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The Mighty Handful
The Five ( rus, link=no, Могучая кучка, lit. ''Mighty Bunch''), also known as the Mighty Handful, The Mighty Five, and the New Russian School, were five prominent 19th-century Russian composers who worked together to create a distinct national style of classical music: Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin. They lived in Saint Petersburg, and collaborated from 1856 to 1870. History Name In May 1867 the critic Vladimir Stasov wrote an article, titled ''Mr. Balakirev's Slavic Concert'', covering a concert that had been performed for visiting Slav delegations at the "All-Russian Ethnographical Exhibition" in Moscow. The four Russian composers whose works were played at the concert were Mikhail Glinka, Alexander Dargomyzhsky, Mily Balakirev, and Nikolai Rimsky-Korsakov. The article ended with the following statement: The expression "mighty handful" (russian: Могучая кучка, ''Moguchaya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Composers
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". 'Composer' is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, particularl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Six
"Les Six" () is a name given to a group of six composers, five of them French and one Swiss, who lived and worked in Montparnasse. The name, inspired by Mily Balakirev's '' The Five'', originates in two 1920 articles by critic Henri Collet in '' Comœdia'', (see Bibliography). Their music is often seen as a neoclassic reaction against both the musical style of Richard Wagner and the impressionist music of Claude Debussy and Maurice Ravel. The members were Georges Auric (1899–1983), Louis Durey (1888–1979), Arthur Honegger (1892–1955), Darius Milhaud (1892–1974), Francis Poulenc (1899–1963), and Germaine Tailleferre (1892–1983). ' In 1917, when many theatres and concert halls were closed because of World War I, Blaise Cendrars and the painter Moïse Kisling decided to put on concerts at 6 , the studio of the painter Émile Lejeune (1885–1964). For the first of these events, the walls of the studio were decorated with canvases by Picasso, Matisse, Léger, Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Tone Scale
In music, a whole-tone scale is a scale in which each note is separated from its neighbors by the interval of a whole tone. In twelve-tone equal temperament, there are only two complementary whole-tone scales, both six-note or '' hexatonic'' scales. A single whole-tone scale can also be thought of as a "six-tone equal temperament". : : The whole-tone scale has no leading tone and because all tones are the same distance apart, "no single tone stands out, ndthe scale creates a blurred, indistinct effect". This effect is especially emphasised by the fact that triads built on such scale tones are all augmented triads. Indeed, all six tones of a whole-tone scale can be played simply with two augmented triads whose roots are a major second apart. Since they are symmetrical, whole-tone scales do not give a strong impression of the tonic or tonality. The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consecutive Fifth
In music, consecutive fifths or parallel fifths are progressions in which the interval of a perfect fifth is followed by a ''different'' perfect fifth between the same two musical parts (or voices): for example, from C to D in one part along with G to A in a higher part. Octave displacement is irrelevant to this aspect of musical grammar; for example, a parallel twelfth (i.e., an octave plus a fifth) is equivalent to a parallel fifth.Thus, the word "parallel" is not truly synonymous with "consecutive", as a fifth followed by another fifth approached with contrary motion would still count as consecutive fifths. The term ''parallel fifths'' may therefore be misleading because some consecutive fifths occur with contrary motion: from a true uncompounded fifth to a twelfth, for example. If parts move by oblique motion (for example, one part moving from a C to a higher C, and another part repeating a G higher than both of those Cs), the intervals are not considered to differ in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heterophony
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations. The term was initially introduced into systematic musicology to denote a subcategory of polyphonic music, though is now regarded as a textural category in its own right. Characteristics Heterophony is often a characteristic feature of non- Western traditional musics—for example Ottoman classical music, Arabic classical music, Japanese Gagaku, the gamelan music of Indonesia, kulintang ensembles of the Philippines, and the traditional music of Thailand. In European traditions, there are also some examples of heterophony. One such example is dissonant heterophony of Dinaric Ganga o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonal Center
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "I" if it is major and by "i" if it is minor. These chords may also appear as seventh chords: in major, as IM7, or in minor as i7 or rarely iM7: The tonic is distinguished from the root, which is the reference note of a chord, rather ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma ( grc-gre, μέλισμα, , ; from grc, , melos, song, melody, label=none, plural: ''melismata'') is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. An informal term for melisma is a vocal run. The term roulade is also sometimes used interchangeably with melisma. History General The term melisma may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of Religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Today, melisma is commonly used in Middle Eastern, African, and African American music, Irish sean nós singing, and flamenco. Melisma is also commonly featured in Western popular music. Prevalence in western popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peoples Of The Caucasus
The peoples of the Caucasus, or Caucasians, are a diverse group comprising more than 50 ethnic groups throughout the Caucasus. By language group Language families indigenous to the Caucasus Caucasians who speak languages which have long been indigenous to the region are generally classified into three groups: Kartvelian peoples, Northeast Caucasian peoples and Northwest Caucasian peoples. Kartvelian languages * Georgians ** Dvals ** Ingiloys ** Zans *** Lazs *** Mingrelians * Svans Northeast Caucasian languages * Avar–Andic peoples: ** Andis ** Akhvakhs ** Avars ** Bagvalals ** Botlikhs ** Chamalals ** Godoberis ** Karatas ** Tindis * Dargins * Dagestani * Khinalugs * Laks * Lezgic peoples: ** Aguls ** Archin ** Budukhs ** Jeks ** Kryts ** Lezgins ** Rutuls ** Tabasarans ** Tsakhurs ** Udis * Nakh peoples: ** Arshtins ** Bats ** Chechens *** Kists ** Durdzuks ** Ingush ** Malkh * Tsezic (Didoic) peoples: ** Bezhtas ** Hinukhs ** H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cossack
The Cossacks , es, cosaco , et, Kasakad, cazacii , fi, Kasakat, cazacii , french: cosaques , hu, kozákok, cazacii , it, cosacchi , orv, коза́ки, pl, Kozacy , pt, cossacos , ro, cazaci , russian: казаки́ or , sk, kozáci , uk, козаки́ are a predominantly East Slavic languages, East Slavic Eastern Orthodox, Orthodox Christian people originating in the Pontic–Caspian steppe of Ukraine and southern Russia. Historically, they were a semi-nomadic and semi-militarized people, who, while under the nominal suzerainty of various Eastern European states at the time, were allowed a great degree of self-governance in exchange for military service. Although numerous linguistic and religious groups came together to form the Cossacks, most of them coalesced and became East Slavic languages, East Slavic-speaking Eastern Orthodox Church, Orthodox Christians. The Cossacks were particularly noted for holding democratic traditions. The rulers of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tikhvin Cemetery
Tikhvin Cemetery (russian: Тихвинское кладбище) is a historic cemetery in the centre of Saint Petersburg. It is part of the Alexander Nevsky Lavra, and is one of four cemeteries in the complex. Since 1932 it has been part of the , which refers to it as the Necropolis of the Masters of Art (russian: Некрополь мастеров искусств). Opened in 1823 after the monastery's first cemetery, the Lazarevskoe, had become overcrowded, the cemetery was initially called the "New Lazarevsky". It acquired its name after the building of its cemetery church, consecrated to the icon of the Tikhvin Mother of God. It soon superseded the Lazarevskoe Cemetery and became a popular and prestigious burial ground. The first literary figure, Nikolay Karamzin, was buried in the cemetery in 1826, followed in 1833 by Nikolay Gnedich, an associate of Alexander Pushkin's. Several other friends of Pushkin were later buried in the cemetery. Particularly significant interme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esprit De Corps
Morale, also known as esprit de corps (), is the capacity of a group's members to maintain belief in an institution or goal, particularly in the face of opposition or hardship. Morale is often referenced by authority figures as a generic value judgment of the willpower, obedience, and self-discipline of a group tasked with performing duties assigned by a superior. According to Alexander H. Leighton, "morale is the capacity of a group of people to pull together persistently and consistently in pursuit of a common purpose". Morale is important in the military, because it improves unit cohesion. With good morale, a force will be less likely to give up or surrender. Morale is usually assessed at a collective, rather than an individual level. In wartime, civilian morale is also important. Esprit de corps is considered to be an important part of a fighting unit. Definition Military history experts have not agreed on a precise definition of "morale". Clausewitz's comments on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the '' Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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