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The Lost West Side Story Tapes
''Mr. Drums: Buddy Rich & His Band Live on King Street, San Francisco'' is a 1985 recording made by jazz drummer Buddy Rich and his Big Band. It is the final album released during Rich's lifetime. Release history A three- LP and two- CD audio album was initially released by Cafe Records (a division of Mobile Fidelity Sound Lab), and a video of the "Channel One" set was released by Pioneer Video (LaserDisc) and Sony (videocassette). The Channel One set was eventually re-issued on DVD as were the remaining tracks (the West Side Story set aka "The Lost Tapes"). Track listing 3 LP release Disc 1, side A: # "Machine" (Reddie) – 3:14 # "Best Coast" ( LaBarbera) – 3:57 # " One O'Clock Jump" ( Basie) – 7:49 # "Sophisticated Lady" (Ellington, Mills) – 5:17 Disc 1, side B: # " Norwegian Wood (This Bird Has Flown)" ( Lennon, McCartney) – 3:15 # " Love for Sale" ( Porter) – 4:05 # "No Exit" ( Cunliffe) – 6:44 Disc 2, side A: # "Mexicali Nose" (Betts) – 2:58 # " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing (in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Hanighen
Bernard D. Hanighen (April 27, 1908 in Omaha, Nebraska – October 19, 1976 in New York City, New York) Attended Hackley School (Tarrytown, New York) - Class of 1926, also attended Harvard University - Class of 1930. He was an American songwriter and record producer best known for " When a Woman Loves a Man" and writing lyrics to the jazz composition " 'Round Midnight" which was composed by jazz musician Thelonious Monk. Hanighen also worked with Clarence Williams and Johnny Mercer. Songwriting career Hanighen composed lyrics for the 1946 Broadway musical ''Lute Song'', which starred Mary Martin and Yul Brynner, and which featured music by Raymond Scott. Bernie Hanighen and Cootie Williams collaborated to transform Thelonious Monk's bop masterpiece "'Round Midnight", creating what became a standard in the vocal canon thanks to performances by Mel Tormé, Ella Fitzgerald, Sarah Vaughan, Carmen McRae, Nancy Wilson, Chris Connor, and Julie London. Producing Billie Holiday From ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Florence
Bob Florence (May 20, 1932 – May 15, 2008) was an American pianist, composer, arranger, and big band leader. Career A child prodigy, Florence began piano lessons before he was five years old and at seven gave his first recital. Although his early education was in classical music, he was drawn to jazz and big band. He went to Los Angeles City College and studied arranging and orchestration with Bob McDonald. He joined the college big band, and his classmates included Herb Geller and Tommy Tedesco. Florence spent most of his career with big bands, as a leader, performer, composer, and arranger. After graduating from college, he was a member of bands led by Les Brown, Louis Bellson, and Harry James. His arrangement of " (Up A) Lazy River" for Si Zentner was a hit in 1960, and won a Grammy Award. Dave Pell hired him to work full-time as an arranger for Liberty Records. The job gave him the opportunity to write in several genres: bossa nova with Sérgio Mendes, jazz with Bud Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Betts
Harry Betts (September 15 1922 – July 13 2012) was an American jazz trombonist. Background Born in New York and raised in Fresno, California, he was active as a jazz trombonist and played with Stan Kenton's orchestra in the 1950s. He can be heard on the album '' Get Happy!'' (Verve, 1959) by Ella Fitzgerald. Music He wrote and orchestrated soundtracks for several films, including ''A Swingin' Summer'' (1965), ''The Big Mouth'' (1967), ''A Time for Dying'' (1969), ''The Fantastic Plastic Machine'' (1969), ''Goodnight, My Love'' (1972), ''Black Mama White Mama'' (1972), ''Little Cigars'' (1973) and ''Nice Dreams'' (1981). Music from his score to ''Black Mama White Mama'' was used in the 2003 soundtrack for '' Kill Bill, Volume 1''. Aside from his work in scoring, he was known for his 1962 album, ''The Jazz Soul of Doctor Kildare''. He did numerous arrangements for singer Jack Jones. Discography * ''The Jazz Soul of Dr. Kildare'' ( Ava, 1962) As sideman With Elmer Bernstein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Cunliffe
William Henry Cunliffe Jr. (born June 26, 1956), is an American jazz pianist and composer. Early life Cunliffe was born in Andover, Massachusetts. He discovered music at an early age, with particular emphasis on classical music as well as jazz-oriented music from the 1960s and 1970s: "My mother was a good pianist...I started just copying little things that I would hear my mom play and I would sit next to her and listen. Cunliffe described himself as having been drawn to "anything with hip harmony in it" with great melodies, and he loved listening to The 5th Dimension, Burt Bacharach, and Herb Alpert. He attended Phillips Academy and graduated in 1974 in the school's first co–educational class. In college, he performed rock and roll at the Prince Spaghetti House in Saugus, Massachusetts. He attended Wesleyan University for several years.David Low"Cunliffe '78 Wins Grammy for Instrumental Arrangement" Wesleyan University, March 3, 2010. During this time, a friend introduced h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love For Sale (song)
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical ''The New Yorkers,'' which opened on Broadway on December 8, 1930 and closed in May 1931 after 168 performances. The song is written from the viewpoint of a prostitute advertising "love for sale". Early versions The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. Background When the song came out in 1930, a newspaper labelled it as 'in bad taste';Schwartz, Charles (1979). ''Cole Porter''. Da Capo Press. , pp. 115–116 radio stations avoided broadcasting it. Because of the complaints, Porter shifted the setting of the song in the musical to the Cotton Club in Harlem, where it was su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later invo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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