The Magdalen Reading
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The Magdalen Reading
''The Magdalen Reading'' is one of three surviving fragments of a large mid-15th-century oil-on-panel altarpiece by the Early Netherlandish painter Rogier van der Weyden. The panel, originally oak, was completed some time between 1435 and 1438 and has been in the National Gallery, London since 1860. It shows a woman with the pale skin, high cheek bones and oval eyelids typical of the idealised portraits of noble women of the period. She is identifiable as the Magdalen from the jar of ointment placed in the foreground, which is her traditional attribute in Christian art. She is presented as completely absorbed in her reading, a model of the contemplative life, repentant and absolved of past sins. In Catholic tradition the Magdalen was conflated with both Mary of Bethany who anointed the feet of Jesus with oil and the unnamed "sinner" of . Iconography of the Magdalen commonly shows her with a book, in a moment of reflection, in tears, or with eyes averted. The background of t ...
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The Magdalen Reading - Rogier Van Der Weyden
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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M Reading Detail2
M, or m, is the thirteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''em'' (pronounced ), plural ''ems''. History The letter M is derived from the Phoenician Mem, via the Greek Mu (Μ, μ). Semitic Mem is most likely derived from a " Proto-Sinaitic" (Bronze Age) adoption of the "water" ideogram in Egyptian writing. The Egyptian sign had the acrophonic value , from the Egyptian word for "water", ''nt''; the adoption as the Semitic letter for was presumably also on acrophonic grounds, from the Semitic word for "water", '' *mā(y)-''. Use in writing systems The letter represents the bilabial nasal consonant sound in the orthography of Latin as well as in that of many modern languages, and also in the International Phonetic Alphabet. In English, the Oxford English Dictionary (first edition) says that is sometimes a vowel, in words like ''spa ...
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The Werl Triptych
''The Werl Triptych'' (or ''Triptych of Heinrich von Werl'') is a triptych altarpiece completed in Cologne in 1438, of which the center panel has been lost. The two remaining wings are now in the Prado in Madrid. It was long attributed to the Master of Flémalle, now generally believed to have been Robert Campin, although this identity is not universally accepted. Some art historians believe it may have been painted as a pastiche by either the workshop or a follower of Campin or the Master of Flémalle. The right wing depicts a seated, pious Saint Barbara, who is shown engrossed in her reading of a bound and gilded holy book, seated in front of a warm open fire which lights the room with a golden glow. The left wing has a donor portrait of Heinrich von Werl, who kneels in prayer in the company of John the Baptist facing the missing devotional center-panel scene, which is lost and unrecorded. The two extant panels are in Madrid and renowned for their complex treatment of both lig ...
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Saint Barbara
Saint Barbara ( grc, Ἁγία Βαρβάρα; cop, Ϯⲁⲅⲓⲁ Ⲃⲁⲣⲃⲁⲣⲁ; ; ), known in the Eastern Orthodox Church as the Great Martyr Barbara, was an Early Christianity, early Christian Lebanese and Greek saint and martyr. Accounts place her in the 3rd century in Heliopolis Phoenicia, present-day Baalbek, Lebanon, and recent discovered texts in the Saida early church archives suggest her maternal grandmother is a descendant from Miye ou Miye village. There is no reference to her in the authentic early Christian writings nor in the original recension of Martyrologium Hieronymianum, Saint Jerome's martyrology. Despite the legends detailing her story, the earliest references to her supposed 3rd-century life do not appear until the 7th century, and veneration of her was common, especially in the East, from the 9th century.Harry F. Williams, "Old French Lives of Saint Barbara" ''Proceedings of the American Philosophical Society'' 119.2 (16 April 1975:156–185), wit ...
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Robert Campin
Robert Campin (c. 1375 – 26 April 1444), now usually identified with the Master of Flémalle (earlier the Master of the Merode Triptych, before the discovery of three other similar panels), was the first great master of Early Netherlandish painting. While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades. Campbell, Lorne. "Robert Campin, the Master of Flémalle and the Master of Mérode". ''The Burlington Magazine'', Volume 116, No. 860, Nov. 1974. 634-646 A corpus of work is attached to the unidentified "Master of Flémalle,"Fragments remain probably from som ...
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M Reading Detail
M, or m, is the thirteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''em'' (pronounced ), plural ''ems''. History The letter M is derived from the Phoenician Mem, via the Greek Mu (Μ, μ). Semitic Mem is most likely derived from a " Proto-Sinaitic" (Bronze Age) adoption of the "water" ideogram in Egyptian writing. The Egyptian sign had the acrophonic value , from the Egyptian word for "water", ''nt''; the adoption as the Semitic letter for was presumably also on acrophonic grounds, from the Semitic word for "water", '' *mā(y)-''. Use in writing systems The letter represents the bilabial nasal consonant sound in the orthography of Latin as well as in that of many modern languages, and also in the International Phonetic Alphabet. In English, the Oxford English Dictionary (first edition) says that is sometimes a vowel, in words like ''spa ...
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Archery
Archery is the sport, practice, or skill of using a bow to shoot arrows.Paterson ''Encyclopaedia of Archery'' p. 17 The word comes from the Latin ''arcus'', meaning bow. Historically, archery has been used for hunting and combat. In modern times, it is mainly a competitive sport and recreational activity. A person who practices archery is typically called an archer, bowman, or toxophilite. History Origins and ancient archery The oldest known evidence of the bow and arrow comes from South African sites such as Sibudu Cave, where the remains of bone and stone arrowheads have been found dating approximately 72,000 to 60,000 years ago.Backwell L, d'Errico F, Wadley L.(2008). Middle Stone Age bone tools from the Howiesons Poort layers, Sibudu Cave, South Africa. Journal of Archaeological Science, 35:1566–1580. Backwell L, Bradfield J, Carlson KJ, Jashashvili T, Wadley L, d'Errico F.(2018). The antiquity of bow-and-arrow technology: evidence from Middle Stone Age layers ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Ro ...
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Holy Sepulchre
The Church of the Holy Sepulchre, hy, Սուրբ Հարության տաճար, la, Ecclesia Sancti Sepulchri, am, የቅዱስ መቃብር ቤተክርስቲያን, he, כנסיית הקבר, ar, كنيسة القيامة is a church in the Christian Quarter of the Old City of Jerusalem. According to traditions dating back to the 4th century, it contains the two holiest sites in Christianity: the site where Jesus was crucified, at a place known as Calvary or Golgotha, and Jesus's empty tomb, which is where he was buried and resurrected. Each time the church was rebuilt, some of the antiquities from the preceding structure were used in the newer renovation. The tomb itself is enclosed by a 19th-century shrine called the Aedicule. The Status Quo, an understanding between religious communities dating to 1757, applies to the site. Within the church proper are the last four stations of the Cross of the Via Dolorosa, representing the final episodes of the Passion of Jesus ...
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Gospel
Gospel originally meant the Christian message ("the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words and deeds of Jesus, culminating in his trial and death and concluding with various reports of his post-resurrection appearances. Modern scholars are cautious of relying on the gospels uncritically, but nevertheless, they provide a good idea of the public career of Jesus, and critical study can attempt to distinguish the original ideas of Jesus from those of the later authors. The four canonical gospels were probably written between AD 66 and 110. All four were anonymous (with the modern names added in the 2nd century), almost certainly none were by eyewitnesses, and all are the end-products of long oral and written transmission. Mark was the first to be written, using a variety of sources. The authors of Matthew and Luke both independently ...
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Alabaster
Alabaster is a mineral or rock that is soft, often used for carving, and is processed for plaster powder. Archaeologists and the stone processing industry use the word differently from geologists. The former use it in a wider sense that includes varieties of two different minerals: the fine-grained massive type of gypsum and the fine-grained banded type of calcite.''More about alabaster and travertine'', brief guide explaining the different use of these words by geologists, archaeologists, and those in the stone trade. Oxford University Museum of Natural History, 2012/ref> Geologists define alabaster only as the gypsum type. Chemically, gypsum is a Water of crystallization, hydrous sulfur, sulfate of calcium, while calcite is a carbonate of calcium. The two types of alabaster have similar properties. They are usually lightly colored, translucent, and soft stones. They have been used throughout history primarily for carving decorative artifacts."Grove": R. W. Sanderson and Francis ...
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Emblem
An emblem is an abstract or representational pictorial image that represents a concept, like a moral truth, or an allegory, or a person, like a king or saint. Emblems vs. symbols Although the words ''emblem'' and '' symbol'' are often used interchangeably, an emblem is a pattern that is used to represent an idea or an individual. An emblem develops in concrete, visual terms some abstraction: a deity, a tribe or nation, or a virtue or vice. An emblem may be worn or otherwise used as an identifying badge or patch. For example, in America, police officers' badges refer to their personal metal emblem whereas their woven emblems on uniforms identify members of a particular unit. A real or metal cockle shell, the emblem of St. James the Apostle, sewn onto the hat or clothes, identified a medieval pilgrim to his shrine at Santiago de Compostela. In the Middle Ages, many saints were given emblems, which served to identify them in paintings and other images: St. Catheri ...
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