The Masque Of Augurs
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The Masque Of Augurs
''The Masque of Augurs'' was a Jacobean era masque, written by Ben Jonson and designed by Inigo Jones. It was performed, most likely, on Twelfth Night, 6 January 1622. A second performance of the masque, with textual revisions by Jonson, occurred on 5 or 6 May 1622. The music for the masque was composed by Alfonso Ferrabosco and Nicholas Lanier; however, only one song by Lanier has survived. The show The masque opens with an anti-masque, a comic scene involving characters from the "court buttery-hatch," including a Lady Alwife, a brewer's clerk, and a "rare artist" named Vangoose, among others. A bearmaster named Urson introduces two dancing bears; the second anti-masque is "a perplexed dance of straying and deformed pilgrims," which is disrupted by the descent from the clouds of Apollo, the god of prophecy, who introduces the serious portion of the masque. Apollo brings with him a group of other figures from Greek mythology, including Orpheus, Linus, Idmon, and others; a danc ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ...
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Bartholomew Fair (play)
''Bartholomew Fair'' is a Jacobean comedy in five acts by Ben Jonson. It was first staged on 31 October 1614 at the Hope Theatre by the Lady Elizabeth's Men company. Written four years after ''The Alchemist'', five after '' Epicœne, or the Silent Woman'', and nine after ''Volpone'', it is in some respects the most experimental of these plays. The play was first printed in 1631, as part of a planned second volume of the first 1616 folio collection of Jonson's works, to be published by the bookseller Robert Allot; however, Jonson abandoned the plan when he became dissatisfied with the quality of the typesetting. Copies of the 1631 typecast were circulated, though whether they were sold publicly or distributed privately by Jonson is unclear. The play was published in the second folio of Jonson's works in 1640–41, published by Richard Meighen. Background The play is set at Bartholomew Fair, which from 1133 to 1855 was one of London's preeminent summer fairs. It opened on 24 A ...
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House Of Stuart
The House of Stuart, originally spelt Stewart, was a royal house of Scotland, England, Ireland and later Great Britain. The family name comes from the office of High Steward of Scotland, which had been held by the family progenitor Walter fitz Alan (c. 1150). The name Stewart and variations had become established as a family name by the time of his grandson Walter Stewart. The first monarch of the Stewart line was Robert II, whose male-line descendants were kings and queens in Scotland from 1371, and of England and Great Britain from 1603, until 1714. Mary, Queen of Scots, was brought up in France where she adopted the French spelling of the name Stuart. In 1503, James IV married Margaret Tudor, thus linking the royal houses of Scotland and England. Elizabeth I of England died without issue in 1603, and James IV's great-grandson (and Mary's only son) James VI of Scotland succeeded to the thrones of England and Ireland as James I in the Union of the Crowns. The Stuarts were ...
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Whitehall Palace
The Palace of Whitehall (also spelt White Hall) at Westminster was the main residence of the English monarchs from 1530 until 1698, when most of its structures, except notably Inigo Jones's Banqueting House of 1622, were destroyed by fire. Henry VIII moved the royal residence to White Hall after the old royal apartments at the nearby Palace of Westminster were themselves destroyed by fire. Although the Whitehall palace has not survived, the area where it was located is still called Whitehall and has remained a centre of government. White Hall was at one time the largest palace in Europe, with more than 1,500 rooms, overtaking the Vatican, before itself being overtaken by the expanding Palace of Versailles, which was to reach 2,400 rooms. The palace gives its name, Whitehall, to the street located on the site on which many of the current administrative buildings of the present-day British government are situated, and hence metonymically to the central government itself. At its ...
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Banqueting House, Whitehall
The Banqueting House, Whitehall, is the grandest and best known survivor of the architectural genre of banqueting houses, constructed for elaborate entertaining. It is the only remaining component of the Palace of Whitehall, the residence of English monarchs from 1530 to 1698. The building is important in the history of English architecture as the first structure to be completed in the neo-classical style, which was to transform English architecture. Begun in 1619 and designed by Inigo Jones in a style influenced by Andrea Palladio, the Banqueting House was completed in 1622 at a cost of £15,618, 27 years before King Charles I of England was beheaded on a scaffold in front of it in January 1649. The building was controversially re-faced in Portland stone in the 19th century, though the details of the original façade were faithfully preserved. Today, the Banqueting House is a national monument, open to the public and preserved as a Grade I listed building. It is cared for b ...
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Caspar Peucer
Caspar Peucer ( , ; June 1, 1525 – September 25, 1602) was a German reformer, physician, and scholar of Sorbian origin. Personal life Early life Caspar Peucer was born on June 1, 1525, in Bautzen, (Sachsen, Germany) and died on September 25, 1602, in Dessau, (Sachsen-Anhalt, Germany). He was the child of Gregor Peucer, a known craftsman, and Ottilie Simon. Peucer's father, Gregor, was trusted with certain tasks from the Bautzen elite regarding the city quarters between the town council and burghers. The Bautzen elite was an interconnected family with relational ties, this indicates that Peucer himself was also related to Gregorius Mattig, who was a highly respected humanist and intellectual during this time. Mattig himself, was a director of Upper Lusatia representing the Estate town during their uprising in the early 15th century. Peucer's education began in his hometown of Sachsen where he began studying at a local Protestant grammar school. This education system was e ...
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Johannes Rosinus
Johannes Rosinus (Johann Roszfeld) (c. 1550 – 1626) was the German author of a work on Roman Antiquity called ''Antiquitatum romanarum corpus absolutissimum'', which first appeared at Basel in 1585. He studied at Jena, and became sub-rector of a school at Regensburg. He also served as minister of a Lutheran church at Wickerstadt in Weimar. He later preached at the cathedral church in Naumburg, Saxony. Rosinus' work went through a series of editions with subsequent editors including Thomas Dempster, Paolo Manuzio, Andreas Schott, and Samuel Pitiscus. Dempster's dedication of his edition of Rosinus' ''Antiquitatum romanarum corpus absolutissimum'' to King James I James VI and I (James Charles Stuart; 19 June 1566 – 27 March 1625) was King of Scotland as James VI from 24 July 1567 and King of England and Ireland as James I from the union of the Scottish and English crowns on 24 March 1603 until hi ... won him an invitation to the English court. Works * ** ...
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Natalis Comes
Natale Conti or Latin Natalis Comes, also Natalis de Comitibus and French Noël le Comte (1520–1582) was an Italian mythographer, poet, humanist and historian. His major work ''Mythologiae'', ten books written in Latin, was first published in Venice in 1567 and became a standard source for classical mythology in later Renaissance Europe. It was reprinted in numerous editions; after 1583, these were appended with a treatise on the Muses by Geoffroi Linocier. By the end of the 17th century, his name was virtually synonymous with mythology: a French dictionary in defining the term ''mythologie'' noted that it was the subject written about by Natalis Comes. Conti believed that the ancient poets had meant for their presentations of myths to be read as allegory, and accordingly constructed intricate genealogical associations within which he found layers of meaning. Since Conti was convinced that the lost philosophy of Classical Antiquity could be recovered through understanding these ...
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Fortune-telling
Fortune telling is the practice of predicting information about a person's life. Melton, J. Gordon. (2008). ''The Encyclopedia of Religious Phenomena''. Visible Ink Press. pp. 115-116. The scope of fortune telling is in principle identical with the practice of divination. The difference is that divination is the term used for predictions considered part of a religious ritual, invoking deities or spirits, while the term fortune telling implies a less serious or formal setting, even one of popular culture, where belief in occult workings behind the prediction is less prominent than the concept of suggestion, spiritual or practical advisory or affirmation. Historically, Pliny the Elder describes use of the crystal ball in the 1st century CE by soothsayers (''"crystallum orbis"'', later written in Medieval Latin by scribes as ''orbuculum''). Contemporary Western images of fortune telling grow out of folkloristic reception of Renaissance magic, specifically associated with R ...
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Augur
An augur was a priest and official in the classical Roman world. His main role was the practice of augury, the interpretation of the will of the gods by studying the flight of birds. Determinations were based upon whether they were flying in groups or alone, what noises they made as they flew, the direction of flight, what kind of birds they were, etc. This practice was known as "''taking the auspices''". The augural ceremony and function of the augur was central to any major undertaking in Roman society – public or private – including matters of war, commerce, and religion. Augurs sought the divine will regarding any proposed course of action which might affect Rome's ''pax'', ''fortuna'', and ''salus'' (peace, good fortune, and well-being). Etymology Although ancient authors believed that the term "augur" contained the words ''avis'' and ''gerō'' – Latin for "directing the birds" – historical-linguistic evidence points instead to the root ''auge ...
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The Staple Of News
''The Staple of News'' is an early Caroline era play, a satire by Ben Jonson. The play was first performed in late 1625 by the King's Men at the Blackfriars Theatre, and first published in 1631. Publication ''The Staple of News'' was entered into the Stationers' Register in Feb. 1626, but was not published till five years later. Like '' The Devil is an Ass,'' ''The Staple of News'' was intended to be part of the second folio collection of Jonson's works that was being readied for publication in 1630, as a follow-up to the first collection in 1616. The project was abandoned, apparently because Jonson grew dissatisfied with the quality of the printing (done by John Beale). ''The Staple of News'', again like ''Devil is an Ass'', was published separately in 1631 in folio format from the existing typesetting, by the bookseller Robert Allot – though it is unclear whether this was ever a commercial publication, or whether Jonson privately distributed copies of the play among frie ...
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Neptune's Triumph For The Return Of Albion
''Neptune's Triumph for the Return of Albion'' was a Jacobean era masque, written by Ben Jonson, and designed by Inigo Jones. The masque is notable for the contradictory historical evidence connected with it and the confusion it caused among generations of scholars and critics. Context The masque was intended as the major entertainment of the 1623–24 Christmas holiday season, and was scheduled to be performed on Twelfth Night, 6 January 1624. During the Jacobean era, however, attendance at the performances of the Stuart Court masques was coveted and controversial – especially among the foreign diplomats of the Court, who competed fiercely among themselves for admittance to the masques and especially for seating near the King. In the case of ''Neptune's Triumph,'' the dispute between the French and Spanish ambassadors was so intense that James I cancelled the performance. There was more than ego or vague national pride involved: James's son and heir, the future Charl ...
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