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The Legend (Count Basie Album)
''The Legend'' (subtitled ''From the Pen of Benny Carter'') is an album by pianist, composer and bandleader Count Basie featuring tracks composed by Benny Carter recorded in 1961 and originally released on the Roulette label.Kitora, R.Count Basie Discography accessed November 5, 2015 Reception AllMusic awarded the album 4½ out of 5 stars.Allmusic listing accessed November 5, 2015 Track listing ''All compositions by Benny Carter'' # "The Trot" - 3:09 # "Easy Money" - 5:19 # "Amoroso" - 3:47 # "Goin' On" - 4:24 # "The Swizzle" - 3:31 # "The Legend" - 4:35 # "Who's Blue?" - 4:30 # "Turnabout" - 3:56 *Recorded in New York City on October 30, 1961 (tracks 1, 4 & 6), November 1, 1961 (tracks 5 & 7) and November 2, 1961 (tracks 2, 3 & 8)Personnel * |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Coker
Henry Coker (December 24, 1919 – November 23, 1979) was an American jazz trombonist. Biography Coker was born in Dallas, Texas, United States. He made his professional debut with John White in 1935. From 1937 to 1939 he played with Nat Towles's territory band, then moved to Hawaii to play with Monk McFay. After the Japanese bombed Pearl Harbor, Coker returned to California, playing with Benny Carter (1944–46), Illinois Jacquet (1945), Eddie Heywood (1946–47), and Charles Mingus (late 1940s). Coker fell ill from 1949 to 1951 and played little. After his recovery he worked with Sonny Rollins and then joined Count Basie's band, playing and recording with him from 1952 to 1963. Coker worked as a studio musician in the 1960s, then toured with Ray Charles from 1966 to 1971. He worked freelance and in film and television studios in the mid-1970s, returning to Basie briefly in 1973 and Charles in 1976. Osie Johnson wrote a tribute to him entitled "Cokernut Tree" in 1955. Coker app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Jones (jazz Musician)
Eddie Jones (March 1, 1929, Greenwood, Mississippi – May 31, 1997, West Hartford, Connecticut) was an American jazz double bassist. Jones grew up in Red Bank, New Jersey, and played early in the 1950s with Sarah Vaughan and Lester Young. Jones taught music in South Carolina from 1951 to 1952, and became a member of Count Basie's orchestra in 1953, remaining there until 1962. He recorded frequently with this ensemble, and also played with Basie in smaller ensembles; these featured both Basie sidemen ( Joe Newman, Frank Foster, Frank Wess, Thad Jones, Ernie Wilkins) and others (Milt Jackson, Coleman Hawkins, Putte Wickman). Jones quit music in 1962 and took a job with IBM; he later became vice president of an insurance company. In the 1980s he returned to jazz and played on and off in swing jazz ensembles. Discography With Dorothy Ashby *''The Jazz Harpist'' (Regent, 1957) With Count Basie *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Fowlkes
Charles Baker Fowlkes (February 16, 1916 – February 9, 1980) was an American baritone saxophonist who was a member of the Count Basie Orchestra for over twenty-five years. Early life Fowlkes was born in New York City on February 16, 1916. He studied alto and tenor saxophone, clarinet, and violin before settling on the baritone saxophone (he occasionally played flute). Later life and career Fowlkes spent most of his early career in New York. He played with Tiny Bradshaw (1938–1944), Lionel Hampton (1944–1948), and Arnett Cobb (1948–1951). Fowlkes joined Basie's orchestra in 1953 and remained with it until his death; the main interruptions during his time with Basie were absences due to managing the career of his wife, vocalist Wini Brown. He died in Dallas on February 9, 1980. Discography With The Count Basie Orchestra *''The Count!'' (Clef, 1952 955 *''Basie Jazz'' (Clef, 1952 954 *''Dance Session'' (Clef, 1953) *'' Dance Session Album #2'' (Clef, 1954) *'' Basie'' (Clef, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budd Johnson
Albert J. "Budd" Johnson III (December 14, 1910 – October 20, 1984) was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines. Life and career Johnson initially played drums and piano before switching to tenor saxophone. In the 1920s, he performed in Texas and parts of the Midwest, working with Jesse Stone among others. Johnson had his recording debut while working with Louis Armstrong's band in 1932 to 1933, but he is more known for his work, over many years, with Earl Hines. It is contended that he and Billy Eckstine, Hines' long-term collaborator, led Hines to hire "modernists" in the birth of bebop, which came largely out of the Hines band. Johnson was also an early figure in the bebop era, doing sessions with Coleman Hawkins in 1944. In the 1950s he led his own group, and did s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Foster (jazz Musician)
Frank Benjamin Foster III (September 23, 1928 – July 26, 2011) was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s.Profile AllMusic; accessed June 21, 2017. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award. Early life and education Foster was born in Cincinnati, Ohio, United States, and educated at Wilberforce University. In 1949, he moved to Detroit, Michigan, where he joined the local jazz scene, playing with musicians such as Wardell Gray. Career Drafted into the U.S. Army in 1951, Foster served in Korea with the 7th Infantry Division where he fought alongside (although unknowingly) future collaborator Shawn ‘Thunder’ Wallace. Upon finishing his military service in 1953 he joined Count Basie's big band. Foster contributed both arrangements and original compositions to Count Basie's band including the stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Wess
Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music. Biography Wess was born in Kansas City, Missouri, United States, the son of a principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz on moving to Washington, D.C. and by nineteen was working with big bands. His career was interrupted by World War II although he did play with a military band in the period. After leaving the military, he joined Billy Eckstine's orchestra. He returned to Washington D.C. a few years afterwards and received a degree in flute at the city's Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
