The Maid Of Orleans (play)
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The Maid Of Orleans (play)
''The Maid of Orleans'' (german: Die Jungfrau von Orleans, links=no, ) is a tragedy by Friedrich Schiller, premiered on 11 September 1801 in Leipzig. During his lifetime, it was one of Schiller's most frequently-performed pieces. Plot The play loosely follows the life of Joan of Arc. It contains a prologue introducing the important characters, followed by five acts. Each dramatizes a significant event in Joan's life. Up to act 4 the play departs from history in only secondary details (e.g. by having Joan kill people in battle, and by shifting the reconciliation between the Armagnacs and the Burgundians from 1435 to 1430). Thereafter, however, the plot is entirely free. Joan is about to kill an English knight when, on removing his helmet, she at once falls in love with him, and spares him. Blaming herself for what she regards as a betrayal of her mission, then, when at Reims she is publicly accused of sorcery, she refuses to defend herself, is assumed to be guilty, and dismissed fr ...
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Johanna Christine Grosser As The Jungfrau Von Orleans In The Eponymous Drama By Johann Christoph Friedrich Schiller, By A
Johanna is a feminine name, a variant form of Joanna that originated in Latin in the Middle Ages, including an -h- by analogy with the Latin masculine name Johannes. The original Greek form ''Iōanna'' lacks a medial /h/ because in Greek /h/ could only occur initially. For more information on the name's origin, see the article on Joanna. Women named Johanna *Johanna Allik (born 1994), Estonian figure skater *Johanna van Ammers-Küller (1884–1966), Dutch writer * Johanna "Hannah" Arendt (1906–1975), German-born American political theorist * Johanna "Jo" Bauer-Stumpff (1873–1964), Dutch painter *Johanna Sophia of Bavaria (c.1373–1410), Duchess consort of Austria *Johanna Beisteiner (born 1976), Austrian classical guitarist *Johanna Berglind (1816–1903), Swedish sign language educator * Jóhanna Bergmann Þorvaldsdóttir, Icelandic farmer * Johanna "Annie" Bos (1886–1975), Dutch theater and silent film actress * Johanna van Brabant (1322–1406), Duchess of Brabant *Joh ...
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The Maid Of Orleans (opera)
''The Maid of Orleans'' (russian: Орлеанская дева, Orleanskaja deva, link=no, Virgin of Orleans ) is an opera in 4 acts, 6 scenes, by Pyotr Ilyich Tchaikovsky. It was composed during 1878–1879 to a Russian libretto by the composer, based on several sources: Friedrich Schiller's ''The Maid of Orleans (play), The Maid of Orleans'' as translated by Vasily Zhukovsky; Jules Barbier's ''Jeanne d'Arc''; Auguste Mermet's libretto for his own 1876 opera; and Henri-Alexandre Wallon, Henri Wallon's biography of Joan of Arc. Dedicated to conductor Eduard Nápravník, this work represents the composer's closest approach to French grand opera, albeit in the Russian language, notably with its inclusion of a ballet in act 2. Performance history The world premiere was given on 25 February 1881 (13 February Old style and new style dates, O.S.) at the Mariinsky Theatre in Saint Petersburg, conducted by Eduard Nápravník. Notable subsequent performances were given on 28 July 1882 in Pr ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ...
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Works About Joan Of Arc
Works may refer to: People * Caddy Works (1896–1982), American college sports coach * Samuel Works (c. 1781–1868), New York politician Albums * '' ''Works'' (Pink Floyd album)'', a Pink Floyd album from 1983 * ''Works'', a Gary Burton album from 1972 * ''Works'', a Status Quo album from 1983 * ''Works'', a John Abercrombie album from 1991 * ''Works'', a Pat Metheny album from 1994 * ''Works'', an Alan Parson Project album from 2002 * ''Works Volume 1'', a 1977 Emerson, Lake & Palmer album * ''Works Volume 2'', a 1977 Emerson, Lake & Palmer album * '' The Works'', a 1984 Queen album Other uses * Microsoft Works, a collection of office productivity programs created by Microsoft * IBM Works, an office suite for the IBM OS/2 operating system * Mount Works, Victoria Land, Antarctica See also * The Works (other) * Work (other) Work may refer to: * Work (human activity), intentional activity people perform to support themselves, others, or the community ** ...
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1801 Plays
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly ...
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Plays By Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on ''Xenien'', a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision. Early life and career Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg, as the only son of military doctor Johann Kaspar Schiller (1733–1796) and Elisabetha Dorothea Schiller (1732–1802). They also had five daughters, including Christophine, the eldest. Sc ...
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Anna Swanwick
Anna Swanwick (22 June 1813 – 2 November 1899) was an English author and feminist. Life Anna Swanwick was the youngest daughter of John Swanwick and his wife, Hannah Hilditch. She was born in Liverpool on 22 June 1813. The Swanwicks descended from Philip Henry, the 17th century nonconformist divine. Anna was educated chiefly at home, but, wishing to carry on her education beyond the typical age for girls in this country at that time, she went in 1839 to Berlin, where she studied German and Greek, and gained knowledge of Hebrew. She returned to England in 1843 and began translating some of the German dramatists. Her first publication, ''Selections from the Dramas of Goethe and Schiller'' appeared in 1843. The selections included Goethe's ''Torquato Tasso'' and ''Iphigenia in Tauris'', and Schiller's '' Maid of Orleans''. In 1850, she released a volume of translations from Goethe containing the first part of ''Faust'', '' Egmont'', and the two plays of the former volume ...
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William Sterndale Bennett
Sir William Sterndale Bennett (13 April 18161 February 1875) was an English composer, pianist, conductor and music educator. At the age of ten Bennett was admitted to the London Royal Academy of Music (RAM), where he remained for ten years. By the age of twenty, he had begun to make a reputation as a concert pianist, and his compositions received high praise. Among those impressed by Bennett was the German composer Felix Mendelssohn, who invited him to Leipzig. There Bennett became friendly with Robert Schumann, who shared Mendelssohn's admiration for his compositions. Bennett spent three winters composing and performing in Leipzig. In 1837 Bennett began to teach at the RAM, with which he was associated for most of the rest of his life. For twenty years he taught there, later also teaching at Queen's College, London. Amongst his pupils during this period were Arthur Sullivan, Hubert Parry, and Tobias Matthay. Throughout the 1840s and 1850s he composed little, although he perfo ...
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Giselher Klebe
Giselher Wolfgang Klebe (28 June 19255 October 2009) was a German composer, and an academic teacher. He composed more than 140 works, among them 14 operas, all based on literary works, eight symphonies, 15 solo concerts, chamber music, piano works, and sacred music. Biography Giselher Klebe was born in Mannheim, Germany. He received musical tuition early in his life from his mother, the violinist Gertrud Klebe. The family relocated in 1932 to Munich, where his mother's sister, Melanie Michaelis, continued the training. His father's profession required a further relocation in 1936 to Rostock. Following the separation of his parents, Klebe moved with his mother and sister to Berlin. During 1938, the 13-year-old sketched his first compositions. In 1940, he began studies in violin, viola, and composition, supported by a grant from the city of Berlin. After serving his Reichsarbeitsdienst (labour service), Klebe was conscripted to military service as signalman. After the German ...
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Das Mädchen Aus Domrémy
''Das Mädchen aus Domrémy'', Op. 72, (''The Maid from Domrémy'') is an opera in two acts by Giselher Klebe who with his wife, Lore Klebe, also wrote the libretto based on the play '' Die Jungfrau von Orléans'' by Friedrich Schiller. The opera premiered on 19 June 1976 at the Staatsoper Stuttgart. It was conducted by János Kulka, directed by Kurt Horres, and featured Irmgard Stadler (soprano), Enriqueta Attres, Günther Reich (baritone), Raymond Wolansky (baritone), and Toni Krämer (tenor). The music uses twelve-tone and tonal elements and taped sounds. A revised version for a smaller orchestra was premiered on 2 November 1980 at the Oldenburgisches Staatstheater.Work and performance details, score
BA06708-72,

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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ...
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Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ...
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