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The Magnificent Seven (song)
"The Magnificent Seven" is a song by the English punk rock band the Clash. Released in 1981, it was the third single from the Clash's fourth album, ''Sandinista!''. It reached number 34 on the UK Singles Chart. Composition The song was inspired by old school hip hop acts from New York City, like the Sugarhill Gang and Grandmaster Flash & the Furious Five. Rap was still a new and emerging music genre at the time, and the band, especially Mick Jones, was very impressed with it, so much so that Jones took to carrying a boombox around and got the nickname "Whack Attack". "The Magnificent Seven" was recorded in April 1980 at Electric Lady Studios in New York City, built around a funky bass loop played by Norman Watt-Roy of the Blockheads. Joe Strummer wrote the words on the spot, a technique that was also used to create ''Sandinista!s other rap track, "Lightning Strikes (Not Once But Twice)". This white rap single is earlier than Blondie's "Rapture" by six months. Strummer said o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clash
The Clash were an English rock band formed in London in 1976 who were key players in the original wave of British punk rock. Billed as "The Only Band That Matters", they also contributed to the and new wave movements that emerged in the wake of punk and employed elements of a variety of genres including reggae, dub, funk, ska, and rockabilly. For most of their recording career, the Clash consisted of lead vocalist and rhythm guitarist Joe Strummer, lead guitarist and vocalist Mick Jones, bassist Paul Simonon, and drummer Nicky "Topper" Headon. Headon left the group in 1982 due to internal friction surrounding his increasing heroin addiction. Further internal friction led to Jones' departure the following year. The group continued with new members, but finally disbanded in early 1986. The Clash achieved critical and commercial success in the United Kingdom with the release of their self-titled debut album, ''The Clash'' (1977) and their second album, ''Give 'Em Enough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
12-inch Single
The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl ( polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a 'single' or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side. This allows for louder levels to be cut on the disc by the mastering engineer, which in turn gives a wider dynamic range, and thus better sound quality. This record type is commonly used in disco and dance music genres, where DJs use them to play in clubs. They are played at either or 45 . The conventional 7‐inch single usually holds three or four minutes of music at full volume. The 12‐inch LP sacrifices volume for extended playing time. Technical features Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. This extra space permits a broader dynamic range or louder recording level as the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootleg Recording
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's ''Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' ''Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in ''Rolling Ston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Magnificent Dance
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WBLS
WBLS (107.5 MHz) is an urban adult contemporary formatted FM radio station, licensed to New York City. It is currently owned by Mediaco Holding and operated by Emmis Communications under a shared services agreement, along with sister stations WLIB (1190 AM) and WQHT (97.1 FM). The three stations share studios in the Hudson Square neighborhood of Lower Manhattan, and WBLS' transmitter is located at the Empire State Building. It was previously owned by YMF Media LLC, owned jointly by investor Ronald Burkle and Magic Johnson, which had assumed control of WBLS and WLIB's former parent company, Inner City Broadcasting Corporation, on October 19, 2012, at a purchase price of $180 million. History Early years The 107.5 frequency in New York City signed on in July 1951 as WEVD-FM, simulcasting its sister station at 1330 AM. Within a few years, WEVD-FM moved to 97.9, and 107.5 went off the air. Several years later the New Broadcasting Company, then-owners of WLIB, was awarded a cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jeff Chang (journalist)
Jeff Chang is an American historian, journalist, and music critic on hip hop music and culture. His 2005 book, '' Can't Stop Won't Stop'', which won the Before Columbus Foundation's American Book Award, chronicles the early hip hop scene. His writing has appeared in ''URB'', ''BOMB'', ''San Francisco Chronicle'', ''The Village Voice'', ''San Francisco Bay Guardian'', ''Vibe'', ''Spin'', ''The Nation'', and ''Mother Jones''. He has also been featured on NPR. Chang was the executive director of the Institute for Diversity in the Arts + Committee on Black Performing Arts at Stanford University. He also served as the executive director of the Institute for Diversity in the Arts at Stanford. In June 2018, the Institute announced that Chang would leave to become the first vice president of Narrative, Arts, and Culture at Race Forward. Chang resides in the San Francisco Bay Area. Early life and education Born of Chinese and Native Hawaiian ancestry, Chang was born and raised in H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapture (Blondie Song)
"Rapture" is a song by American rock band Blondie from their fifth studio album ''Autoamerican'' (1980). Written by band members Debbie Harry and Chris Stein, and produced by Mike Chapman, the song was released as the second and final single from ''Autoamerican'' on January 12, 1981, by Chrysalis Records. Musically, "Rapture" is a combination of new wave, disco and hip hop with a rap section forming an extended coda. "Rapture" was another commercial success for the band, shipping one million copies in the United States, where it was certified Gold by the Recording Industry Association of America (RIAA) and spent two weeks at number one on the ''Billboard'' Hot 100, their fourth and last single to reach the top ten. It was the first number-one single in the United States to feature rap vocals. The single also peaked at number three in Canada, and number five in Australia and the United Kingdom. Background Singer Debbie Harry and guitarist Chris Stein were friends with Brookl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blondie (band)
Blondie is an American Rock music, rock band co-founded by singer Debbie Harry and guitarist Chris Stein. The band was a pioneer in the American New wave music, new wave scene of the mid-1970s in New York. Their first two albums contained strong elements of Punk rock, punk and new wave, and although highly successful in the UK and Australia, Blondie was regarded as an underground music, underground band in the U.S. until the release of ''Parallel Lines'' in 1978. Over the next five years, the band achieved several hit singles including "Heart of Glass (song), Heart of Glass," "Call Me (Blondie song), Call Me," "Atomic (song), Atomic," "The Tide Is High," and "Rapture (Blondie song), Rapture". The band became noted for its eclectic mix of musical styles, also incorporating elements of disco, pop music, pop, reggae, and early hip hop music, rap music. Blondie disbanded after the release of its sixth studio album, ''The Hunter (Blondie album), The Hunter'', in 1982. Debbie Harry con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blockheads
The Blockheads are an English rock band formed in London in 1977. Originally fronted by lead singer Ian Dury as Ian Dury and the Blockheads or Ian and the Blockheads, the band has continued to perform since Dury's death in 2000. Current members include Chaz Jankel (guitar and keyboards), Norman Watt-Roy (bass), Mick Gallagher (keyboards and piano), John Turnbull (vocals and guitar) John Roberts (drums). If Watt-Roy is unavailable, bass is often played by Nathan King. There is a rolling line-up of saxophonists that includes Gilad Atzmon, Terry Edwards or Dave Lewis and from time to time, the original sax player, Davey Payne. Between 2000 and 2022, the band's lead vocalist and main lyricist was Derek Hussey. The band are best known for their hit singles, recorded with Dury, " What a Waste", "Hit Me with Your Rhythm Stick", " Reasons to Be Cheerful, Part 3", and "Sex & Drugs & Rock & Roll". History Formation and early years In 1974, Radio Caroline's Ronan O'Rahilly set up the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rap Music
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence (music), cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop music, hip hop genre and Hip hop, cultural movement. Rapping developed from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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