The Love Cheat
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The Love Cheat
''The Love Cheat'' is a 1919 silent American film written by Peggy McCall and directed by George Archainbaud. It stars June Caprice and Creighton Hale. Plot Henry Calving is a struggling artist in New York City. When a potential client asks to meet him at an upscale hotel, Calving borrows clothes from his friends so that he can look presentable. Wearing a suit, he arrives at the hotel only to find that his would-be client has already left. Despondent, he gets his coat from the checkroom and starts to head out. However, he realizes that he has been given the wrong coat. Checking the pockets, he finds an invitation to a party being held at the hotel. Feeling pangs of hunger, he decides to crash the party so that he can get something to eat. While there he satisfies his appetite, and then meets Louise Gordon, the daughter of the party's host, who is throwing the party for her. The two fall in love at first sight. He does not tell Louise the truth, instead allowing her to believe ...
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George Archainbaud
George Archainbaud (May 7, 1890 – February 20, 1959) was a French-American film and television director. Biography In the beginning of his career he worked on stage as an actor and manager. He came to the United States in January 1914, and started his film career as an assistant director to Emile Chautard at the World Film Company in Fort Lee, New Jersey. In 1917 he made his own directorial debut '' As Man Made Her''. During the next three and a half decades he directed over one hundred films. After the beginning of the 1950s he moved to television. While working at RKO Radio Pictures in the beginning of the 1930s, he showed some artistic and skillful eye with many of his films. The finest examples include ''Thirteen Women'' (1932), a story of ethnic discrimination and revenge, with Myrna Loy as a half-caste Hindu; ''The Lost Squadron'' (1932), a memorable thriller about Hollywood stunt flyers, who risk their lives under the direction of monstrous Erich von Stroheim; ''Peng ...
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Charles Coleman (actor)
Charles Pearce Coleman (December 22, 1885 – March 8, 1951) was an Australian-born American character actor of the silent and sound film eras. Early years Coleman was born in Sydney, New South Wales, Australia, on December 22, 1885. Career Coleman began his film career in the 1915 silent film, ''The Mummy and the Humming Bird'', which was also the screen debut of Charles Cherry, a noted stage actor. In more than half of his 200 performances in films, he appeared as a butler, doorman/concierge, valet, or waiter. In the 1930s, Coleman appeared in such films as ''Beyond Victory'' (1931), starring Bill Boyd and James Gleason, the Wheeler & Woolsey comedy ''Diplomaniacs'' (1933), 1934's '' Born to Be Bad'' which starred Loretta Young and Cary Grant, the 1934 version of ''Of Human Bondage'' starring Bette Davis and Leslie Howard, the first film to star the pairing of Fred Astaire and Ginger Rogers, ''The Gay Divorcee'' (1935), the first feature-length film to be shot entirely in ...
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Films Directed By George Archainbaud
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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American Black-and-white Films
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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American Silent Feature Films
American(s) may refer to: * American, something of, from, or related to the United States of America, commonly known as the "United States" or "America" ** Americans, citizens and nationals of the United States of America ** American ancestry, people who self-identify their ancestry as "American" ** American English, the set of varieties of the English language native to the United States ** Native Americans in the United States, indigenous peoples of the United States * American, something of, from, or related to the Americas, also known as "America" ** Indigenous peoples of the Americas * American (word), for analysis and history of the meanings in various contexts Organizations * American Airlines, U.S.-based airline headquartered in Fort Worth, Texas * American Athletic Conference, an American college athletic conference * American Recordings (record label), a record label previously known as Def American * American University, in Washington, D.C. Sports teams Soccer * ...
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The Film Daily
''The Film Daily'' was a daily publication that existed from 1918 to 1970 in the United States. It was the first daily newspaper published solely for the film industry. It covered the latest trade news, film reviews, financial updates, information on court cases and union difficulties, and equipment breakthroughs. Publication history The publication was originated by Wid Gunning in 1913 (though not as a daily) and was known as ''Wid's Film and Film Folk'' (1915–1916) and ''Wid's Independent Review of Feature Films'' (1916–1918). Gunning was previously film editor at the ''New York Evening Mail''. He also published ''Wid's Weekly'', and ''Wid's Year Book''. In 1918, Joseph ("Danny") Dannenberg and Jack Alicoate purchased an interest in ''Wid's Weekly''. On March 8, 1918 they released a daily publication, ''Wid's Daily''. In 1921, Dannenberg and Alicoate took control of Wid's Films & Film Folk Inc., with Dannenberg as president and editor, and the publication changed name, in 1 ...
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Motion Picture News
The ''Motion Picture News'' was an American film industry trade paper published from 1913 to 1930. History The publication was created through the 1913 merger of the ''Moving Picture News'' founded in 1908 and ''The Exhibitors' Times'', founded earlier in 1913.Grau, Robert (1914). The Theatre of Science', p. 247 After being acquired by Martin Quigley in 1930, the publication was merged with ''Exhibitors' Herald World'' to form the ''Motion Picture Herald''. See also * List of film periodicals Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines whi ... References External links ''Motion Picture News'', Vols. 20–24(November–December 1919), via Google Books ''Motion Picture News'' (1913–1930)links at Media History Digital Library 1913 establishments in the United States 1930 ...
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Oh, Boy! (1919 Film)
''Oh, Boy!'' is a 1919, American silent comedy film directed by Albert Capellani and starring June Caprice, Creighton Hale, and Zena Keefe. It was based on the stage musical of the same name written by Guy Bolton and P. G. Wodehouse.Taves p. 150 Cast * June Caprice as Lou Ellen Carter * Creighton Hale as George Budd * Zena Keefe as Jackie Sampson * Flora Finch as Miss Penelope Budd * William H. Thompson as Judge Daniel Carter * Grace Reals as Mrs. Carter * Joseph Conyers as Constable Simms * J.K. Murray as Dean of Richguys College * Maurice 'Lefty' Flynn as Lefty Flynn * Albert Capellani as Orchestra leader * Ben Taggart Ben Taggart (April 5, 1889 – May 17, 1947) was an American actor. Taggart's stage experience began in Seattle, and he went on to play leading roles in Washington, Portland, San Francisco, Trenton, Milwaukee, and Philadelphia. He was described ... as Charles Hartley References Bibliography * Brian Taves. ''P.G. Wodehouse and Hollywood: Scre ...
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Alfred Hickman
Alfred Hickman (25 February 1873 – 9 April 1931) was an English actor. He was married to actress Nance O'Neil Gertrude Lamson (October 8, 1874 – February 7, 1965), known professionally as Nance O'Neil or Nancy O'Neil, was an American stage and film actress who performed in plays in various theaters around the world but worked predominantly in the Unite .... He appeared in 35 films between 1914 and 1931. Selected filmography * '' Are You a Mason?'' (1915) * ''A Woman's Past'' (1915) * ''The Flames of Johannis'' (1916) (*writer) * ''The Witch (1916 film), The Witch'' (1916) * ''The Iron Woman (film), The Iron Woman'' (1916) * ''The Fall of the Romanovs'' (1917) * ''The Lone Wolf (1917 film), The Lone Wolf'' (1917) * ''The Final Payment'' (1917) * ''The Passing of the Third Floor Back (1918 film), The Passing of the Third Floor Back'' (1918) * ''The Venus Model'' (1918) * ''On the Quiet'' (1918) * ''In Pursuit of Polly'' (1918) * ''The Make-Believe Wife'' (1918) * ''Lit ...
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Albert Capellani
Albert Capellani (23 August 1874 – 26 September 1931) was a French film director and screenwriter of the silent film, silent era. He directed films between 1905 and 1922. One of his brothers was the actor-sculptor Paul Capellani, and another, film director Roger Capellani. Biography Albert Capellani born in Paris in 1874. His father was a banker, and Capellani worked as a bank employee in his early years. Capellani, along with his brother Paul, studied acting under Charles le Bargy at the Conservatoire de Paris. Starting his career as an actor, he worked with the director André Antoine at the Théâtre Libre and the Odéon. He then began directing plays for the Odéon, working alongside the lauded actor and director Firmin Gémier. In 1903, he became the head of the Alhambra (Paris), Alhambra music hall in Paris. He continued to work as an actor and director until he received a job offer from the Pathé Frères studio in 1905. Charles Pathé, who held high hopes for the ...
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Edwards Davis
Cader Edwards Davis (June 17, 1873 – May 16, 1936) was an American actor, producer, and playwright of vaudeville and the silent film era, known as a character actor. Born and raised in the San Francisco Bay Area, he was an ordained Christian minister and first achieved prominence as a sensational orator and lecturer, becoming known as the "poet-preacher" and the " Talmage of the West", before leaving the pulpit for an acting career. He wrote and starred in several original plays and vaudeville sketches, and appeared in over 50 films. In New York he was a president of the National Vaudeville Artists Association and the Green Room Club. In Hollywood he was a founder and president of the Masonic 233 Club. He was married to several actresses, including Adele Blood, who also appeared in some of his productions. Early years and ministry Cader Edwards Davis was born June 17, 1873, in Santa Clara, California, and raised in nearby Oakland. His father, William Wallace Davis, was a noted ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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