The Man In The Moon (musical)
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The Man In The Moon (musical)
''The Man in the Moon'' is a musical in three acts with music by composers Ludwig Engländer, Gustav Kerker and Reginald De Koven, and both book and lyrics by Louis Harrison and Stanislaus Strange. The work premiered on Broadway at the New York Theatre on April 24, 1899. The production closed after 192 performances on November 4, 1899. Produced and directed by George W. Lederer, the show used choreography by Carl Marwig, costumes by Caroline Siedle, and sets created by D. Frank Dodge, Henry E. Hoyt, St. John Lewis and Ernest Albert.Letellier, p. 1027 The cast included Sam Bernard as Conan Doyle, Marie Dressler as Viola Alum, and Christie MacDonald as Diana. University of Chicago academic Cecil Michener Smith, wrote that ''The Man in the Moon'' was "the last successful extravaganza of the 1890s", and that "the extent of popular interest in ''The Man in the Moon'' was indicated by the production of a burlesque A burlesque is a literary, dramatic or musical work intended to caus ...
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Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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Marie Dressler
Marie Dressler (born Leila Marie Koerber, November 9, 1868 – July 28, 1934) was a Canadian stage and screen actress, comedian, and early silent film and Depression-era film star. In 1914, she was in the first full-length film comedy. She won the Academy Award for Best Actress in 1931. Leaving home at the age of 14, Dressler built a career on stage in traveling theatre troupes, where she learned to appreciate her talent in making people laugh. In 1892, she started a career on Broadway that lasted into the 1920s, performing comedic roles that allowed her to improvise to get laughs. From one of her successful Broadway roles, she played the titular role in the first full-length screen comedy, '' Tillie's Punctured Romance'' (1914), opposite Charlie Chaplin and Mabel Normand. She made several shorts, but mostly worked in New York City on stage. During World War I, along with other celebrities, she helped sell Liberty bonds. In 1919, she helped organize the first union for sta ...
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Musicals By Ludwig Engländer
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ...
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