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The Lives Of The Artists (Bellori)
''The Lives of the Modern Painters, Sculptors, and Architects'' or ''Le vite de' pittori, scultori et architetti moderni'' is a series of artist biographies written by Gian Pietro Bellori (1613–96), whom Julius von Schlosser called "the most important historiographer of art not only of Rome, but all Italy, even of Europe, in the seventeenth century". It is one of the foundational texts of the history and criticism of European art. The first edition (1672) contained biographies of nine painters ( Annibale and Agostino Carracci, Barocci, Caravaggio, Rubens, Van Dyck, Domenichino, Lanfranco, and Poussin), two sculptors (François Duquesnoy and Alessandro Algardi), and one architect (Domenico Fontana). The book was dedicated to Jean-Baptiste Colbert and published with French financial support. Preface The preface to the ''Lives'' is an essay Bellori delivered to the Accademia di San Luca, Rome in 1664. The essay, entitled ''The Idea of the Painter, the Sculptor and the Architect'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Pietro Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian painter and antiquarian, but, more famously, a prominent biographer of artists of the 17th century, equivalent to Giorgio Vasari in the 16th century. His ''Lives of the Artists'' (''Vite de' Pittori, Scultori et Architetti Moderni''), published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. «Bellori is the "predecessor of Winckelmann" not only as an antiquarian but also as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', IV.2.33 ff., thoroughly agrees—except for the somewhat stronger Neoplatonic impact, which is to be explained perhaps more as an influence of Raphael Mengs than as an influence of Shaftesbury—with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Des Sçavans
The ''Journal des sçavans'' (later renamed ''Journal des savans'' and then ''Journal des savants,'' lit. ''Journal of the Learned''), established by Denis de Sallo, is the earliest academic journal published in Europe. It is thought to be the earliest published scientific journal. It currently focuses on European history and premodern literature. History The first issue appeared as a twelve-page quarto pamphlet on Monday, 5 January 1665. This was shortly before the first appearance of the '' Philosophical Transactions of the Royal Society,'' on 6 March 1665. The 18th-century French physician and encyclopédiste Louis-Anne La Virotte (1725–1759) was introduced to the journal through the protection of chancellor Henri François d'Aguesseau. Its content originally included obituaries of famous men, church history, the findings of other's in a scientific manner, and legal reports. Natural philosophy was part of its original scope. It is thought to be the first published scientif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Maratta
Carlo Maratta or Maratti (13 May 162515 December 1713) was an Italian painter, active mostly in Rome, and known principally for his classicizing paintings executed in a Late Baroque Classical manner. Although he is part of the classical tradition stemming from Raphael, he was not exempt from the influence of Baroque painting and particularly in his use of colour. His contemporary and friend, Giovanni Bellori, wrote an early biography on Maratta. Biography Born in Camerano (Marche), then part of the Papal States, Maratta went to Rome in 1636, accompanied by, Don Corintio Benicampi, secretary to Taddeo Barberini. He became an apprentice in the studio of Andrea Sacchi. It was at this time that the debate between Sacchi and Pietro da Cortona took place at the Accademia di San Luca, the artists academy in Rome. Sacchi argued that paintings should only have a few figures which should express the narrative whereas Cortona countered that a greater number of figures allowed for the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Sacchi
Andrea Sacchi (30 November 159921 June 1661) was an Italian painter of High Baroque Classicism, active in Rome. A generation of artists who shared his style of art include the painters Nicolas Poussin and Giovanni Battista Passeri, the sculptors Alessandro Algardi and François Duquesnoy, and the contemporary biographer Giovanni Bellori. Early training Sacchi was born in Rome. His father, Benedetto, was an undistinguished painter. According to the biographer Giovanni Pietro Bellori (who was also a great friend of Sacchi's), Andrea initially entered the studio of Cavalier d'Arpino. These are Bellori's words: Sacchi later entered Francesco Albani's workshop and spent most of his time in Rome where he eventually died. Much of his early career was helped by the regular patronage by Cardinal Antonio Barberini, who commissioned art for the Capuchin church in Rome and the Palazzo Barberini. Mature style A contemporary rival of Pietro da Cortona, Sacchi studied the paintings of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named '' Accademia degli Incamminati'' (Academy of the "newly embarked", or p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Editio Princeps
In classical scholarship, the ''editio princeps'' (plural: ''editiones principes'') of a work is the first printed edition of the work, that previously had existed only in manuscripts, which could be circulated only after being copied by hand. For example, the ''editio princeps'' of Homer is that of Demetrius Chalcondyles, now thought to be from 1488. The most important texts of classical Greek and Roman authors were for the most part produced in ''editiones principes'' in the years from 1465 to 1525, following the invention of the printing press A printing press is a mechanical device for applying pressure to an inked surface resting upon a print medium (such as paper or cloth), thereby transferring the ink. It marked a dramatic improvement on earlier printing methods in which the ... around 1440.Briggs, Asa & Burke, Peter (2002) ''A Social History of the Media: from Gutenberg to the Internet'', Cambridge: Polity, pp. 15–23, 61–73. In some cases there were possibilit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evelina Borea
Evelina Borea (born 1931, Ferrara, Italy) is an Italian art historian, author and curator. Biography Evelina Borea obtained a degree in History of Art in 1958 at the University of Florence. Her tutor and mentor was art historian Roberto Longhi. In 1976 Borea edited a publication of Gian Pietro Bellori's ''Lives'', with a preface by Giovanni Previtali for Einaudi. Borea curated major exhibitions, notably ''Caravaggio e Caravaggeschi nelle Gallerie di Firenze'' (1970) and ''L'idea del bello'' in spring 2000. She is the author of studies on Domenichino (1965), Rosso Fiorentino (1965), Francesco Mochi (1966), Caravaggio and the Caravaggeschi (1966), and Annibale Carracci Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of t ... (1986). Bibliography References Italian art h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of South Carolina Press
The University of South Carolina Press is an academic publisher associated with the University of South Carolina. It was founded in 1944. By the early 1990s, the press had published several surveys of women's writing in the southern United States in a series called Women's Diaries and Letters of the Nineteenth Century South, edited by Carol Bleser. According to Casey Clabough, the quality of its list of authors and book design Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of renowned typographer Jan Tschichold (1902–1974), book design, "though ... became substantially better between the 2000s and 2010s. References 1944 establishments in South Carolina Academic publishing companies University of South Carolina {{SouthCarolina-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian painter and antiquarian, but, more famously, a prominent biographer of artists of the 17th century, equivalent to Giorgio Vasari in the 16th century. His ''Lives of the Artists'' (''Vite de' Pittori, Scultori et Architetti Moderni''), published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. «Bellori is the "predecessor of Winckelmann" not only as an antiquarian but also as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', IV.2.33 ff., thoroughly agrees—except for the somewhat stronger Neoplatonic impact, which is to be explained perhaps more as an influence of Raphael Mengs than as an influence of Shaftesbury—with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Aglionby
William Aglionby (c. 1642–1705) was an English physician, known also as an art historian, translator and diplomat. Life It has been inferred that he was the son of George Aglionby, who was tutor to William Cavendish, 3rd Earl of Devonshire from 1629, and who married Sibella Smith in 1635, dying in 1643. He had an M.D. degree from the University of Bordeaux. Fluency in French later caused him trouble when claiming to be English in France. Aglionby was elected Fellow of the Royal Society in 1667. From 1669 to 1671 he acted as tutor for Sir Andrew Henley, 1st Baronet and then for Robert Paston, 1st Earl of Yarmouth. In 1679 he was secretary to Sir William Temple at The Hague. During the 1680s Aglionby was in practice in London as a physician. He was based in Broad Street, and was licensed by the Royal College of Physicians in 1687. At this period he took an active part in the Royal Society. In 1698 Aglionby was attempting to negotiate a postal treaty with the French Farmer-Gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua Reynolds
Sir Joshua Reynolds (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century. He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and first president of the Royal Academy of Arts, and was knighted by George III in 1769. Early life Reynolds was born in Plympton, Devon, on 16 July 1723 the third son of the Rev. Samuel Reynolds, master of the Plympton Free Grammar School in the town. His father had been a fellow of Balliol College, Oxford, but did not send any of his sons to the university. One of his sisters was Mary Palmer (1716–1794), seven years his senior, author of ''Devonshire Dialogue'', whose fondness for drawing is said to have had much influence on him when a boy. In 1740 she provided £60, half of the premium paid to Thomas Hudson the portrait-painter, for Joshua's pupilage, and nine years late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Ashley-Cooper, 3rd Earl Of Shaftesbury
Anthony Ashley Cooper, 3rd Earl of Shaftesbury (26 February 1671 – 16 February 1713) was an English politician, philosopher, and writer. Early life He was born at Exeter House in London, the son of the future Anthony Ashley Cooper, 2nd Earl of Shaftesbury and his wife Lady Dorothy Manners, daughter of John Manners, 8th Earl of Rutland. Letters sent to his parents reveal emotional manipulation attempted by his mother in refusing to see her son unless he cut off all ties to his father. At the age of three Ashley-Cooper was made over to the formal guardianship of his grandfather Anthony Ashley Cooper, 1st Earl of Shaftesbury. John Locke, as medical attendant to the Ashley household, was entrusted with the supervision of his education. It was conducted according to the principles of Locke's '' Some Thoughts Concerning Education'' (1693), and the method of teaching Latin and Greek conversationally was pursued by his instructress, Elizabeth Birch. At the age of eleven, it is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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