The Magic Knight
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The Magic Knight
''The Magic Knight'' is a one-act Victorian burlesque with music by Victor Herbert and a libretto by Edgar Smith. The piece parodies Wagner's opera ''Lohengrin''. The original production opened at Weber's Music Hall in New York City on December 25, 1906, and ran for 102 performances until March 23, 1907. It was played as a show within a show with Herbert and Smith's two-act operetta, '' Dream City''. Modern performances of the piece, especially with orchestra, are rare. It was performed without orchestra, within ''Dream City'', during the 2006 Victor Herbert Festival in Ann Arbor, Michigan. It was performed in Ohio Light Opera's 2014 Festival, and the company released a full recording of ''Dream City'' and ''The Magic Knight'' through Albany Records. There is also a live production recording available through the Operetta Foundation. Synopsis Elsa is accused of murdering her brother, Godfrey, who has mysteriously disappeared, but Elsa is guilty of nothing more than an excessiv ...
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Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ...
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Cadenzas
In music, a cadenza (from it, cadenza, link=no , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over the final or penultimate note in a piece, the lead-in (german: Eingang, link=no) or over the final or penultimate note in an important subsection of a piece. It can also be found before a final coda or ritornello. In concerti The term ''cadenza'' often refers to a portion of a concerto in which the orchestra stops playing, leaving the soloist to play alone in free time (without a strict, regular pulse) and can be written or improvised, depending on what the composer specifies. Sometimes, the cadenza will include small ...
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1907 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album ''Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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English-language Operettas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Lois Ewell
Lois Ewell (January 28, 1885 - July 3, 1946), was an American soprano opera singer and Broadway theatre performer. Biography She was born on January 28, 1885, in Memphis, Tennessee to James Levi Ewell. She married Henry Ramond Tredwell of Port Washington, New York in 1905 in Brooklyn, New York.Lois Ewell passport application for 1918 In 1908, she starred in Joe Weber's Burlesque of ''The Merry Widow'' at the New Amsterdam Theatre in New York City. She divorced in Chicago in 1909. In 1913 she appeared in the Century Opera Company's production of ''Aida'' in Manhattan. In 1914 she starred in ''Tosca ''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language drama ...'' with the Century Opera Company. She died as Lois Henderson in New York City in 1946.Death certificate of Lois Henderson. Certi ...
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Otis Harlan
Otis Harlan (December 29, 1865 – January 21, 1940) was an American actor and comedian. He voiced Happy, one of the Seven Dwarfs in the Disney animated film ''Snow White and the Seven Dwarfs''. Early years Harlan was born in Zanesville, Ohio in 1865. He married Nellie Harvey and had a daughter named Marion. Harlan was the uncle of the silent film era leading man, Kenneth Harlan. Career In 1893, he appeared in Victor Herbert's ''The Magic Knight''. He was playing in vaudeville shows by 1911, appearing in Irving Berlin's ragtime musicals. Harlan also played the role of Cap'n Andy in the first, part-talkie film version of "Show Boat" (1929). He was also seen as the Master of Ceremonies in the sound prologue that accompanied the film. In 1935, Harlan played the role of Starveling in Max Reinhardt's 1935 film version of Shakespeare's ''A Midsummer Night's Dream''. In 1937, Harlan provided the voice of "Happy", one of the Seven Dwarfs in the Disney animated film ''Snow White an ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ...
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Lillian Blauvelt
Lillian Blauvelt (1873–1947) was a popular opera singer in New York City and internationally in the first decade of the 20th century. Her voice was a lyric soprano with a very pure timbre and dramatic distinction. Her vocal range was from G to D. She was from Brooklyn, New York, and eventually toured every country in Europe."Lillian Blauvelt, Stage Beauty", ''Newport Daily News'', May 22, 1905, pg. 3. Opera diva She was a graduate of the National Conservatory of Music. Blauvelt sang in concerts in New York City and Brooklyn prior to becoming the soprano of the West Presbyterian Church, 42nd Street between Fifth Avenue and Sixth Avenue, in 1893."Changes In Dr. Paxton's Choir", ''New York Times'', February 12, 1893, pg. 10. In January 1893 she sang the air (music) for ''Aida'' from Act I, and the duet for ''Aida'' and ''Amneris'' from Act II, with Mrs. Luckstone-Myers, a contralto. The Sunday concert was held at Music Hall. In 1898 she sang under Sir Henry Wood at the Royal A ...
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Albany Records
Albany Records is a record label that concentrates on unconventional contemporary classical music by American composers and musicians. It was established by Peter Kermani in 1987 and is based in Albany, New York. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References External linksAlbany Records official site Classical music record labels American independent record labels Companies based in Albany, New York Record labels established in 1987 Contemporary classical music 1987 establishments in New York (state) {{US-record-label-stub ...
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Victor Herbert
Victor August Herbert (February 1, 1859 – May 26, 1924) was an American composer, cellist and conductor of English and Irish ancestry and German training. Although Herbert enjoyed important careers as a cello soloist and conductor, he is best known for composing many successful operettas that premiered on Broadway from the 1890s to World War I. He was also prominent among the Tin Pan Alley composers and was later a founder of the American Society of Composers, Authors, and Publishers (ASCAP). A prolific composer, Herbert produced two operas, a cantata, 43 operettas, incidental music to 10 plays, 31 compositions for orchestra, nine band compositions, nine cello compositions, five violin compositions with piano or orchestra, 22 piano compositions and numerous songs, choral compositions and orchestrations of works by other composers, among other music. In the early 1880s, Herbert began a career as a cellist in Vienna and Stuttgart, during which he began to compose orchestral ...
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Ohio Light Opera
The Ohio Light Opera is a professional opera company based in Wooster, Ohio that performs the light opera repertory, including Gilbert and Sullivan, American, British and continental operettas, and other musical theatre works, especially of the late 19th and early 20th centuries. The company is also known for its recordings of these works. __TOC__ Description of the company The Ohio Light Opera was founded as a cultural and educational endeavor at the College of Wooster in 1979 and has been owned and operated since its inception by the College of Wooster. It grew out of the Kent State Light Opera, which was founded by James Stuart, formerly of the American Savoyards. When the Kent group ended, it was soon transferred to Wooster, with Stuart continuing as its guiding force. The company performs the entire Gilbert and Sullivan repertoire, as well as rarely performed American, British, and continental operettas, Edwardian musical comedies and other musical theatre, mostly of the ...
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