The Loves Of Mars And Venus
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The Loves Of Mars And Venus
The ''Loves of Mars and Venus'' by John Weaver was arguably the first modern ballet, the first dance work to tell a story through dance, gesture and music alone. Its first performance was at London's Drury Lane Theatre on Saturday 2 March 1717. Background Before 1717 ballet had always been part of operas and plays and dependent on their words to narrate the drama. ''The Loves of Mars and Venus'' was a danced drama, equal to the plays seen on London’s stage, described in its own time as a ‘Dramatic Entertainment of Dancing’, “the first of this kind produced upon the British Stage or in the Kingdom”. All the action was conveyed in dance and mime alone, setting a pattern for future ballets”. The story Weaver’s ballet tells the story of the love affair between Venus, the goddess of love, and Mars, the god of war, and the revenge enacted on them by her husband Vulcan. It draws on classical mythology, but contemporary passions abound, and its immediate source was P ...
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John Weaver (dancer)
John Weaver (baptised 21 July 1673 – 24 September 1760) was an English dancer, dancing master and choreographer, and producer of a number of works on dancing. He is often regarded as the father of English ballet and of English pantomime. Early life Weaver was born in Shrewsbury where he was baptised on 21 July 1673 at the parish church of Holy Cross ie Shrewsbury Abbey Church, son of John Weaver, a dance teacher. He was educated at the local Free School.Article by William George Dimock Fletcher. His father suggested he go to London and become a ballet master. Weaver seems to have left Shrewsbury in 1696 or 1697, although his first recorded performance in London was not until the summer of 1700. Weaver soon became a specialist in comic roles and created the burlesque ''Tavern Bilkers'' (1702). By the early 1700s, Weaver was part of a circle of dancing masters who were eager to promote the new French system of dance notation. Weaver translated Feuillet’s ''Choregraphie'' ( ...
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Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous ''comédie-ballets'', including ''L'Amour médecin'', ''George Dandin ou le Mari confondu'', ''Monsieur de Pourceaugnac'', ''Psyché'' and his best known work, ''Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Franciscan friar ga ...
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William Croft
William Croft (baptised 30 December 1678 – 14 August 1727) was an English composer and organist. Life Croft was born at the Manor House, Nether Ettington, Warwickshire. He was educated at the Chapel Royal under the instruction of John Blow, and remained there until 1698. Two years after this departure, he became organist of St. Anne's Church, Soho and he became an organist and 'Gentleman extraordinary' at the Chapel Royal. He shared that post with his friend Jeremiah Clarke.Dennis Shrock In 1700, Croft, in collaboration with "an Italian Master", probably Gottfried Finger, published six sonatas for violin, flute, harpsichord and viol, in the newly fashionable Italian style. In 1707, he took over the Master of the Children of the Chapel Royal post, which had been left vacant by the suicide of Jeremiah Clarke. The following year, Croft succeeded Blow (who had lately died) as organist of Westminster Abbey. He composed works for the funeral of Queen Anne (1714) and for the ...
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Jeremiah Clarke
Jeremiah Clarke (c. 1674 – 1 December 1707) was an English baroque composer and organist, best known for his ''Trumpet Voluntary,'' a popular piece often played at wedding ceremonies or commencement ceremonies. Biography The exact date of Clarke's birth has been debated. The ''Dictionary of National Biography'' states that Clarke "is said to have been born in 1669 (though probably the date should be earlier)." Most sources say that he is thought to have been born in London around 1674. Clarke was one of the pupils of John Blow at St Paul's Cathedral and a chorister in 1685 at the Chapel Royal. Between 1692 and 1695 he was an organist at Winchester College, then between 1699 and 1704 he was an organist at St Paul's Cathedral.Dennis Shrock William Marshall (Editor) He later became an organist and 'Gentleman extraordinary' at the Chapel Royal, he shared that post with fellow composer William Croft, his friend. They were succeeded by John Blow. Today, Clarke is best remembered f ...
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John Eccles (composer)
John Eccles (1668 – 12 January 1735) was an English composer. Born in London, eldest son of professional musician Solomon Eccles and brother of fellow composer Henry Eccles, John Eccles was appointed to the King's Private Music in 1694, and in 1700 became Master of the King's Musick. Also in 1700 he finished second in a competition to write music for William Congreve's masque '' The Judgement of Paris'' ( John Weldon won). Eccles was very active as a composer for the theatre, and from the 1690s wrote a large amount of incidental music including music for Congreve's ''Love for Love'', John Dryden's ''The Spanish Friar'' and William Shakespeare's '' Macbeth''. Jointly with Henry Purcell he wrote incidental music for Thomas d'Urfey's ''Don Quixote''. He became a composer to Drury Lane theatre in 1693 and when some of the actors broke off to form their own company at Lincoln's Inn Fields in 1695, he composed music for them as well including for John Dennis's '' Rinaldo and A ...
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Gottfried Finger
Gottfried Finger (ca. 1655-6 – buried 31 August 1730), also Godfrey Finger, was a Moravian Baroque composer. He was also a virtuoso on the viol, and many of his compositions were for the instrument. He also wrote operas. Finger was born in Olomouc, modern-day Czech Republic, and worked for the court of James II of England before becoming a freelance composer. The fact that Finger owned a copy of the musical score of the work ''Chelys'' by the Flemish composer Carolus Hacquart suggests that the two composers may have worked together in England.Peter Holman, ''Life After Death: The Viola Da Gamba in Britain from Purcell to Dolmetsch'', Boydell & Brewer, 2010, p. 17 After a contest in London to set William Congreve's '' The Judgement of Paris'' as an opera, in which Finger came in fourth place, he left England and moved to Germany. He died in Mannheim Mannheim (; Palatine German: or ), officially the University City of Mannheim (german: Universitätsstadt Mannheim), is t ...
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Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ...
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Jacques Paisible
Jacques Paisible (ca. 16561721), also known as James Peasable or James Paisible, was a French baroque composer and recorder virtuoso who lived and worked in London for about forty years. Paisible arrived in London from France in September 1673, one of the four oboists among the musicians accompanying Robert Cambert. He married Moll Davis, singer and mistress of Charles II, in 1686. He made his living playing the bass violin and composing theater music. He developed a reputation as a first-rate performer on the recorder. Most of his surviving compositions use the recorder in various combinations. His music has been characterized as "craftsmanlike and idiomatic, with no virtuoso pretensions Paisible was a contemporary of Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ... ...
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Jean-Georges Noverre
Jean-Georges Noverre (29 April 1727 19 October 1810) was a French dancer and balletmaster, and is generally considered the creator of ''ballet d'action'', a precursor of the narrative ballets of the 19th century. His birthday is now observed as International Dance Day. His first professional appearances occurred as a youth in Paris at the Opéra-Comique, at Fontainebleau, in Berlin before Frederick II and his brother Prince Henry of Prussia, in Dresden and Strasburg. In 1747 he moved to Strasbourg, where he remained until 1750 before moving to Lyon. In 1751, he composed his first great work, '' Les Fêtes Chinoises'' for Marseilles. The work was revived in Paris in 1754 to great acclaim. In 1755, he was invited by Garrick to London, where he remained for two years. Between 1758 and 1760 he produced several ballets at Lyon, and published his '. It is from this period that the revolution in the art of the ballet for which Noverre was responsible can be dated. Prior to Noverre, ...
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Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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Marie Sallé
Marie Sallé (1707–1756) was a French dancer and choreographer in the 18th century known for her expressive, dramatic performances rather than a series of "leaps and frolics" typical of ballet of her time. Biography Marie Sallé was a prominent dancer and choreographer in early 18th-century dance. She helped to create ''ballet d'action'' (a form continued by her student, Jean-Georges Noverre); she challenged the male-dominated theatrical world; she reformed traditional "feminine" costumes. Born to fairground performers and tumblers in 1707, Marie grew up performing around France with her family. She made her first public performance with her brother, Francis, at London’s Lincoln's Inn Fields Theatre in 1716. They made their Paris debut at the Saint Laurent fair in 1718 performing ''La Princesse Charisme'', created by Véronique Lesage. In 1725, their family returned to England, but they stayed. The pair is said to have studied with Claude Balon, star of the Paris Opéra, as ...
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John Rich (producer)
John Rich (1692–1761) was an important director and theatre manager in 18th-century London. He opened The New Theatre at Lincoln's Inn Fields (1714), which he managed until he opened the Theatre Royal, Covent Garden (1732). He managed Covent Garden until 1761, putting on ever more lavish productions. He introduced pantomime to the English stage and played a dancing and mute Harlequin himself from 1717 to 1760 under the stage name of "Lun.", PeoplePlayUK Theatre Museum, retrieved 2 July 2007 Rich's version of the servant character, Arlecchino, moved away from the poor, disheveled, loud, and crude character, to a colorfully-dressed, silent Harlequin, performing fanciful tricks, dances and magic. The British idea of the Harlequin character was heavily inspired by Rich's idea of a silent character. Rich's choice of being a silent character was influenced by his unappealing voice, which he was well aware of. Biography Rich's theatre specialized in what contemporaries called "sp ...
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