corporate ...
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Gothenburg Symphony Orchestra
The Gothenburg Symphony Orchestra (GSO; sv, Göteborgs Symfoniker) is a Swedish symphony orchestra based in Gothenburg. The GSO is resident at the Gothenburg Concert Hall at Götaplatsen. The orchestra received the title of the National Orchestra of Sweden ( sv, Sveriges Nationalorkester) in 1997. Background and history The GSO was founded in 1905, with Heinrich Hammer as its first principal conductor. The composer Wilhelm Stenhammar was the orchestra's second principal conductor, from 1907 to 1922. In addition to Stenhammar conducting his own works, Jean Sibelius and Carl Nielsen made regular guest-conducting appearances with the GSO. The orchestra's fortunes waxed and waned in subsequent years, until the advent of Neeme Järvi as principal conductor, from 1982 to 2004. Although the GSO has a broad repertoire, it has a special affinity for the works of the Nordic Late Romantic composers, such as Jean Sibelius and Edvard Grieg. During Järvi's tenure as principal conduct ...
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