The Letter (opera)
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The Letter (opera)
''The Letter'' is an opera by composer Paul Moravec and librettist Terry Teachout. It was commissioned by the Santa Fe Opera and was premiered there on 25 July 2009. The opera is based on ''The Letter (play), The Letter'', a 1927 play adapted by W. Somerset Maugham from one of his short stories. The play has been filmed twice. The first version, called ''The Letter (1929 film), The Letter'', was made in 1929 and starred Jeanne Eagels. The better-known 1940 version, also called ''The Letter (1940 film), The Letter'', starred Bette Davis and Herbert Marshall and was directed by William Wyler. The inspiration for Maugham's story and his subsequent play came from a Ethel Proudlock case, real-life event which took place in Kuala Lumpur in Federated Malay States, Malaya in April 1911. Development of the opera The collaboration Both Moravec and Teachout made their operatic debuts with ''The Letter''. Teachout began writing the libretto in November 2006 and started posting an ongoing acc ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Double Indemnity
''Double Indemnity'' is a 1944 American crime film noir directed by Billy Wilder, co-written by Wilder and Raymond Chandler, and produced by Buddy DeSylva and Joseph Sistrom. The screenplay was based on James M. Cain's 1943 novel of the same title, which appeared as an eight-part serial for ''Liberty'' magazine in February 1936. The film stars Fred MacMurray as an insurance salesman, Barbara Stanwyck as a provocative housewife who is accused of killing her husband, and Edward G. Robinson as a claims adjuster whose job is to find phony claims. The term " double indemnity" refers to a clause in certain life insurance policies that doubles the payout in cases when the death is accidental. Praised by many critics when first released, the film was nominated for seven Academy Awards, but did not win any. Widely regarded as a classic, it often is cited as having set the standard for film noir. Deemed "culturally, historically, or aesthetically significant" by the U.S. Library of ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Tom Ford
Thomas Carlyle Ford (born August 27, 1961) is an American fashion designer and filmmaker. He launched his eponymous luxury brand in 2005, having previously served as the creative director at Gucci and Yves Saint Laurent. Ford wrote and directed the films ''A Single Man'' (2009) and ''Nocturnal Animals'' (2016). He currently serves as the chairman of the Board of the Council of Fashion Designers of America. Born in Texas, Ford grew up in Houston and San Marcos. He later enrolled at Bard College at Simon's Rock before leaving prior to graduation. He later graduated from the New School with a degree in architecture. Early life Thomas Carlyle Ford was born on August 27, 1961, in Austin, Texas, the son of realtors Shirley Burton (née Shirley Ann Thrasher) and Thomas David Ford (1932-2020).Dingus, Anne"Tom Ford" ''Texas Monthly'' (September 1998). He spent his early life in the suburbs of Houston, Texas, and in San Marcos, outside Austin. He rearranged furniture in the house at 6 ...
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Houston Grand Opera
Houston Grand Opera (HGO) is an American opera company located in Houston, Texas. Founded in 1955 by German-born impresario Walter Herbert and three local Houstonians,Giesberg, Robert I., Carl Cunningham, and Alan Rich. ''Houston Grand Opera at 50.'' Houston: Herring Press, 2005, p. 83. the company is resident at the Wortham Theater Center. In its history, the company has received a Tony Award, two Grammy Awards, and three Emmy Awards, the only opera company in the world to win these three honours. Houston Grand Opera is supported by an active auxiliary organization, the Houston Grand Opera Guild, established in October 1955. __TOC__ History In 1955, the German-born impresario Walter Herbert and Houstonians Elva Lobit, Edward Bing, and Charles Cockrell founded the company. Its inaugural season featured two performances of two operas, ''Salome'' (starring Brenda Lewis in the title role) and ''Madama Butterfly''. David Gockley succeeded Walter Herbert as general director in ...
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The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Jonathan Kent (director)
Jonathan Kent CBE (born 1946) is an English theatre director and opera director. He is known as a director/producer alongside Ian McDiarmid at the Almeida Theatre from 1990 to 2002. He was appointed Commander of the Order of the British Empire (CBE) by Queen Elizabeth II in February 2016 for his services to the performing arts. Early life Kent was born in England to architect parents. They moved to Cape Town, South Africa, when Kent was one year old. He went to school at Diocesan College, Rondebosch, where he appeared as King Lear in the school play in 1964. He originally thought of taking up the profession of painter, but returned to England to study acting at the Central School of Speech and Drama in the 1970s. After completing his drama education, he joined the repertory company Glasgow Citizens Theatre in Scotland. Career Stage director By 1990 Kent had formed an association with the Scottish actor Ian McDiarmid, and between 1990 and 2002 as joint artistic directors, they tu ...
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Peter Grimes
''Peter Grimes'', Op. 33, is an opera in three acts by Benjamin Britten, with a libretto by Montagu Slater based on the section "Peter Grimes", in George Crabbe's long narrative poem '' The Borough''. The "borough" of the opera is a fictional small town that bears some resemblance to Crabbe's – and later Britten's – home of Aldeburgh, Suffolk, on England's east coast. The work was conceived while Britten was living in the US in the early years of the Second World War and completed when he returned to Britain in 1943. It was first performed at Sadler's Wells in London on 7 June 1945, conducted by Reginald Goodall, and was a critical and popular success. It is still widely performed, both in Britain and internationally, and has become part of the standard repertoire. Among the tenors who have performed the title role in the opera house, or on record, or both are Britten's partner Peter Pears, who sang the part at the premiere, and Allan Clayton, Ben Heppner, Jonas Kaufmann, P ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ...
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Anthony Michaels-Moore
Anthony Michaels-Moore (born 8 April 1957) is an English operatic baritone and the first British winner of the Luciano Pavarotti International Voice Competition (Philadelphia, 1985). Michaels-Moore has since performed in many of the world's major opera houses across Europe, the Americas, and Asia. He has distinguished himself as a specialist in Verdi and Puccini roles, most renowned for his portrayals of Falstaff, Nabucco, Rigoletto, Simon Boccanegra, Iago in ''Otello'', Germont in ''La traviata'', Sharpless in ''Madama Butterfly'', and Scarpia in ''Tosca''. In addition to the standard repertoire, he has sung and recorded the baritone roles of some of the less-known 19th Century Italian operas, as well as the popular English art song cycles by Stanford and Vaughan Williams. Michaels-Moore currently lives in Santa Fe, New Mexico. He is the first opera singer to provide the voice of Zozobra when he performed the role of old man gloom for the 96th Burning of Zozobra on September 4, ...
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Patricia Racette
Patricia Lynn Racette (born 1965) is an American operatic soprano. A winner of the Richard Tucker Award in 1998, she has been a regular presence at major opera houses internationally. Racette has enjoyed long-term partnerships with the San Francisco Opera, where she has been a regular performer since 1989, and with the Metropolitan Opera, where she has performed since 1995. Also active on the concert stage, Racette has appeared with many of the world's leading orchestras, including the Boston Symphony Orchestra, the Chicago Symphony Orchestra, the San Francisco Symphony, and the London Philharmonic Orchestra. She also received the award for Best Opera Recording for her performance in the Los Angeles Opera's production of ''The Ghosts of Versailles'' at the 59th Annual Grammy Awards. Racette has particularly excelled in Puccini and Verdi operas. Among her most well-known roles are Violetta in ''La traviata''; Blanche de la Force and Madame Lidoine in ''Dialogues of the Carmelites''; ...
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